Film, Art, and the Third Culture: A Naturalized Aesthetics of Film, Smith Murray
Автор: Bal Mieke Название: Image thinking ISBN: 1474494234 ISBN-13(EAN): 9781474494236 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Bal teaches us how to think with images, but also how to write and think as artists and writers about our own creative work.
Автор: McQueen Sean Название: Deleuze and Baudrillard ISBN: 1474425844 ISBN-13(EAN): 9781474425841 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Analysing a wide range of novels and films, Sean McQueen brings renewed Marxian readings to cyberpunk texts previously theorised by Baudrillard or Deleuze. He places them at the heart of the emergence of biopunk and biocapitalism, theorising shifts in capitalism, science, technology, psychoanalysis, literature and film studies.
Автор: Richards, Richard A. Название: Naturalized Aesthetics ISBN: 0367440040 ISBN-13(EAN): 9780367440046 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book bridges the gap between the many insights into art provided by research in evolutionary theory, psychology, and neuroscience and those enduring normative issues best addressed by philosophy.
Автор: Luzzi Joseph Название: A Cinema of Poetry: Aesthetics of the Italian Art Film ISBN: 1421411660 ISBN-13(EAN): 9781421411668 Издательство: Johns Hopkins University Press Рейтинг: Цена: 4711.00 р. Наличие на складе: Невозможна поставка.
Описание: Brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer.
Автор: Murray Littlejohn, Richard Kearney Название: Thinking Film: Philosophy at the Movies ISBN: 1350113468 ISBN-13(EAN): 9781350113466 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken up and enriched throughout world cinema. Can film indeed think? That is, can film do the work of philosophy?Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Film: Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities.This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form.
Автор: Bolton Lucy Название: Contemporary Cinema and the Philosophy of Iris Murdoch ISBN: 1474481353 ISBN-13(EAN): 9781474481359 Издательство: Bloomsbury Academic Рейтинг: Цена: 3642.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bringing together Murdoch`s moral philosophy and contemporary cinema to build a dialogue about vision, ethics and love, author Lucy Bolton encourages us to view cinema as a way of studying other worlds and moral journeys.
Описание: Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new 'international style' of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism.
He provides concise accounts of how theorists such as Andre Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Ranciere have discussed this cinematic aesthetic, clarifying debates over terms such as 'realism', 'classical' and 'avant-garde' as well as recent controversies over terms such as 'slow cinema' and 'vernacular modernism'. He further argues the influence of modernism through close readings of many contemporary films, including films by Abbas Kiarostami, Bela Tarr, Jia Zhangke, and Angela Schanelec. Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the 'new cinema' of Taiwan and Iran, this book explores the cultural significance of modernism and its lasting influence over cinema.
Автор: Christian Delage, Peter Goodrich, Marco Wan Название: Law and New Media: West of Everything ISBN: 1474445829 ISBN-13(EAN): 9781474445825 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the complex and varied interactions between law and the different visual media produced by changing technologies
In this volume, international specialists from new and established domains of law, media, film and virtual studies address the emergence of the jurist in the era of digital transmission. Examining the jurisprudence of new visual technologies - from the cinema of the early twentieth century to the social media of our own time - this volume explores the multiple intersections of these visual technologies and the law from the theoretical insight they generate to the nature of law to the impact they have on doctrinal development.
Part One tracks the media, the technologies and apparatuses of modern law. It looks specifically at the acoustics of architecture, emblematic texts, films of trials, the prohibition of cameras in courtrooms and the rules of contempt, televised reporting of law, and the multiple fora and chat rooms of Facebook, vblogs, #hashtag law and the mobile-optimised web. Part Two examines the jurisprudential questions raised by new visual and virtual reality technologies of the 21st century. Will social media lead to social law? The force of legal remediation? Virtual courts and online judges? Paperless trials? Electronic discovery? All of these developments impact how we conceive of the practice of law.
Key Features
Includes an international range of contributions and coverage, from the United States and Europe to the Middle East and China
Presents a firm historical foundation for considering the connections between law and new forms of media
Includes a range of contributions from established scholars and promising new voices in the field
Examines a wide range of new media, from online platforms to virtual reality
Contributors
Michele Castaneda, Brown University
Emanuele Coccia, EHSS Paris
Christian Delage, Universit Paris 8 & Director of IHTP
Описание: Examines how the films of Marguerite Duras create a multisensorial experience for spectators
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Key features
Examines how the director's filmic innovations create a sensorial space for the female experience to be expressed
Builds on recent work on film as a multisensory medium
Covers Duras's entire film production, including short films and early adaptations
Описание: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz explores the poetic thinking of these master filmmakers, expressed in several of their key films. It examines theoretical ideas, including Maori anthropology of the gift and Sufi philosophy of the image, to conceive film as abundant gift. Elaborating on how this gift may be received, this book imagines film as our indispensable mentor - a wild mentor who teaches us how to think with moving images by learning to perceive evanescent forms that simply appear and disappear.
Автор: Mieke Bal Название: Image-Thinking: Artmaking as Cultural Analysis ISBN: 1474494226 ISBN-13(EAN): 9781474494229 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Bal teaches us how to think with images, but also how to write and think as artists and writers about our own creative work.
Автор: Barry Monahan Название: Hands on Film: Actants, Aesthetics, Affects ISBN: 946372771X ISBN-13(EAN): 9789463727716 Издательство: NBN International Рейтинг: Цена: 24922.00 р. Наличие на складе: Нет в наличии.
Описание: Hands on Film is a comprehensive study of the representations and on-screen uses of the human limb, spanning the history of the cinema from its birth to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. The book offers insights into how films have created meaning by focusing on that part of the anatomy and, in turn, proposes a variety of ways in which its on-screen appearances might shed light on what it means to be sentient, cultured, and creative beings in the world.
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