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Postdramatic Theatre and India: Theatre-Making Since the 1990s, SenGupta Ashis, Brater Enoch, Taylor-Batty Mark


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Автор: SenGupta Ashis, Brater Enoch, Taylor-Batty Mark
Название:  Postdramatic Theatre and India: Theatre-Making Since the 1990s
ISBN: 9781350154087
Издательство: Bloomsbury Academic
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1350154083
Обложка/Формат: Hardback
Страницы: 216
Вес: 0.39 кг.
Дата издания: 27.01.2022
Серия: Methuen drama engage
Язык: English
Иллюстрации: 10 bw; 10 bw
Размер: 23.39 x 15.60 x 1.60 cm
Читательская аудитория: Professional and scholarly
Ключевые слова: Theatre studies, PERFORMING ARTS / Theater / Direction & Production,PERFORMING ARTS / Theater / History & Criticism
Подзаголовок: Theatre-making since the 1990s
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Поставляется из: США
Описание: This book revisits Hans-Thies Lehmanns theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American model of postdramatic theatre, but many have used its vocabulary and apparatus in innovative, transnational ways. Their principal aim was to invigorate the language of Indian urban theatre, which had turned stale under the stronghold of realism inherited from colonial stage practice or prescriptive under the decolonizing drive of the theatre of roots movement after independence. Emerging out of a set of different historical and cultural contexts, their productions have eventually expanded and diversified the postdramatic framework by crosspollinating it with regional performance forms.

Theatre in India today includes devised performance, storytelling across forms, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so on.

The book balances theory, context and praxis, developing a new area of scholarship in Indian theatre. Interspersed throughout are Indian theatre-makers clarification of their own practices vis-а-vis those in Europe and the US.



Postdramatic Theatre

Автор: Hans-Thies Lehmann
Название: Postdramatic Theatre
ISBN: 0415268133 ISBN-13(EAN): 9780415268134
Издательство: Taylor&Francis
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Цена: 8420.00 р.
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Описание: Newly adapted for the Anglophone reader, and including a wealth if practical examples, this is an excellent translation of Hans-Thies Lehmann`s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre.

Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance

Автор: Karen J?rs-Munby, Jerome Carroll, Steve Giles
Название: Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance
ISBN: 1408184869 ISBN-13(EAN): 9781408184868
Издательство: Bloomsbury Academic
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Цена: 4275.00 р.
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Описание:

Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance?

The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance.

Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Ranciere and others

Postdramatic Theatre and Form

Автор: Michael Shane Boyle, Matt Cornish, Brandon Woolf
Название: Postdramatic Theatre and Form
ISBN: 1350043168 ISBN-13(EAN): 9781350043169
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form.

Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare.

A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.

Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance

Автор: Karen J?rs-Munby, Jerome Carroll, Steve Giles
Название: Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance
ISBN: 1408185709 ISBN-13(EAN): 9781408185704
Издательство: Bloomsbury Academic
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Цена: 20592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance?

The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance.

Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Ranciere and others

Postdramatic theatre and form

Название: Postdramatic theatre and form
ISBN: 135018330X ISBN-13(EAN): 9781350183308
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on which they hinge: form.

Contributors draw on literary studies, film studies and critical theory to reimagine the formal aspects of theatre, such as space, media and text. The volume expands how scholars think of theatrical form, insisting that formalist analysis can be useful for studying the ways theatre is produced and consumed, and how theatre makers engage with other forms like dance and visual art. Chapters focus on a range of interdisciplinary artists including Tadeusz Kantor, Ann Liv Young and Ryan Trecartin and Lizzie Fitch, as well as theatre's enmeshment within institutional formations like funding agencies, festivals, real estate and healthcare.

A timely investigation of the aesthetic structures and material conditions of contemporary performance, this collection refines what we mean, and what we don't, when we speak of postdramatic theatre.

Postdramatic Tragedies

Автор: Cole Emma
Название: Postdramatic Tragedies
ISBN: 0198817681 ISBN-13(EAN): 9780198817680
Издательство: Oxford Academ
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Цена: 11880.00 р.
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Описание: Postdramatic Tragedies explores the history of classical tragedy within postdramatic theatre from 1995 to 2015, drawing on a range of case studies of productions from the United Kingdom, the United States, Australia, and continental Europe, including both widely known productions and works largely unknown in Anglophone scholarship.

Teaching Postdramatic Theatre

Автор: D`Cruz
Название: Teaching Postdramatic Theatre
ISBN: 3319716840 ISBN-13(EAN): 9783319716848
Издательство: Springer
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Цена: 13974.00 р.
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Описание: This book explores the concept and vocabulary of postdramatic theatre from a pedagogical perspective. It identifies some of the major anxieties and paradoxes generated by teaching postdramatic theatre through practice, with reference to the aesthetic, cultural and institutional pressures that shape teaching practices.

Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre

Автор: Mary Mazzilli
Название: Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre
ISBN: 1350036137 ISBN-13(EAN): 9781350036130
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
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Описание: Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary exile from China, he has assembled a body of dramatic work that has best been understood neither as expressly Chinese nor French, but as transnational.

In this comprehensive study of his post-exile plays, Mary Mazzilli explores Gao's plays as examples of postdramatic transnationalism: a transnational artistic and theatrical trend that is fluid, flexible and full of variety of styles and influences. As such this innovative interdisciplinary investigation offers fresh insights on contemporary theatre.

Whereas other publications have considered Gao's work as a cultural and artistic phenomenon, Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre is the first study to relate his plays to postdramatic theatre and to provide close textual and dramatic analysis that will help readers to better understand his complex work, and also to see it in the context of the work of contemporary playwrights such as Martin Crimp, Peter Handke, and Elfriede Jelinek.

Among the plays discussed are: The Other Shore, written just before he left China in 1987; Between Life and Death (1991) - compared in detail to Martin Crimp's Attempts on her life; Dialogue and Rebuttal (1992), and its relationship to Beckett's Happy Days; Nocturnal Wanderer (1993), Weekend Quartet (1995), and the latest plays Snow in August (1997), Death Collector (2000) and Ballade Nocturne (2010).

Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre

Автор: Mary Mazzilli
Название: Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre
ISBN: 1472591607 ISBN-13(EAN): 9781472591609
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 17424.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary exile from China, he has assembled a body of dramatic work that has best been understood neither as expressly Chinese nor French, but as transnational.

In this comprehensive study of his post-exile plays, Mary Mazzilli explores Gao's plays as examples of postdramatic transnationalism: a transnational artistic and theatrical trend that is fluid, flexible and full of variety of styles and influences. As such this innovative interdisciplinary investigation offers fresh insights on contemporary theatre.

Whereas other publications have considered Gao's work as a cultural and artistic phenomenon, Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre is the first study to relate his plays to postdramatic theatre and to provide close textual and dramatic analysis that will help readers to better understand his complex work, and also to see it in the context of the work of contemporary playwrights such as Martin Crimp, Peter Handke, and Elfriede Jelinek.

Among the plays discussed are: The Other Shore, written just before he left China in 1987; Between Life and Death (1991) - compared in detail to Martin Crimp's Attempts on her life; Dialogue and Rebuttal (1992), and its relationship to Beckett's Happy Days; Nocturnal Wanderer (1993), Weekend Quartet (1995), and the latest plays Snow in August (1997), Death Collector (2000) and Ballade Nocturne (2010).


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