Описание: "The Duping of America" is the result of two years of research and thorough examination of multiple facets of the abortion debate, with more than 150 citations from medical, scientific, legal and ethics experts. The goal of the book is to educate readers about abortion and motivate them to take a stand to protect life based on objective evidence. It examines the social and cultural trends that led to the 1973 Roe v. Wade decision and what the effects have been, and reveals the inner workings of Planned Parenthood. Presenting the impact the media and Hollywood have had in promoting abortion and shaping public opinion, it equips the reader with facts to disprove the fourteen most common anti-life arguments. Different types of abortions and their legal implications are described based on former abortionists' testimony, and also considers who were among the 61,000,000 people we have aborted so far. The role of crisis pregnancy centers in helping women in problem pregnancies as well as serving post-abortive women and sources for healing are outlined. In addition, the book includes statistics and the politics of abortion, as well as the role played by religion. It concludes with a challenge to the reader to take a stand to defend unborn human life, and offers seven specific actions the pro-life advocate can take. As a lifelong pro-life advocate, Rick has always been interested in justice issues and probing the core of complicated, sometimes controversial subjects. "The Duping of America" is his first attempt at publishing a fact-based approach to examine such a topic. With two bachelor's degrees from Eastern Illinois University and two graduate degrees from UCLA, Rick was raised in Illinois, but has lived in Southern California for many years. He and his wife have two adult children and are expecting their third grandchild in 2020. His goal is to educate readers and listeners about abortion and motivate them to take a stand for life. He enjoys traveling, gardening, food, hiking, ocean kayaking, and touring visitors around southern California. He is available for speaking engagements and fundraisers for pro-life organizations and crisis pregnancy centers.
Описание: This book explores how news media construct social issues and events and thereby convey certain perceptions within the scope of framing theory.
Автор: Beth Johnson, James Aston, Basil Glynn Название: Television, Sex and Society: Analyzing Contemporary Representations ISBN: 1441179453 ISBN-13(EAN): 9781441179456 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the 1990s, the screening of sex on American, British and Asian television screens has become increasingly prolific. Considering not only the specificities of selected sexualised images in relation to popular series, this study also concerns itself with the ramifications of TV sex as well as discussing the various techniques that are used by TV producers/programme makers to establish the cultural worth of their texts in series such as Shameless, The Tudors and True Blood.
The contributions draw attention to shifting representations of sex on television away from the authoritarian state and patriarchal order, toward a more democratic form of representation. As a significant and under-represented aspect of contemporary television studies, this is the first full-length academic collection to consider the wide-ranging representations of sex in society on contemporary television.
This book employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. As a unique examination of the production of contemporary crime television dramas, particularly their writing process, Making Crime Television: Producing Entertaining Representations of Crime for Television Broadcast examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated.
Using ethnographic and interview data, Anita Lam considers how textual representations of crime are assembled by various people (including writers, directors, technical consultants, and network executives), technologies (screenwriting software and whiteboards), and texts (newspaper articles and rival crime dramas). The emerging analysis does not project but instead concretely examines what and how television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to a content analysis that treats the representation as a final product. Rather, a television representation of crime must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks. A fascinating investigation into the relationship between television production, crime, and the law, this book is an accessible and well-researched resource for students and scholars of Law, Media, and Criminology.
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