Описание: Long before sea power, the Panama Canal, and petroleum drew the world`s attention to the Caribbean coast, United States leaders recognized Venezuela`s potential as the linchpin of the Caribbean`s southern rim. In Venezuela and the United States, Judith Ewell provides a historical analysis of the main themes and directions of US-Venezuelan relations from the early 1800s to the present.
While the majority of scholarship on early Washington focuses on its political and physical development, in Incidental ArchitectGordon S. Brown describes the intellectual and social scene of the 1790s and early 1800s through the lives of a prominent couple whose cultural aspirations served as both model and mirror for the city’s own.
When William and Anna Maria Thornton arrived in Washington, D.C., in 1794, the new nation’s capital was little more than a raw village. The Edinburgh–educated Thornton and his accomplished wife brought with them the values of the Scottish Enlightenment, an enthusiasm for the arts, and a polished urbanity that was lacking in the little city emerging from the swamps along the Potomac. Thornton’s talents were manifold: He is perhaps best known as the original architect of the Capitol building, but he also served as a city commissioner and as director of the Patent Office, where his own experimentation in steam navigation embroiled him in a long-running dispute with inventor Robert Fulton.
In spite of their general preoccupation with politics and real estate development, Washington’s citizens gradually created a network of cultural institutions—theaters, libraries and booksellers, music venues, churches, schools, and even colleges and intellectual associations—that began to satisfy their aspirations.
Incidental Architect is a fascinating account of how the city’s cultural and social institutions were shaped by its earliest citizens.
Описание: Examines a critical part of Atlantic trade for a neglected corner of the Spanish Empire. Testimonies of smugglers, buyers, and royal officials found in Venezuelan prize court records reveal a colony enmeshed in covert commerce. Jesse Cromwell paints a vivid picture of the lives of littoral peoples who normalized their subversions of imperial law.
While the majority of scholarship on early Washington focuses on its political and physical development, in Incidental ArchitectGordon S. Brown describes the intellectual and social scene of the 1790s and early 1800s through the lives of a prominent couple whose cultural aspirations served as both model and mirror for the city’s own.
When William and Anna Maria Thornton arrived in Washington, D.C., in 1794, the new nation’s capital was little more than a raw village. The Edinburgh–educated Thornton and his accomplished wife brought with them the values of the Scottish Enlightenment, an enthusiasm for the arts, and a polished urbanity that was lacking in the little city emerging from the swamps along the Potomac. Thornton’s talents were manifold: He is perhaps best known as the original architect of the Capitol building, but he also served as a city commissioner and as director of the Patent Office, where his own experimentation in steam navigation embroiled him in a long-running dispute with inventor Robert Fulton.
In spite of their general preoccupation with politics and real estate development, Washington’s citizens gradually created a network of cultural institutions—theaters, libraries and booksellers, music venues, churches, schools, and even colleges and intellectual associations—that began to satisfy their aspirations.
Incidental Architect is a fascinating account of how the city’s cultural and social institutions were shaped by its earliest citizens.
Описание: Picturing Harrisonburg provides the most vibrant examination available of the history of the Virginia city, once a frontier town founded in the 1730s but now a burgeoning city centrally located in one of America’s most beloved, historic, and beautiful regions—the Shenandoah Valley. Taking advantage of the rich visual record of Harrisonburg, the book serves as a model for how pictures of every kind reveal and represent a community’s evolving ideals and aspirations that change over time.Editor David Ehrenpries and a cast of contributors that includes historians and other experts on the region have organized six illuminating essays around 258 illustrations, many in full color, to discuss Harrisonburg’s changing built environment, its iconic ""places of memory,"" and how ideal visions of the place were often at odds with the lived reality. Their captivating essays and visual presentations begin in 1828 and include town maps and plans, a pivotal 1867 panoramic oil painting of Harrisonburg, early twentieth-century postcards, mid-twentieth century documentary and commercial photographs, images of ""urban renewal,"" and the graphic designs, logos, and digital photographs pertaining to the twenty-first-century city. The innovative approach of Picturing Harrisonburg offers a new model for understanding the past and present of the places we inhabit.
Описание: Generations of scholars have debated why the Union collapsed and descended into civil war in the spring of 1861. Turning this question on its head, Brian C. Neumann's Bloody Flag of Anarchy asks how the fragile Union held together for so long. This fascinating study grapples with this dilemma by reexamining the nullification crisis, one of the greatest political debates of the antebellum era, when the country came perilously close to armed conflict in the winter of 1832–33 after South Carolina declared two tariffs null and void. Enraged by rising taxes and the specter of emancipation, 25,000 South Carolinians volunteered to defend the state against the perceived tyranny of the federal government. Although these radical Nullifiers claimed to speak for all Carolinians, the impasse left the Palmetto State bitterly divided. Forty percent of the state's voters opposed nullification, and roughly 9,000 men volunteered to fight against their fellow South Carolinians to hold the Union together.Bloody Flag of Anarchy examines the hopes, fears, and ideals of these Union men, who viewed the nation as the last hope of liberty in a world dominated by despotism—a bold yet fragile testament to humanity's capacity for self-government. They believed that the Union should preserve both liberty and slavery, ensuring peace, property, and prosperity for all white men. Nullification, they feared, would provoke social and political chaos, shattering the Union, destroying the social order, and inciting an apocalyptic racial war. By reframing the nullification crisis, Neumann provides fresh insight into the internal divisions within South Carolina, illuminating a facet of the conflict that has long gone underappreciated. He reveals what the Union meant to Americans in the Jacksonian era and explores the ways both factions deployed conceptions of manhood to mobilize supporters. Nullifiers attacked their opponents as timid "submission men" too cowardly to defend their freedom. Many Unionists pushed back by insisting that "true men" respected the law and shielded their families from the horrors of disunion. Viewing the nullification crisis against the backdrop of global events, they feared that America might fail when the world, witnessing turmoil across Europe and the Caribbean, needed its example the most. By closely examining how the nation avoided a ruinous civil war in the early 1830s, Bloody Flag of Anarchy sheds new light on why America failed three decades later to avoid a similar fate.
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