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John cage and peter yates, Iddon, Martin (university Of Leeds)


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Автор: Iddon, Martin (university Of Leeds)
Название:  John cage and peter yates
ISBN: 9781108703178
Издательство: Cambridge Academ
Классификация:



ISBN-10: 1108703178
Обложка/Формат: Paperback
Страницы: 330
Вес: 0.53 кг.
Дата издания: 24.03.2022
Серия: Music since 1900
Язык: English
Издание: New ed
Иллюстрации: Worked examples or exercises
Размер: 24.21 x 17.83 x 2.29 cm
Читательская аудитория: Professional and scholarly
Ключевые слова: 20th century & contemporary classical music,Diaries, letters & journals,Individual composers & musicians, specific bands & groups,Music reviews & criticism, MUSIC / History & Criticism
Подзаголовок: Correspondence on music criticism and aesthetics
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: The correspondence between John Cage and Peter Yates represents the final part of Cage`s three most significant exchanges of letters. Cage argued `composing`s one thing, performing`s another, listening`s a third`: in this exchange he engages directly with the last part of that triad of musical elements.


John Cage and David Tudor

Автор: Iddon
Название: John Cage and David Tudor
ISBN: 1107507804 ISBN-13(EAN): 9781107507807
Издательство: Cambridge Academ
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Цена: 4435.00 р.
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Описание: Martin Iddon`s book is the first volume to collect John Cage`s complete correspondence with his closest collaborator, the pianist David Tudor. Iddon tackles the question of how much creative flexibility Tudor was granted when performing Cage`s notorious indeterminate and chance-guided works, from Music of Changes to Variations II.

John cage and peter yates

Автор: Iddon, Martin (university Of Leeds)
Название: John cage and peter yates
ISBN: 1108480063 ISBN-13(EAN): 9781108480062
Издательство: Cambridge Academ
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Цена: 14890.00 р.
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Описание: The correspondence between John Cage and Peter Yates represents the final part of Cage`s three most significant exchanges of letters. Cage argued `composing`s one thing, performing`s another, listening`s a third`: in this exchange he engages directly with the last part of that triad of musical elements.

John Cage

Автор: Haefeli, Sara
Название: John Cage
ISBN: 0367871416 ISBN-13(EAN): 9780367871413
Издательство: Taylor&Francis
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Цена: 6889.00 р.
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Описание: This annotated bibliography uncovers the wealth of resources available on the life and music of John Cage, one of the most influential and fascinating composers of the twentieth-century. The guide will focus on documentary studies, archival resources, scholarly research, and autobiographical materials, and place the composer and his work in a la

Experimentations: John Cage in Music, Art, and Architecture

Автор: Branden Wayne Joseph
Название: Experimentations: John Cage in Music, Art, and Architecture
ISBN: 1501306405 ISBN-13(EAN): 9781501306402
Издательство: Bloomsbury Academic
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Цена: 22176.00 р.
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Описание: Experimentations provides a detailed historical and theoretical analysis of the first three decades of experimental composer John Cage’s aesthetic production (ca. 1940-1972). Paying particular attention to Cage’s inter- and cross-disciplinary engagements with the visual arts and architecture during this period, the book sheds new light on some of Cage’s most controversial and influential innovations, such as the use of noise, chance techniques, indeterminacy, electronic technologies, and computerization, as well as upon lesser known but important ideas and strategies such as transparency, multiplicity, virtuality, and actualization. Ultimately, it traces the development of Cage’s avant-garde aesthetic and political project as it transformed from the emulation of historical avant-garde precedents such as futurism and the Bauhaus, to the development of important precedents for the post-World War II movements of happenings and Fluxus, to its ultimate abandonment in the aftermath of problems encountered in the vast, multimedia composition HPSCHD (1967-69).

The Process That Is the World: Cage/Deleuze/Events/Performances

Автор: Joe Panzner
Название: The Process That Is the World: Cage/Deleuze/Events/Performances
ISBN: 150133428X ISBN-13(EAN): 9781501334283
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: The Process That Is the World grapples with John Cage not just as a composer, but as a philosopher advocating for an ontology of difference in keeping with the kind posited by Gilles Deleuze. Cage’s philosophy is not simply a novel method for composition, but an extensive argument about the nature of reality itself, the construction of subjects within that reality, and the manner in which subjectivity and a self-creative world exist in productive tension with one another. Over the course of the study, these themes are developed in the realms of the ontology of a musical work, performance practices, ethics, and eventually a study of Cagean politics and the connection between aesthetic experience and the generation of new forms of collective becoming-together. The vision of Cage that emerges through this study is not simply that of the maverick composer or the “inventor of genius,” but of a thinker and artist responding to insights about the world-as-process as it extends through the philosophical, artistic, and ethical registers: the world as potential for variance, reinvention, and permanent revolution.

Experimental Music: Cage and Beyond

Автор: Nyman Michael
Название: Experimental Music: Cage and Beyond
ISBN: 0521653835 ISBN-13(EAN): 9780521653831
Издательство: Cambridge Academ
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Цена: 3643.00 р.
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Описание: Composer Michael Nyman`s classic 1974 account of the postwar experimental tradition in music.

The Process That Is the World: Cage/Deleuze/Events/Performances

Автор: Joe Panzner
Название: The Process That Is the World: Cage/Deleuze/Events/Performances
ISBN: 162892571X ISBN-13(EAN): 9781628925715
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: The Process That Is the World grapples with John Cage not just as a composer, but as a philosopher advocating for an ontology of difference in keeping with the kind posited by Gilles Deleuze. Cage’s philosophy is not simply a novel method for composition, but an extensive argument about the nature of reality itself, the construction of subjects within that reality, and the manner in which subjectivity and a self-creative world exist in productive tension with one another. Over the course of the study, these themes are developed in the realms of the ontology of a musical work, performance practices, ethics, and eventually a study of Cagean politics and the connection between aesthetic experience and the generation of new forms of collective becoming-together. The vision of Cage that emerges through this study is not simply that of the maverick composer or the “inventor of genius,” but of a thinker and artist responding to insights about the world-as-process as it extends through the philosophical, artistic, and ethical registers: the world as potential for variance, reinvention, and permanent revolution.

Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording

Автор: Grubbs David
Название: Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
ISBN: 0822355760 ISBN-13(EAN): 9780822355762
Издательство: Wiley EDC
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Цена: 14586.00 р.
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Описание:

John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?

In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
John Cage and Buddhist Ecopoetics

Автор: Peter Jaeger
Название: John Cage and Buddhist Ecopoetics
ISBN: 1441104666 ISBN-13(EAN): 9781441104663
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: John Cage was among the first wave of post-war American artists and intellectuals to be influenced by Zen Buddhism and it was an influence that led him to become profoundly engaged with our current ecological crisis. In John Cage and Buddhist Ecopoetics, Peter Jaeger asks: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage’s own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and writing, this book outlines a new critical language that reconfigures writing and silence. Interrogating Cage’s ‘green-Zen’ in the light of contemporary psychoanalysis and cultural critique as well as his own later turn towards anarchist politics, John Cage and Buddhist Ecopoetics provides readers with a critically performative site for the Zen-inspired “nothing” which resides at the heart of Cage’s poetics, and which so clearly intersects with his ecological writing.

John Cage

Автор: Robinson Julia
Название: John Cage
ISBN: 0262516306 ISBN-13(EAN): 9780262516303
Издательство: MIT Press
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Цена: 4232.00 р.
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Описание:

An extended trajectory of Cage literature, from early critical reaction to writing by contemporaries to current scholarship.

John Cage (1912--1992) defined a radical practice of composition that changed the course of modern music and shaped a new conceptual horizon for postwar art. Famous for his use of chance and "silence" in musical works, a pioneer in electronic music and the nonstandard use of instruments, Cage was one of the most influential composers of the last century. This volume traces a trajectory of writings on the artist, from the earliest critical reactions to the scholarship of today. If the first writing on Cage in the American context, often written by close associates with Cage's involvement, seemed lacking in critical distance, younger scholars--a generation removed--have recently begun to approach the legacy from a new perspective, with more developed theoretical frameworks and greater skepticism. This book captures that evolution.

The texts include discussions of Cage's work in the context of the New Music scene in Germany in the 1950s; Yvonne Rainer's essay looking back on Cage and New York experimentalism of the 1960s; a complex and original mapping of Cage's place in a wider avant-garde genealogy that includes Le Corbusier and Moholy-Nagy; a musicologist's account of Cage's process of defining and formalizing his concept of indeterminacy; and an analysis of Cage's project that considers his strategies of self-representation as key to his unique impact on modern and postmodern art.


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