Beethoven in Beijing: Stories from the Philadelphia Orchestra`s Historic Journey to China, Lin Jennifer
Автор: Rodney Trudgeon, Trudgeon Название: Rodney trudgeon`s concert notes ISBN: 1868429865 ISBN-13(EAN): 9781868429868 Издательство: Gazelle Book Services Рейтинг: Цена: 3218.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rodney Trudgeons Concert Notes is a collection of essays on famous classical, orchestral compositions. The pieces in this collection short reflections on well-known classical compositions have appeared in concert programmes that have accompanied performances by the Cape Town and Johannesburg Philharmonic Orchestras. The author is a well-known radio host and presenter on Fine Music Radio. He is an expert on the range of musical genres that broadly fall under the category classical music. The text that comprises Rodney Trudgeons Concert Notes is structured alphabetically according to composer and gives a broad overview of the development of classical music, starting with the Baroque period and ending with modern, atonal music. Each piece is dedicated to a particular musical composition, describing its highlights, its history, and what makes it unique. Broadly, the pieces are grouped together according to the following three broad categories: ouvertures, concertos, and symphonies, mimicking the structure of concert programmes. Each entry also includes a short biography of its composer. Trudgeons style is easy to read and accessible to all readers: from those who listen to classical music regularly to those who are unfamiliar with it. Overall, this collection is a useful and informative musical guide, making a case for listening to orchestral music.
Автор: Chetel, Daniel Название: Accessible orchestral repertoicb ISBN: 1442275790 ISBN-13(EAN): 9781442275799 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 17952.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Accessible Orchestral Repertoire is a repertoire and programming resource for any conductor who leads a non-professional symphonic orchestra. The volume will be helpful to every conductor in the process of selecting repertoire that will both feature and enrich individual non-professional ensembles.
Автор: Jonathan Del Mar Название: Orchestral Masterpieces under the Microscope ISBN: 1783277327 ISBN-13(EAN): 9781783277322 Издательство: Boydell & Brewer Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A must-have for any conductor, conducting student and orchestral librarian.How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike.
Описание: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia-a sense of motion through three-dimensional volumes of space-examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
Автор: Hurwitz David Название: Beethoven`s Orchestral Music: An Owner`s Manual ISBN: 1538135604 ISBN-13(EAN): 9781538135600 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 7392.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Veteran music critic David Hurwitz provides an accessible, comprehensive, and fresh survey of Beethoven's symphonies, overtures, concertos, theatrical music, his single ballet and other music for the dance, and several short pieces worth getting to know. Beethoven's orchestral works include some of the most iconic and popular pieces of classical music ever written. This book offers chapters on Beethoven's handling of the symphony orchestra and his contributions to its evolution, as well as his approach to musical form in creating large, multi-movement works. The musical descriptions provide helpful strategies for listening that invite both beginners and experienced enthusiasts to treat even the best known pieces as something fresh, new and relevant. In addition, Hurwitz provides extensive lists of recommended recordings of all of the music surveyed, highlighting the wide range of issues in Beethoven interpretation and performance, as well as the history of his music. He encourages readers to listen actively and critically, as they build their own Beethoven discographies according to their personal tastes and preferences. The book is accompanied by online audio tracks of Beethoven works selected by Hurwitz.
Описание: In the 1920s and 1930s, Chicago became a center for jazz and blues, vaudeville, and a budding recording industry. Not surprisingly, the city and its environs spawned and nurtured a sprawling scene of nationally recognized dance bands and orchestras.
That Toddlin' Town focuses on the untold history of Chicago's white dance bands, theater orchestras, radio studio ensembles, and nightclub bands. Charles A. Sengstock Jr. draws on monumental research to portray the bands not only in terms of their music but also in the context of the venues in which they played and Chicago's volatile economic and social climate. Viewing the bands as parts of an economic system, he analyzes them as businesses facing all the usual pressures brought on by ambition, personality clashes, financial realities, and the overriding need to serve clients. He also examines how the bands--along with their charismatic leaders, powerful booking agencies, and the Chicago Federation of Musicians--impacted the music industry at large and influenced other entertainment media.
Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor.
Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature.
This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
Автор: David Damschroder Название: Harmony in Beethoven ISBN: 1316500624 ISBN-13(EAN): 9781316500620 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: David Damschroder`s ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. The early chapters guide readers in establishing a broad and penetrating perspective on harmony, while the later chapters extend into the realm of Schenkerian analysis.
Автор: Martin Nedbal Название: Morality and Viennese Opera in the Age of Mozart and Beethoven ISBN: 0367229552 ISBN-13(EAN): 9780367229559 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries.
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II's reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberfl te and Fidelio) that eventually became the cornerstones for later developments of German culture.
Автор: Mathew Nicholas Название: Invention of Beethoven and Rossini ISBN: 1316649547 ISBN-13(EAN): 9781316649541 Издательство: Cambridge Academ Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: More than a pair of famous composers, Beethoven and Rossini came to represent an opposition that cast a shadow over the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. In this book, leading scholars re-evaluate the great symbolic duo of early nineteenth-century music.
Автор: Chua Daniel K. L. Название: Beethoven & Freedom ISBN: 019976932X ISBN-13(EAN): 9780199769322 Издательство: Oxford Academ Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Over the last two hundred years, Beethoven`s music has been synonymous with modernity`s `absolute` value-freedom. Author Daniel KL Chua explores how Beethoven`s music engages with freedom`s aspirations and dilemmas, challenging the current image of Beethoven, and suggesting an alterior freedom that can speak ethically to the twenty-first century.
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