Between the pagan past and christian present in byzantine visual culture, Chatterjee, Paroma
Название: Early Christian & Byzantine Art ISBN: 0714831689 ISBN-13(EAN): 9780714831688 Издательство: Phaidon Press Ltd. Рейтинг: Цена: 8276.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the 1320's AD the Emperor Constantine moved the capital of his Empire from Rome to Byzantium, which was renamed Conatantinople, and until its fall in 1453 remained a major artistic centre. Under successive emperors and empresses for more than a thousand years, artists, archtects and craftsmen produced superb and intriguing works ranging fom the grandest public buildings to the smallest and most personal items. Today this art is generally termed early Christian and Byzantine. Working from the surviving material this work explains how and why early Christian and Byzantine art was made and used. The reader is taken on a journey of discovery as the ideas this art sought to express are considered.
Описание: This book reconstructs and interprets the decorative appearance of one of the world`s greatest cities at the dawn of its golden age. For scholarly and general audiences, it focuses on the needs and interests of common people as a way of thinking about art within the broader context of history.
Описание: Isabelle Dolezalek is the recipient of the 2018 ICMA Annual Book Prize. Roger II’s famous mantle and other royal garments from twelfth- and thirteenth-century Sicily prominently display Arabic inscriptions. While the phenomenon is highly unusual in the context of Latin Christian kingship, the use of inscriptions as a textile ornament was common and imbued with political functions in the Islamic courts of the medieval Mediterranean. This case study of the inscribed garments from Norman Sicily draws attention to the diverse functions of Arabic textile inscriptions using various contextual frames. Such a contextual approach not only highlights the specificities of the Norman textile inscriptions and emphasises the practical and political choices underlying their use at the Sicilian court, it also pinpoints the flaws of universalising approaches to transcultural ornamental in circulation in the medieval Mediterranean. This new perspective on the royal garments from Norman Sicily draws from a variety of disciplines, including Islamic and European art history, the history of textiles, epigraphy, legal history and historiography, and aims to challenge established notions of cultural and disciplinary boundaries.
Описание: Explores how the Virgin Mary`s life is told in many different ways in hymns, sermons, icons, art, and other media in the Byzantine Empire before AD 1204. Argues that these narratives played a fundamental role in the development of the Marian cult from Late Antiquity onward.
In the conventional historical narrative, the medieval Middle East was composed of autonomous religious traditions, each with distinct doctrines, rituals, and institutions. Outside the world of theology, however, and beyond the walls of the mosque or the church, the multireligious social order of the medieval Islamic empire was complex and dynamic. Peoples of different faiths—Sunnis, Shiites, Christians, Jews, and others—interacted with each other in city streets, marketplaces, and even shared households, all under the rule of the Islamic caliphate. Laypeople of different confessions marked their religious belonging through fluctuating, sometimes overlapping, social norms and practices. In Between Christ and Caliph, Lev E. Weitz examines the multiconfessional society of early Islam through the lens of shifting marital practices of Syriac Christian communities. In response to the growth of Islamic law and governance in the seventh through tenth centuries, Syriac Christian bishops created new laws to regulate marriage, inheritance, and family life. The bishops banned polygamy, required that Christian marriages be blessed by priests, and restricted marriage between cousins, seeking ultimately to distinguish Christian social patterns from those of Muslims and Jews. Through meticulous research into rarely consulted Syriac and Arabic sources, Weitz traces the ways in which Syriac Christians strove to identify themselves as a community apart while still maintaining a place in the Islamic social order. By binding household life to religious identity, Syriac Christians developed the social distinctions between religious communities that came to define the medieval Islamic Middle East. Ultimately, Between Christ and Caliph argues that interreligious negotiations such as these lie at the heart of the history of the medieval Islamic empire.
In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes.
Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources.
Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.
Автор: Francesca Dell`Acqua; Ernesto Sergio Mainoldi Название: Pseudo-Dionysius and Christian Visual Culture, c.500–900 ISBN: 3030247686 ISBN-13(EAN): 9783030247683 Издательство: Springer Рейтинг: Цена: 19564.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.
It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and 'material' world-view of classical antiquity to an inner-directed, 'spiritual' mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and diverse image of the nature and meanings of abstraction and symbolism in late antique and early medieval art, beyond normative intepretation models, and from a number of different methodological and interpretative perspectives. In ten chapters, ten authors specialised in various fields of late-antique and Byzantine art explore the historiographical background of the 'spiritual' interpretation paradigm, neuroscientific and theological dimensions of Christian visual aesthetics, meanings and motive factors behind apparently wholly abstract and aniconic compositions, symbolic motifs and schemes for visualising cosmic order and the cosmic state of Christ, and the re-use of symbolic Greco-Roman themes in Christian contexts. The result is a multi-focal image of late antique abstraction and symbolism that illuminates the heterogeneity and complexity of the phenomena and of their study.
Автор: Diane Apostolos-Cappadona Название: A Guide to Christian Art ISBN: 056768511X ISBN-13(EAN): 9780567685117 Издательство: Bloomsbury Academic Цена: 10296.00 р. Наличие на складе: Нет в наличии.
Описание: A one-volume introduction to and overview of Christian art, from its earliest history to the present day. Diane Apostolos-Cappadona begins by examining how art and Christianity have intersected throughout history, and charts this tumultuous relationship that has yielded some of the greatest outpourings of human creativity. To introduce readers to the way a painting can be read Apostolos-Cappadona begins with an analysis of a painting of the Adoration of the Magi, helping readers to see how they can interpret for themselves the signs, symbols and figures that the book covers.In the more-than 1000 entries that follow Apostolos-Cappadona gives readers an expert overview of all the frequently used symbols and motifs in Christian art as well as the various saints, historical figures, religious events, and biblical scenes most frequently depicted. Readers are introduced to the ways in which religious paintings are often "coded’" such as what a lily means in a picture of Mary, how a goldfinch can be "Christological", or how the presence of an Eagle means it is likely to be a picture of St John. The entries are organized by topic, so that students and beginners can easily find their way to discussion of the themes and motifs they see before them when looking at a painting.
Автор: Dell`acqua Francesca, Mainoldi Ernesto Sergio Название: Pseudo-Dionysius and Christian Visual Culture, C.500-900 ISBN: 3030247716 ISBN-13(EAN): 9783030247713 Издательство: Springer Цена: 19564.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.
Автор: Apostolos-Cappadona Diane Название: A Guide to Christian Art ISBN: 0567685128 ISBN-13(EAN): 9780567685124 Издательство: Bloomsbury Academic Рейтинг: Цена: 3800.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A one-volume introduction to and overview of Christian art, from its earliest history to the present day. Diane Apostolos-Cappadona begins by examining how art and Christianity have intersected throughout history, and charts this tumultuous relationship that has yielded some of the greatest outpourings of human creativity.
To introduce readers to the way a painting can be read Apostolos-Cappadona begins with an analysis of a painting of the Adoration of the Magi, helping readers to see how they can interpret for themselves the signs, symbols and figures that the book covers. In the more-than 1000 entries that follow Apostolos-Cappadona gives readers an expert overview of all the frequently used symbols and motifs in Christian art as well as the various saints, historical figures, religious events, and biblical scenes most frequently depicted. Readers are introduced to the ways in which religious paintings are often coded' such as what a lily means in a picture of Mary, how a goldfinch can be Christological, or how the presence of an Eagle means it is likely to be a picture of St John. The entries are organized by topic, so that students and beginners can easily find their way to discussion of the themes and motifs they see before them when looking at a painting.
Описание: The first comprehensive study of the Excerpta, a sort of `Byzantine Google` which repackaged many key works of Greek historiography stretching back into antiquity, and how it reshaped Byzantine court culture in the tenth century. Also tackles wider issues including the history of information management, philological practices and book culture.
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