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Radio`s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades, Cooper Martin


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Автор: Cooper Martin
Название:  Radio`s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades
ISBN: 9781501360442
Издательство: Bloomsbury Academic
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501360442
Обложка/Формат: Hardback
Страницы: 264
Вес: 0.51 кг.
Дата издания: 27.01.2022
Серия: Arts
Язык: English
Иллюстрации: 11 bw illus
Размер: 158 x 236 x 18
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Media studies,Radio,Radio & television industry, PERFORMING ARTS / Radio / General,PERFORMING ARTS / Radio / History & Criticism,SOCIAL SCIENCE / Media Studies
Подзаголовок: The sounds of british broadcasting over the decades
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Поставляется из: США
Описание:

Examining work by novelists, film-makers, TV producers and songwriters, this book uncovers the manner in which the radio - and the act of listening - has been written about for the past 100 years.

Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain, and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Ernest Hemmingway, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reeds Rock & Roll said listening to a New York station had saved Jennys life. Frasier showed the urbane side of broadcasting, whilst Good Morning Vietnam exploded through transistor radios with a raw energy all of its own. Queen thought that all the audience heard was gaga, even as the Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented The Last DJ.

This book explores the cultural fascination with radio; the act of listening as a cultural expression - focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio - as created by these contemporary writers, film-makers, and musicians.




Broadcasting Hollywood: The Struggle Over Feature Films on Early TV

Автор: Porst Jennifer
Название: Broadcasting Hollywood: The Struggle Over Feature Films on Early TV
ISBN: 0813596211 ISBN-13(EAN): 9780813596211
Издательство: Mare Nostrum (Eurospan)
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Цена: 4132.00 р.
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Описание: Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood's feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena.

Radio`s Civic Ambition: American Broadcasting and Democracy in the 1930s

Автор: Goodman David
Название: Radio`s Civic Ambition: American Broadcasting and Democracy in the 1930s
ISBN: 0195394089 ISBN-13(EAN): 9780195394085
Издательство: Oxford Academ
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Цена: 24025.00 р.
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Описание: The history of American radio broadcasting has often been written as a lament for lost possibilities, a tale of what might have been. One now familiar landmark in that account is the story of how American commercial broadcasters, in the passage of the 1934 Communications Act, won a great
victory over reformers who wanted frequencies set aside for non-commercial use. It is generally agreed that the defeat of the radio reformers was decisive and permanent, and that the best hopes for a public radio in the United States had been thwarted by 1934. In Radio's Civic Ambition, however,
author David Goodman focuses not on the lost possibilities and defeated reformers, but on what did happen as the beginning of another chapter in the story of the struggle over the meaning and purpose of American broadcasting. Commercial broadcasters paid a considerable price for their victory: in
the years after 1934, American broadcasters always had to be seen to be providing public service as well as entertainment. An impressive range of programs, from imaginatively conceived classical music broadcasts to lively multi-opinion radio forums, was designed to promote civic engagement and
individualization. By the later 1930s, political leaders, key social science and communications intellectuals, the Federal Communications Commission, and many articulate and educated ordinary Americans, increasingly expected commercial broadcasters in the US to perform a range of ambitious civic
functions, including encouraging local community, strengthening democracy, fostering talent, and producing tolerance for other points of view.

A new look at the history of commercial radio broadcasting in America, Radio's Civic Ambition will appeal to students and scholars in communications and radio studies, music history, media studies, and American history.

Network Nations: A Transnational History of British and American Broadcasting

Автор: Hilmes Michele
Название: Network Nations: A Transnational History of British and American Broadcasting
ISBN: 0415883849 ISBN-13(EAN): 9780415883849
Издательство: Taylor&Francis
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Цена: 25265.00 р.
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Описание:

In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition contrasting with the American commercial system--in fact they represent two sides of the same coin. Neither could have developed without the constant presence of the other, in terms not only of industry and policy but of aesthetics, culture, and creativity, despite a long history of oppositional rhetoric.

Based on primary research in British and American archives, Network Nations argues for a new transnational approach to media history, looking across the traditional national boundaries within which media is studied to encourage an awareness that media globalization has a long and fruitful history. Placing media history in the framework of theories of nationalism and national identity, Hilmes examines critical episodes of transnational interaction between the US and Britain, from radio's amateurs to the relationship between early network heads; from the development of radio features and drama to television spy shows and miniseries; as each other's largest suppliers of programming and as competitors on the world stage; and as a network of creative, business, and personal relationships that has rarely been examined, but that shapes television around the world. As the global circuits of television grow and as global regions, particularly Europe, attempt to define a common culture, the historical role played by the British/US media dialogue takes on new significance.

British Broadcasting and the Public-Private Dichotomy

Автор: Simon Dawes
Название: British Broadcasting and the Public-Private Dichotomy
ISBN: 3319843176 ISBN-13(EAN): 9783319843179
Издательство: Springer
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Цена: 9083.00 р.
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Описание: This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point.

British Broadcasting and the Public-Private Dichotomy

Автор: Simon Dawes
Название: British Broadcasting and the Public-Private Dichotomy
ISBN: 3319500961 ISBN-13(EAN): 9783319500966
Издательство: Springer
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Цена: 12577.00 р.
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Описание: This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point.

2mt writtle - the birth of british broadcasting

Автор: Wander, Tim
Название: 2mt writtle - the birth of british broadcasting
ISBN: 075520607X ISBN-13(EAN): 9780755206070
Издательство: Неизвестно
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Цена: 7654.00 р.
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British Broadcasting: A Study in Monopoly

Автор: Coase R. H.
Название: British Broadcasting: A Study in Monopoly
ISBN: 1138965065 ISBN-13(EAN): 9781138965065
Издательство: Taylor&Francis
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Цена: 7042.00 р.
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Описание: First Published in 1969. Routledge is an imprint of Taylor & Francis, an informa company.

Broadcasting Hollywood: The Struggle Over Feature Films on Early TV

Автор: Jennifer Porst
Название: Broadcasting Hollywood: The Struggle Over Feature Films on Early TV
ISBN: 081359622X ISBN-13(EAN): 9780813596228
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 18810.00 р.
Наличие на складе: Нет в наличии.

Описание: Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood's feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena.


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