Abstraction in post-war british literature 1945-1980, Ferris, Natalie (leverhulme Trust Early Career Fellow, Leverhulme Trust Early Career Fellow, , School Of Literatures, Languages & Cultures, University
Описание: Charles Altieri`s book sets modernist American poetry in a precise cultural context by analysing how major poets reacted to the challenge posed by modernist painting`s radical critique of traditional representational models for art.
Автор: Altieri, Charles Название: Painterly abstraction in modernist american poetry ISBN: 0521107296 ISBN-13(EAN): 9780521107297 Издательство: Cambridge Academ Рейтинг: Цена: 7762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Charles Altieri`s book sets modernist American poetry in a precise cultural context by analysing how major poets reacted to the challenge posed by modernist painting`s radical critique of traditional representational models for art.
Описание: British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.
Описание: An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Автор: La Berge Leigh Claire Название: Scandals and Abstraction: Financial Fiction of the Long 1980s ISBN: 0190845988 ISBN-13(EAN): 9780190845988 Издательство: Oxford Academ Рейтинг: Цена: 10044.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Scandals and Abstraction offers an in-depth study of epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe`s The Bonfire of the Vanities, alongside the key moments of financial history that inform them.
Описание: Delving into how the traumatic experience of the Second World War formed – or perhaps malformed – the post-war experimental novel, this book explores how the symbolic violence of post-war normalization warped societies’ perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take – books in boxes; of spare pages to be shuffled at the reader’s will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink.
Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimizes the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.
Описание: There are many anthologies of British Black and Asian literature, but few books provide a critical account of the qualities and impact of this literature comparatively with drama and performance. This Companion offers a comprehensive account of the influence of contemporary British Black and Asian writing in British culture.
Автор: Nick Bentley Название: Contemporary British Fiction ISBN: 1137009667 ISBN-13(EAN): 9781137009661 Издательство: Springer Рейтинг: Цена: 3632.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This essential guide provides a comprehensive survey of the most important debates in the criticism and research of contemporary British fiction. Nick Bentley analyses the criticism surrounding a range of British novelists including Monica Ali, Martin Amis, Pat Barker, Alan Hollinghurst, Kazuo Ishiguro, Ian McEwan, David Mitchell, Ali Smith, Zadie Smith, Sarah Waters and Jeanette Winterson. Exploring experiments with literary form, this authoritative book considers cutting-edge concerns relating to the neo-historical novel, the relationship between literature and science, literary geographies, and trauma narratives.
Engaging with key literary theories, and identifying present trends and future directions in the literary criticism of contemporary British fiction, this is an invaluable resource for undergraduate and postgraduate students of English literature, teachers, researchers and scholars.
Описание: There are many anthologies of British Black and Asian literature, but few books provide a critical account of the qualities and impact of this literature comparatively with drama and performance. This Companion offers a comprehensive account of the influence of contemporary British Black and Asian writing in British culture.
Delving into how the traumatic experience of the Second World War formed - or perhaps malformed - the post-war experimental novel, this book explores how the symbolic violence of post-war normalisation warped societies' perception of reality. Andrew Hodgson explores how the novel was used by authors to attempt to communicate in such a climate, building a memorial space that has been omitted from literatures and societies of the post-war period. Hodgson investigates this space as it is portrayed in experimental modern British and French fiction, considering themes of amnesia, myopia, delusion and dementia. Such themes are constantly referred back to and posit in narrative a motive for the very broken forms these books often take - books in boxes, of spare pages to be shuffled at the reader's will; with holes in pages; missing whole sections of the alphabet; or books written and then entirely scrubbed out in smudged black ink.
Covering the works of B. S. Johnson, Ann Quin, Georges Perec, Roland Topor, Raymond Queneau and others, Andrew Hodgson shows that there is method to the madness of experimental fiction and legitimises the form as a prominent presence within a wider literary and historical movement in European and American avant-garde literatures.
Описание: Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works: the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac McCarthy in a new and insightful way, arguing that their dark moral significance coheres with the Christian theological tradition in difficult, demanding ways.
Potts develops this account through an argument that integrates McCarthy's fiction with both postmodern theory and contemporary fundamental and sacramental theology. In McCarthy's novels, the human self is always dispossessed of itself, given over to harm, fate, and narrative. But this fundamental dispossession, this vulnerability to violence and signs, is also one uniquely expressed in and articulated by the Christian sacramental tradition.
By reading McCarthy and this theology alongside postmodern accounts of action, identity, subjectivity, and narration, Potts demonstrates how McCarthy exploits Christian theology in order to locate the value of human acts and relations in a way that mimics the dispossessing movement of sacramental signs. This is not to claim McCarthy for theology, necessarily, but it is to assert that McCarthy generates his account of what human goodness might look like in the wake of metaphysical collapse through the explicit use of Christian theology.
Описание: Analyzing literary texts, plays, films and photographs within a transatlantic framework, this volume explores the inseparable and mutually influential relationship between different forms of national identity in Great Britain and the United States and the construction of masculinity in each country.
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