The Darker Vision of the Renaissance: Beyond the Fields of Reason, Kinsman Robert S.
Автор: Hare, Elissa Название: Enchanted shows rle renaissance d ISBN: 1138234958 ISBN-13(EAN): 9781138234956 Издательство: Taylor&Francis Рейтинг: Цена: 5051.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre. The author observes how certain plays, including Shakespeare`s A Midsummer Night`s Dream and The Tempest, rationalise the unrealism and improbabilities typical of romantic comedy as miracles wrought by specifically magical intervention.
Representations of Catholic women appear with surprising frequency in the literature of post-Reformation England. Playwrights and poets from William Shakespeare to Andrew Marvell invoke the figure of the nun to powerful and often perplexing effect, and works that never directly address female Catholicism, such as Christopher Marlowe's Hero and Leander, share a discourse with contemporary debates regarding the status of recusant women. Catholic Englishwomen, whether living in convents on the European continent or as recusants in their own country, contributed to these debates, but even as their writings addressed the central religious and political issues of their time, their contributions were effaced and now are largely forgotten. Exploring the writings of Catholic women in conversation with those of Shakespeare, Marvell, Marlowe, Donne, and other canonical authors, Beyond the Cloister shows that nuns and recusants were centrally important to the development of English literature. The defining narratives of early modern England cast nuns as the relics of an unenlightened past and equated Catholic femininity with the dangerous charms of the Whore of Babylon. With careful attention to literary figurations of Catholic femininity and to the vibrant manuscript culture in the English convents, Jenna Lay reveals a far more complex reality. Through their use of tropes, figures, generic patterns, and literary allusions, Catholic women produced politically incendiary and rhetorically powerful lyrics, prayers, polemics, and hagiographies. Drawing on the insights of religious studies, historical formalism, and feminist criticism, Beyond the Cloister offers a reassessment of crucial decades in the development of English literary history.
Описание: The Darker Vision of the Renaissance explores political, literary, social, religious, medical, and artistic events between 1300 and 1670 that led beyond the bounds of reason into the nonrational, irrational, and suprarational phenomena of the European Renaissance. Robert S. Kinsman's introduction examines Renaissance uses of ratio, "fancy" and "folly," melancholy, anxietas, and alienation. Lynn White Jr. presents the essential thesis of the collection in his view that the years 1300-1650 constituted one of the most psychically disturbed eras ever in European history. The "world-alienation" of the period is analyzed by Donald R. Howard, illustrated by two poems of the late fourteenth century: Gawain and the Green Knight and Toilus and Criseyde. The flourishing of hermetic, magical, cabalistic, and astrological practices in the Renaissance is described by John G. Burke. The gentleman and courtier's physical and psychological tensions resulting from literal exile or from psychic alienation from his lesser fellows are investigated by Lauro Martines. An analysis of the "structures" of Renaissance mysticism is provided by Kees W. Bolle. Gilbert Reaney's essay examines ratio as the basis for the "measured" music of the fourteenth century, against which the newer duple and triple rhythms that came into prominence in the later half of the century were assessed. An essay by Marc Bensimon concerns itself with Renaissance modes of perception--as illustrated in works of art, of literature, and of philosophic speculation--that seem shaped by primordial anxieties caused by the passing of time and the fear of death. The reflections of theological notions about the "dreadful hidden will of God" in such pieces as Marlowe's Dr. Faustus are given full background and perceptive treatment by Paul R. Sellin. Robert Kinsman concludes with his study "Folly, Melancholy, and Madness: Shifting Styles of Medical Analysis and Treatment, 1450-1675." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
This comprehensive biography of John Vitez, an instrumental figure of the Early Renaissance, presents a complex picture of cultural, political, and religious developments in Central Europe through one man’s life. Drawing on close study of Vitez’s writings and his various political and artistic networks of influence, Tomislav Matic demonstrates the wide scope of this church leader’s involvement in late medieval Central Europe. Not only were Vitez’s writings a catalyst for the introduction of humanism across the region, he was a patron of the arts, an avid astrologer, a master diplomat, and even a kingmaker, thus central to both political and cultural developments.
Автор: Leggatt, Alexander Название: Ben jonson vision and art rle ren ISBN: 1138235350 ISBN-13(EAN): 9781138235359 Издательство: Taylor&Francis Рейтинг: Цена: 5511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson`s vision as a whole.
Описание: Reading God's will and a man's Last Will as ideas that reinforce one another, this study shows the relevance of England's early modern crisis, regarding faith in the will of God, to current debates by legal academics on the theory of property and its succession. The increasing power of the dead under law in the US, the UK, and beyond-a concern of recent volumes in law and social sciences-is here addressed through a distinctive approach based on law and humanities. Vividly treating literary and biblical battles of will, the book suggests approaches to legal constitution informed by these dramas and by English legal history. This study investigates correlations between the will of God in Judeo-Christian traditions and the Last Wills of humans, especially dominant males, in cultures where these traditions have developed. It is interdisciplinary, in the sense that it engages with the limits of several fields: it is informed by humanities critical theory, especially Benjaminian historical materialism and Lacanian psychoanalysis, but refrains from detailed theoretical considerations. Dramatic narratives from the Bible, Shakespeare, and Milton are read as suggesting real possibilities for alternative inheritance (i.e., constitutional) regimes. As Jenkins shows, these texts propose ways to alleviate violence, violence both personal and political, through attention to inheritance law.
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