While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
Автор: Calvert-davies, Shazia Название: Breast cancer smiles ISBN: 1528907760 ISBN-13(EAN): 9781528907767 Издательство: Неизвестно Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: On a cold day in February, 2018, Shazia goes from a tennis court in the morning to a hospital in the afternoon where she is diagnosed with an aggressive form of breast cancer. As her journey unfolds, humour becomes her crutch, writing becomes her tool and a powerful connection to her South Asian roots becomes her purpose. This isn't a tale of cancer and the devastation it undoubtedly brings. It's the story of a life-altering journey enriched by time. Shazia tells a tale of re-birth swathed in love, humour and pain. She unveils the shame of breast cancer in her birth culture that is killing women before their time. In her birthplace, Pakistan, cancer is casually known as 'the kiss of death'. For Shazia, it is quite the opposite. This is life through a different lens and a questioning of the status quo. Her musings provoke debate and challenge existing beliefs, holding up a different mirror to society. These chronicles are written during 18 months of chemotherapy, sepsis, surgery and radiotherapy. They are written with hope and an intermittent smile.
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