During the 1972–1973 basketball season, the Philadelphia 76ers were not just a bad team; they were fantastically awful. Doomed from the start after losing their leading scorer and rebounder, Billy Cunningham, as well as head coach Jack Ramsay, they lost twenty-one of their first twenty-three games. A Philadelphia newspaper began calling them the Seventy Sickers, and they duly lost their last thirteen games on their way to a not-yet-broken record of nine wins and seventy-three losses.
Charley Rosen recaptures the futility of that season through the firsthand accounts of players, participants, and observers. Although the team was uniformly bad, there were still many memorable moments, and the lore surrounding the team is legendary. Once, when head coach Roy Rubin tried to substitute John Q. Trapp out of a game, Trapp refused and told Rubin to look behind the team’s bench, whereby one of Trapp’s friends supposedly opened his jacket to show his handgun. With only four wins at the All-Star break, Rubin was fired and replaced by player-coach Kevin Loughery.
In addition to chronicling the 76ers’ woes, Perfectly Awful also captures the drama, culture, and attitude of the NBA in an era when many white fans believed that the league had too many black players.
Описание: Commercial aspects of college football and basketball during the mid to late 20th century were dominated by a few ""get rich quick"" schools. This book explores gambling, academic fraud, illegal booster activity and the single-minded pursuit of TV contracts in college sports, as well as the NCAA`s involvement - or lack thereof - in such cases.
Описание: Among many legendary episodes from the life and career of men's basketball coach Dean Smith, few loom as large as his recruitment of Charlie Scott, the first African American scholarship athlete at the University of North Carolina at Chapel Hill. Drawn together by college basketball in a time of momentous change, Smith and Scott helped transform a university, a community, and the racial landscape of sports in the South. But there is much more to this story than is commonly told. In Game Changers, Art Chansky reveals an intense saga of race, college sport, and small-town politics. At the center were two young men, Scott and Smith, both destined for greatness but struggling through challenges on and off the court, among them the storms of civil rights protest and the painfully slow integration of a Chapel Hill far less progressive than its reputation today might suggest.
Drawing on extensive personal interviews and a variety of other sources, Chansky takes readers beyond the basketball court to highlight the community that supported Smith and Scott during these demanding years, from assistant basketball coach John Lotz to influential pastor the Reverend Robert Seymour to pioneering African American mayor Howard Lee. Dispelling many myths that surround this period, Chansky nevertheless offers an ultimately triumphant portrait of a student-athlete and coach who ensured the University of North Carolina would never be the same.
Big money NCAA basketball had its origins in a many-sided conflict of visions and agendas. On one side stood large schools focused on a commercialized game that privileged wins and profits. Opposing them was a tenuous alliance of liberal arts colleges, historically black colleges, and regional state universities, and the competing interests of the NAIA, each with distinct interests of their own.
Kurt Edward Kemper tells the dramatic story of the clashes that shook college basketball at mid-century—and how the repercussions continue to influence college sports to the present day. Taking readers inside the competing factions, he details why historically black colleges and regional schools came to embrace commercialization. As he shows, the NCAA's strategy of co-opting its opponents gave each group just enough just enough to play along—while the victory of the big-time athletics model handed the organization the power to seize control of college sports.
An innovative history of an overlooked era, Before March Madness looks at how promises, power, and money laid the groundwork for an American sports institution.
Big money NCAA basketball had its origins in a many-sided conflict of visions and agendas. On one side stood large schools focused on a commercialized game that privileged wins and profits. Opposing them was a tenuous alliance of liberal arts colleges, historically black colleges, and regional state universities, and the competing interests of the NAIA, each with distinct interests of their own.
Kurt Edward Kemper tells the dramatic story of the clashes that shook college basketball at mid-century—and how the repercussions continue to influence college sports to the present day. Taking readers inside the competing factions, he details why historically black colleges and regional schools came to embrace commercialization. As he shows, the NCAA's strategy of co-opting its opponents gave each group just enough just enough to play along—while the victory of the big-time athletics model handed the organization the power to seize control of college sports.
An innovative history of an overlooked era, Before March Madness looks at how promises, power, and money laid the groundwork for an American sports institution.
It's hard to believe that there was a time when the jump shot didn't exist in basketball. When the sport was invented in 1891, players would take set shots with both feet firmly planted on the ground. Defenders controlled the sport, the pace was slower, and games would frequently end with scores fit for a football field. It took almost forty years before players began shooting jump shots of any kind and sixty-five years before it became a common sight. When the first jump shooting pioneers left the ground, they rose not only above their defenders, but also above the sport's conventions. The jump shot created a soaring offense, infectious excitement, loyal fans, and legends. Basketball would never be the same.
Rise and Fire celebrates this crucial shot while tracing the history of how it revolutionized the game, shedding light on all corners of the basketball world, from NBA arenas to the playgrounds of New York City and the barns of Indiana. Award-winning journalist Shawn Fury obsesses over the jump shot, explores its fundamentals, puzzles over its complexities, marvels at its simplicity, and honors those who created some of basketball's greatest moments. Part history, part travelogue, and part memoir, Rise and Fire bounces from the dirt courts of the 1930s to today's NBA courts and state-of-the-art shooting labs, examining everything from how nets and rims affect a shooter to rivalries between shooting coaches to how the three-pointer came to rule the game. Impeccably researched and engaging, the book features interviews and profiles of legendary figures like Jerry West, Bob McAdoo, Ray Allen, and Denise Long---the first woman ever drafted by the NBA, plus dozens more, revealing the evolution of the shot over time. Analyzing the techniques and reliving some of the most unforgettable plays from the greats, Fury creates a technical, personal, historical, and even spiritual examination of the shot. This is not a dry how-to textbook of basketball mechanics; it is a lively tour of basketball history and a love letter to the sport and the shot that changed it forever.
Описание: During the civil rights era, Mississippi was caught in the hateful embrace of a white caste system that enforced segregation. Rather than troubling the Closed Society, state news media, on the whole, marched in lockstep or, worse, promoted the continued subservience of blacks. Surprisingly, challenges from Mississippi's college basketball courts questioned segregation's validity and its gentleman's agreement that prevented college teams in the Magnolia State from playing against integrated foes.Mississippi State University stood at the forefront of this battle for equality in the state with the school's successful college basketball program. From 1959 through 1963, the Maroons won four Southeastern Conference basketball championships and created a dynasty in the South's preeminent college athletic conference. However, in all four title-winning seasons, the press feverishly debated the merits of a National Collegiate Athletic Association appearance for the Maroons, culminating in Mississippi State University's participation in the integrated 1963 NCAA Championship.Full Court Press examines news articles, editorials, and columns published in Mississippi's newspapers during the eight-year existence of the gentleman's agreement that barred black participation, the challenges posed by Mississippi State University, and the subsequent integration of college basketball. While the majority of reporters opposed any effort to integrate, a segment of sports journalists, led by the charismatic Jimmie McDowell of the Jackson State Times, emerged as bold advocates for equality. Full Court Presshighlights an ideological metamorphosis within the press during the civil rights movement. The media, which had long minimized the struggle of blacks, slowly transformed into an industry that considered the plight of black Mississippians on equal footing with whites.
No one had really heard of Chaminade University—a tiny NAIA Catholic school in Honolulu with fewer than eight hundred undergraduates—until its basketball game against the University of Virginia on December 23, 1982. The Chaminade Silverswords defeated the Cavaliers, then the Division I, No. 1–ranked team in the nation, in what the Washington Post later called “the biggest upset in the history of college basketball.” Virginia was the most heralded team in the country, led by seven?foot?four?inch, three?time College Basketball Player of the Year Ralph Sampson. They had just been paid $50,000—more than double Chaminade’s annual basketball budget—to play an early season tournament in Tokyo and were making a “stopover” game in Hawaii on their way back to the mainland. The Silverswords, led by forward Tony Randolph, came back in the second half and won the game 77–72.
Chaminade’s incredible victory became known as the “Miracle on Ward Avenue” or simply “The Upset” in Hawaii and was featured in the national news. Never before in the history of college basketball had a school moved so dramatically and irretrievably into the nation’s consciousness. The Silverswords’ victory was more than just an upset; it was something considered impossible. And the team’s wins over major college programs continued in the ensuing years. Today Chaminade is still referred to as “The Giant Killers”—the school that beat Ralph Sampson and Virginia.
The Greatest Upset Never Seen relives the 1982–83 season, when Chaminade put small?college basketball and Hawaii on the national sports map.
Описание: "The celebrity phenomena of, say, LeBron James and Stephen Curry owe their possibility to a roster of names few outside of the state of Mississippi have ever heard: Coolidge Ball, Wilbert Jordan Jr., Larry Fry, and Jerry Jenkins. These barrier breakers integrated the hardwoods of the Magnolia State against the entrenched and well-funded wishes of the state's power elites. It's a little-known story. Fortunately, Jason A. Peterson decided to tell it and to ground that story in the archives of Mississippi's many daily and weekly newspapers. The result is an important chronicle compellingly told. African American history, which is to say American history, is better off for it." -Brian Carroll, author of The Black Press and Black Baseball, 1915-1955: A Devil's Bargain and When to Stop the Cheering? The Black Press, the Black Community, and the Integration of Professional Baseball "This well-researched investigation is a welcome contribution to the ever-expanding body of scholarship documenting Mississippi's long struggle for civil rights. Studies examining the Magnolia State's closed society ethos have rarely employed popular culture as a tool for unlocking meaning in the state's long and complex struggle over black freedom. The book clearly displays that the saliency of both popular sports and the newsprint media covering them deserve equal recognition next to the state's voting booths, picket lines, and lunch counters as sights for contested meaning in Mississippi's battle over integration. With insightful analysis and carefully crafted argument, Jason Peterson reminds us that sports and their media culture have long been a window through which both Mississippi and the nation perceive their ideas about race and inclusion." -Kevin D. Greene, co-director of the Center for Oral History and Cultural Heritage at the University of Southern Mississippi Jason A. Peterson is assistant professor of communication at Charleston Southern University. A former journalist and public relations practitioner, Peterson's work has been published in American Journalism: A Journal of Media History and in the book From Jack Johnson to LeBron James: Sports, Media, and the Color Line.
Описание: The latest book in Paul Hoses tour de force Drumset for Beginners series takes aim at the behemoth genre of Jazz. Combining historical context and stylistic awareness with progressive technical exercises and performance pieces a comprehensive, cross-genre foundation is achieved. This beautifully illustrated book includes access to extensive online material, including performance tracks and play-alongs as well as video demonstrations.This dynamic series of books is not only for the beginner who has never played before, they are for those wishing to explore new areas of their playing and genres of music for the first time. They are
Описание: The latest book in Paul Hoses tour de force Drumset for Beginners series takes aim at the behemoth genre of Jazz. Combining historical context and stylistic awareness with progressive technical exercises and performance pieces a comprehensive, cross-genre foundation is achieved. This beautifully illustrated book includes access to extensive online material, including performance tracks and play-alongs as well as video demonstrations.This dynamic series of books is not only for the beginner who has never played before, they are for those wishing to explore new areas of their playing and genres of music for the first time. They are
Описание: During the 1980s Black athletes and other athletes of color broadened the popularity and profitability of major-college televised sports by infusing games with a “Black style” of play. At a moment ripe for a revolution in men’s college basketball and football, clashes between “good guy” white protagonists and bombastic “bad boy” Black antagonists attracted new fans and spectators. And no two teams in the 1980s welcomed the enemy’s role more than Georgetown Hoya basketball and Miami Hurricane football.
Georgetown and Miami taunted opponents. They celebrated scores and victories with in-your-face swagger. Coaches at both programs changed the tenor of postgame media appearances and the language journalists and broadcasters used to describe athletes. Athletes of color at both schools made sports apparel fashionable for younger fans, particularly young African American men. The Hoyas and the ’Canes were a sensation because they made the bad-boy image look good. Popular culture took notice.
In the United States sports and race have always been tightly, if sometimes uncomfortably, entwined. Black athletes who dare to challenge the sporting status quo are often initially vilified but later accepted. The 1980s generation of barrier-busting college athletes took this process a step further. True to form, Georgetown’s and Miami’s aggressive style of play angered many fans and commentators. But in time their style was not only accepted but imitated by others, both Black and white. Love them or hate them, there was simply no way you could deny the Hoyas and the Hurricanes.
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