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Sites of Transformation: Applied and Socially Engaged Scenography in Rural Landscapes, Wilson Louise Ann, Palmer Scott, McKinney Joslin


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Автор: Wilson Louise Ann, Palmer Scott, McKinney Joslin
Название:  Sites of Transformation: Applied and Socially Engaged Scenography in Rural Landscapes
ISBN: 9781350104440
Издательство: Bloomsbury Academic
Издательство: Methuen Drama
Классификация:

ISBN-10: 1350104442
Обложка/Формат: Hardback
Страницы: 248
Вес: 0.52 кг.
Дата издания: 24.02.2022
Серия: Performance and design
Язык: English
Иллюстрации: 30 bw illus
Размер: 139 x 215 x 25
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Social impact of environmental issues,Theatre studies, PERFORMING ARTS / Theater / Stagecraft
Подзаголовок: Applied and socially engaged scenography in rural landscapes
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Поставляется из: США
Описание:

In this book practitioner and researcher Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of scenography as a distinctive type of applied art and performance practice that seeks tangible, therapeutic, and transformative real-world outcomes. It is what Christopher Baugh calls scenography with purpose.

Using case studies drawn from the body of site-specific walking-performances she has created in the UK since 2011, Wilson demonstrates how she uses scenography to emplace challenging, marginalizing or missing life-events into rural landscapes - creating a site of transformation - in which participants can reflect upon, re-image and re-imagine their relationship to their circumstances. Her work has addressed terminal illness and bereavement, infertility and childlessness by circumstance, and (im)mobility and memory. These works have been created on mountains, in caves, along coastlines and over beaches. Each case-study is supported by evidential material demonstrating the effects and outcomes of the performance being discussed.

The book reveals Wilsons creative methodology, her application of three distinct strands of transdisciplinary research into the site/landscape, the subject/life-event, and with the people/participants affected by it. She explains the 7 scenographic principles she has developed, and which apply theories and aesthetics relating to land/scape art and walking and performance practices from Early Romanticism to the present day. They are underpinned by the concept of the feminine material sublime, and informed by the attentive, autotopographic, therapeutic and highly scenographic use of walking and landscape found in the work of Dorothy Wordsworth and her female contemporaries. Case studies include Fissure (2011), Ghost Bird (2012), The Gathering (2014), Warnscale (2015), Mulliontide (2016), Dorothys Room (2018) and Womens Walks to Remember: With memory I was there (2018-2019).




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