Cahora Bassa Dam on the Zambezi River, built in the early 1970s during the final years of Portuguese rule, was the last major infrastructure project constructed in Africa during the turbulent era of decolonization. Engineers and hydrologists praised the dam for its technical complexity and the skills required to construct what was then the world’s fifth-largest mega-dam. Portuguese colonial officials cited benefits they expected from the dam—from expansion of irrigated farming and European settlement, to improved transportation throughout the Zambezi River Valley, to reduced flooding in this area of unpredictable rainfall. “The project, however, actually resulted in cascading layers of human displacement, violence, and environmental destruction. Its electricity benefited few Mozambicans, even after the former guerrillas of FRELIMO (Frente de Liberta??o de Mo?ambique) came to power; instead, it fed industrialization in apartheid South Africa.” (Richard Roberts)
This in-depth study of the region examines the dominant developmentalist narrative that has surrounded the dam, chronicles the continual violence that has accompanied its existence, and gives voice to previously unheard narratives of forced labor, displacement, and historical and contemporary life in the dam’s shadow.
Автор: Hyland Название: Disguise on the Early Modern English Stage ISBN: 1138257931 ISBN-13(EAN): 9781138257931 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.
Описание: In 2012, Britain and the Commonwealth celebrate the 60th anniversary of Elizabeth II's accession to the throne. The royal family have overcome a number of obstacles in its recent history, yet today it appears to be riding on a wave of popular affection. But has Elizabeth II's reign been a good thing for the UK? Or have the style, rituals and underlying culture of the modern monarchy held Britain back from its potential in the 21st century world? In this groundbreaking and thought-provoking new book, Stephen Haseler argues that the class structure which the monarchy has continued to encourage has retained outdated, yet seemingly entrenched, attitudes which have negatively affected Britain's economy, capacity to innovate and international stature. He provides an alternative political and social history of modern Britain which will be a provocative yet entertaining and informative read in the Queen's anniversary year.
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