If Your Intestines Could Talk, What Would They Say?
What if you could understand your own health through the perspective of your stomach? In this unprecedented work, Prof. Arnold Ehret gives voice to the stomach and reveals the foundation of human illness.
In this book you will learn:
About the nature of internal uncleanliness,
What happens to the human stomach if it is not properly cleaned,
The devastatingly negative effects of mucus-forming foods,
The true meaning of Ehret's famous expression "a tragedy of nutrition,"
And much more
"Ehret taught that the mind governs all organic action of the physical body instinctively, and we therefore find humankind gradually evolving from the primitive stage to a higher intellectual plane. The physical and mental welfare of millions of individuals living today are desperately searching for a truthful presentation of this knowledge found only in Prof. Arnold Ehret's message and it is therefore eagerly awaited by an expectant world Is it asking too much that you lay aside preconceived ideas, opinions, or prejudices and read the Ehret articles with an open mind, particularly his article "Tragedy of Nutrition." Hopefully the truth will eventually dawn upon you, possibly months after reading--for some portion may have indelibly stamped an imprint on your mind--and intuitively proven its correctness " -Excerpt from the book's Forward by Fred S. Hirsch (Long-time Student of Arnold Ehret and former owner of Ehret Publishing)
Автор: Spira, Michael Название: Goutbusters ISBN: 1910125652 ISBN-13(EAN): 9781910125656 Издательство: Неизвестно Рейтинг: Цена: 1901.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Are you desperate to get rid of gout pain? This could be the breakthrough you have been waiting for. Find out how to fight gout - and win!
Автор: Sevush Ralph Название: Spira Mirabilis: Fantastic Tales from the Marvelous Spiral ISBN: 0692738517 ISBN-13(EAN): 9780692738511 Издательство: Неизвестно Цена: 1378.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
taQ'Lut Press presents "Spira Mirabilis: Fantastic Tales from the Marvelous Spiral", a lauded collection of eight thematically linked fantasy, horror, and science fiction short stories and novelettes, written by Ralph Sevush and illustrated by Susan Kaufman.
"Spira Mirabilis", Latin for "miraculous" or "marvelous" spiral, is the name given by mathematician Jakob Bernoulli to the logarithmic curve with a uniquely "miraculous" quality: though the size of the spiral increases, its shape remains unchanged by each successive curve. As a result, the Spira Mirabilis has evolved in nature, appearing in certain forms such as the arms of spiral galaxies.
According to the author, "myths arise in different contexts throughout human history. They expand and evolve, yet, like the Spira Mirabilis, they remain essentially the same. And this is likely so because WE remain essentially the same, give or take a millennium.
Violent, funny, poignant and romantic, in varying proportions, these tales are also about the act of telling the story, and the storyteller, too.
"... Sevush leads readers on an imaginative tour of pulp genres and popular mythology. Overall, these stories are grand, world-building genre pieces condensed into a few pages each, and Sevush displays great facility with the rhythm and lexicon of the various styles he assays. A rollicking, good-spirited ride..." - Kirkus Reviews
"These astonishing stories are as funny, lyrical and literary as they are original, big-hearted and human. It's as if some mad scientist has taken parts of Ray Bradbury, Neil Gaiman, Mickey Spillane, Ursula Le Guin and Edgar Allan Poe, and sewn them all together to create something magnificent and wholly original." -- David Lindsay-Abaire, Pulitzer Prize-winning playwright, librettist, lyricist and screenwriter (Rabbit Hole, Shrek the Musical)
"This remarkable collection highlights a voice that will remind you why you fell in love with science fiction in the first place. From the gritty characters to the landscapes they inhabit, Ralph Sevush is a true "world builder," calling on well-known tropes and upending them with his own clever imagination. One of my favorite pieces of genre fiction I've read this year... truly marvelous " -- Qui Nguyen, Playwright (Vietgone, She Fights Monsters), and Artistic Director of the off-Broadway theater company, Vampire Cowboys
"Masterfully careening from fantasy to horror to science fiction, this memorable collection boasts sly references from Gilgamesh to Superman, but like all great storytellers, his literary prowess is always in service to his ultimate quest: to illuminate the human heart." -- Doug Wright, Tony and Pulitzer Prize-winning playwright, librettist and screenwriter (I Am My Own Wife, Grey Gardens, Little Mermaid)
"Ralph Sevush's terrifically entertaining tales live somewhere between the classic pulp fiction of SF's Golden Age and the 21st-century cutting edge of Gaiman and Gibson... smart, startling and memorable." -- David Auburn, Tony and Pulitzer Prize-winning playwright and screenwriter (Proof, The Columnist)
"9/10 rating... That's some good stuff right there...not a bad story in the bunch and some of them] still resonate. Recommended." -- David L. Felts, SFReader.Com
Автор: Andrew Spira Название: The Invention of the Self: Personal Identity in the Age of Art ISBN: 1350091057 ISBN-13(EAN): 9781350091054 Издательство: Bloomsbury Academic Рейтинг: Цена: 25344.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book is an examination of personal identity, exploring both who we think we are, and how we construct the sense of ourselves through art. It proposes that the notion of personal identity is a psycho-social construction that has evolved over many centuries. While this idea has been widely discussed in recent years, Andrew Spira approaches it from a completely new point of view. Rather than relying on the thinking subject's attempts to identify itself consciously and verbally, it focuses on the traces that the self-sense has unconsciously left in the fabric of its environment in the form of non-verbal cultural conventions. Covering a millennium of western European cultural history, it amounts to an 'anthropology of personal identity in the West'.
Following a broadly chronological path, Spira traces the self-sense from its emergence from the collectivity of the medieval Church to its consummation in the individualistic concept of artistic genius in the nineteenth century. In doing so, it aims to bridge a gap that exists between cultural history and philosophy. Regarding cultural history (especially art history), it elicits significances from its material that have been thoroughly overlooked. Regarding philosophy, it highlights the crucial role that material culture plays in the formation of philosophical ideas. It argues that the sense of personal self is as much revealed by cultural conventions - and as a cultural convention - as it is observable to the mind as an object of philosophical enquiry.
Описание: This book is an examination of personal identity, exploring both who we think we are, and how we construct the sense of ourselves through art. It proposes that the notion of personal identity is a psycho-social construction that has evolved over many centuries. While this idea has been widely discussed in recent years, Andrew Spira approaches it from a completely new point of view. Rather than relying on the thinking subject’s attempts to identify itself consciously and verbally, it focuses on the traces that the self-sense has unconsciously left in the fabric of its environment in the form of non-verbal cultural conventions. Covering a millennium of western European cultural history, it amounts to an ‘anthropology of personal identity in the West’.
Following a broadly chronological path, Spira traces the self-sense from its emergence from the collectivity of the medieval Church to its consummation in the individualistic concept of artistic genius in the 19th century. In doing so, it aims to bridge a gap that exists between cultural history and philosophy. Regarding cultural history (especially art history), it elicits significances from its material that have been thoroughly overlooked. Regarding philosophy, it highlights the crucial role that material culture plays in the formation of philosophical ideas. It argues that the sense of personal self is as much revealed by cultural conventions - and as a cultural convention - as it is observable to the mind as an object of philosophical enquiry.
Описание: The notion of a personal self took centuries to evolve, reaching the pinnacle of autonomy with Descartes’ ‘I think, therefore I am’ in the 17th century. This ‘personalisation’ of identity thrived for another hundred years before it began to be questioned, subject to the emergence of broader, more inclusive forms of agency. Simulated Selves: The Undoing Personal Identity in the Modern World addresses the ‘constructed’ notion of personal identity in the West and how it has been eclipsed by the development of new technological, social, art historical and psychological infrastructures over the last two centuries.
While the provisional nature of the self-sense has been increasingly accepted in recent years, Simulated Selves addresses it in a new way - not by challenging it directly, but by observing changes to the environments and cultural conventions that have traditionally supported it. By narrating both its dismantling and its incapacitation in this way, it records its undoing.
Like The Invention of the Self: Personal Identity in the Age of Art (to which it forms a companion volume), Simulated Selves straddles cultural history and philosophy. Firstly, it identifies hitherto neglected forces that inform the course of cultural history. Secondly, it highlights how the self is not the self-authenticating abstraction, only accessible to introspection, that it seems to be; it is also a cultural and historical phenomenon. Arguing that it is by engaging in cultural conventions that we subscribe to the process of identity-formation, the book also suggests that it is in these conventions that we see our self-sense - and its transience - best reflected.
By examining the traces that the trajectory of the self-sense has left in its environment, Simulated Selves offers a radically new approach to the question of personal identity, asking not only ‘how and why is it under threat?’ but also ‘given that we understand the self-sense to be a constructed phenomenon, why do we cling to it?’.
Описание: The notion of a personal self took centuries to evolve, reaching the pinnacle of autonomy with Descartes’ ‘I think, therefore I am’ in the 17th century. This ‘personalisation’ of identity thrived for another hundred years before it began to be questioned, subject to the emergence of broader, more inclusive forms of agency. Simulated Selves: The Undoing Personal Identity in the Modern World addresses the ‘constructed’ notion of personal identity in the West and how it has been eclipsed by the development of new technological, social, art historical and psychological infrastructures over the last two centuries.
While the provisional nature of the self-sense has been increasingly accepted in recent years, Simulated Selves addresses it in a new way - not by challenging it directly, but by observing changes to the environments and cultural conventions that have traditionally supported it. By narrating both its dismantling and its incapacitation in this way, it records its undoing.
Like The Invention of the Self: Personal Identity in the Age of Art (to which it forms a companion volume), Simulated Selves straddles cultural history and philosophy. Firstly, it identifies hitherto neglected forces that inform the course of cultural history. Secondly, it highlights how the self is not the self-authenticating abstraction, only accessible to introspection, that it seems to be; it is also a cultural and historical phenomenon. Arguing that it is by engaging in cultural conventions that we subscribe to the process of identity-formation, the book also suggests that it is in these conventions that we see our self-sense - and its transience - best reflected.
By examining the traces that the trajectory of the self-sense has left in its environment, Simulated Selves offers a radically new approach to the question of personal identity, asking not only ‘how and why is it under threat?’ but also ‘given that we understand the self-sense to be a constructed phenomenon, why do we cling to it?’.
Описание: This book is an examination of personal identity, exploring both who we think we are, and how we construct the sense of ourselves through art. It proposes that the notion of personal identity is a psycho-social construction that has evolved over many centuries. While this idea has been widely discussed in recent years, Andrew Spira approaches it from a completely new point of view. Rather than relying on the thinking subject’s attempts to identify itself consciously and verbally, it focuses on the traces that the self-sense has unconsciously left in the fabric of its environment in the form of non-verbal cultural conventions. Covering a millennium of western European cultural history, it amounts to an ‘anthropology of personal identity in the West’.
Following a broadly chronological path, Spira traces the self-sense from its emergence from the collectivity of the medieval Church to its consummation in the individualistic concept of artistic genius in the nineteenth century. In doing so, it aims to bridge a gap that exists between cultural history and philosophy. Regarding cultural history (especially art history), it elicits significances from its material that have been thoroughly overlooked. Regarding philosophy, it highlights the crucial role that material culture plays in the formation of philosophical ideas. It argues that the sense of personal self is as much revealed by cultural conventions - and as a cultural convention - as it is observable to the mind as an object of philosophical enquiry.
Описание: Updated to fit today`s social media landscape with IGTV, Facebook Lives, YouTube Premium, and more, this new edition applies Dan Kennedy`s No-B.S. principles to Kim Walsh Phillips` social media expertise in a no-holds-barred guide that prompts readers to invest only in the efforts that drive results and demand a measurable, proven, profitable, direct response.
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