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The Art of Pure Cinema: Hitchcock and His Imitators, Isaacs Bruce


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Автор: Isaacs Bruce
Название:  The Art of Pure Cinema: Hitchcock and His Imitators
ISBN: 9780190889951
Издательство: Oxford Academ
Издательство: Oxford University Press, USA
Классификация:

ISBN-10: 0190889950
Обложка/Формат: Hardcover
Страницы: 269
Вес: 0.54 кг.
Дата издания: 01.04.2020
Язык: English
Иллюстрации: 138 film stills; 138 film stills
Размер: 24.64 x 16.00 x 2.29 cm
Читательская аудитория: General (us: trade)
Подзаголовок: Hitchcock and his imitators
Ссылка на Издательство: Link
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Поставляется из: США
Описание: In The Art of Pure Cinema, Bruce Isaacs reexamines Alfred Hitchcock`s filmography through the lens of what Hitchcock termed the purest expression of a cinematic idea, and investigates whether or not Hitchcock actually achieved this ideal of pure cinema over his long and storied career.


The Art of Pure Cinema: Hitchcock and His Imitators

Автор: Isaacs Bruce
Название: The Art of Pure Cinema: Hitchcock and His Imitators
ISBN: 0190889969 ISBN-13(EAN): 9780190889968
Издательство: Oxford Academ
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Цена: 11794.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In a now-famous interview with Franзois Truffaut in 1962, Alfred Hitchcock described his masterpiece Rear Window (1954) as the purest expression of a cinematic idea. But what, precisely, did Hitchcock mean by pure cinema? Was pure cinema a function of mise en scиne, or composition within the
frame? Was it a function of montage, of pieces of film assembled? This notion of pure cinema has intrigued and perplexed critics, theorists, and filmmakers alike in the decades following this discussion. And even across his 40-year career, Hitchcock's own ideas about pure cinema remained mired in
a lack of detail, clarity, and analytical precision.

The Art of Pure Cinema is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with
Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new
and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scиne, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also
examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock.


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