Описание: This XXL edition reprints Keisai Eisen and Utagawa Hiroshige`s legendary series The Sixty-Nine Stations along the Kisokaido, a stunning representation of the historic route between Edo (Tokyo) and Kyoto. Sourced from one of the finest surviving first editions, this vivid tapestry of 19th-century Japan is in equal parts a major artifact of its...
Автор: Eisen Gustavus a. Название: Portraits of Washington, V1 ISBN: 1258680645 ISBN-13(EAN): 9781258680640 Издательство: Неизвестно Цена: 6796.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Eisen, Norman Название: Last palace ISBN: 1472237307 ISBN-13(EAN): 9781472237309 Издательство: Hodder Рейтинг: Цена: 2275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A masterfully told narrative that illuminates a hundred years of European history, as seen through an extraordinary mansion - and the lives of the people who called it home
Автор: Eisen, Norman Название: A Case For The American People ISBN: 0593238451 ISBN-13(EAN): 9780593238455 Издательство: Random House (USA) Рейтинг: Цена: 1655.00 р. Наличие на складе: Нет в наличии.
Автор: Eisen Laura Название: Clouds for Breakfast ISBN: 0988211351 ISBN-13(EAN): 9780988211353 Издательство: Неизвестно Цена: 2062.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Named a Choice Outstanding Academic Title of the Year 2018
The Theatre of Eugene O'Neill offers a new comprehensive overview of O'Neill's career and plays in the context of the American theatre. Organised thematically, it considers his modernist intervention in the theatre, offers readers detailed analysis of the plays, and assesses the recent resurgence in his reputation and new approaches to staging his work. It includes a study of all his major plays--The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten and Desire Under the Elms--besides numerous other full length and one act dramas.
Eugene O'Neill is generally credited with inventing modern American drama, in a time of cultural ferment and lively artistic and intellectual change. Yet O'Neill's theatrical instincts were always shaped by American stage traditions that were inextricable from his sense of himself and his own national culture. This study shows that his theatrical modernism represents not so much a break from these traditions as a reinvention of their scope and significance in the context of international stage modernism, offering an image of national culture and character that opens new possibilities for the stage while remaining rooted in its past.
Kurt Eisen traces O'Neill's modernism throughout the dramatists's work: his attempts to break from the themes, plots, and moral conventions of the traditional melodramatic theatre; his experiments in stagecraft and theme, and their connection to traditional theatre and his European modernist contemporaries; the turn toward direct and indirect self-representation; and his critique of the family and of American 'pipe dreams' and the allure of success.
The volume additionally features four contributed essays providing further critical perspectives on O'Neill's work, alongside a chronology of the writer's life and times.
