Embodiment and the Cosmic Perspective in Twentieth-Century Fiction, Caracciolo Marco
Автор: John Smart Название: Twentieth Century British Drama ISBN: 052179563X ISBN-13(EAN): 9780521795630 Издательство: Cambridge Education Рейтинг: Цена: 1949.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Looking back on 20th century British drama from its` historical, social and political perspective enables the reader to set each play in a broader context. Contents include a selection of play extracts from well-known authors including Harold Brighouse, John Osborne, Harold Pinter, Tom Stoppard and Timberlake Wertenbaker.
Описание: Drawing on critical frameworks, this study establishes the centrality of language, gender, and community in the quest for identity in contemporary American fiction. Close readings of novels by Alice Walker, Ernest Gaines, Ann Beattie, John Updike, Chang-rae Lee, and Rudolfo Anaya, among others, show how individuals find their American identities.
Автор: Salvan Paula Martнn Название: Community in Twentieth-Century Fiction ISBN: 1137282835 ISBN-13(EAN): 9781137282835 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on the imaginary construction and deconstruction of human communities in modern and contemporary fiction. Drawing on recent theoretical debate on the notion of community (Nancy, Blanchot, Badiou, Esposito), this collection examines narratives by Joyce, Mansfield, Davies, Naipaul, DeLillo, Atwood and others.
Описание: Textual Exposures: Photography in Twentieth Century Spanish American Narrative Fiction examines how twentieth-century Spanish American literature has registered photographys powers and limitations, and the creative ways in which writers of this region of the Americas have elaborated in fictional form the conventions and assumptions of this medium. While the book is essentially a study of literary criticism, it also aims to show how texts critically reflect upon the media environment in which they were created. The writings analyzed enter a dialogic relation with visual technologies such as the x-ray, cinema, illustrated journalism, and television. The study examines how these technologies, historically and aesthetically linked to the photographic medium, inform the works of some of the most important writers in Latin America. Methodologically, the close readings of the texts centre on the figure of ekphrasis (defined as the verbal representation of a visual representation). The book is concerned with the thematic, symbolic, structural and cultural imprints photography leaves in narrative texts. The author relies on an immanent approach, reading the selected texts according to their own specificities and making the relevant thematic and structural connections between them drawing from a variety of sources in the fields of literary criticism and theory and history of photography.
Описание: Embodiment and the Cosmic Perspective in Twentieth-Century Fiction explores the multiple ways in which narrative can radically defamiliarize our bodily experience and bridge the gap with cosmic realities.
Описание: The volume investigates flows of knowledge that transcended social, cultural, linguistic and political boundaries. Dealing with different sources such as dictionaries, early printed books, political advice literature, and modern periodicals, the case studies in this anthology cover a time frame from the 15th to the early 20th century. Being concerned with a wide variety of geographical areas, including the Ottoman capital Istanbul, provincial settings like Ottoman Palestine, and also Egypt, Bosnia, Crimea, the Persian realm and Poland-Lithuania, this volume gives transepochal and transregional insights in the production, transmission, and translation of knowledge. In so doing it contributes to current debates in transcultural studies, global history, and the history of knowledge.
Описание: Scott Dill's A Theology of Sense: John Updike, Embodiment, and Late Twentieth-Century American Literature brings together theology, aesthetics, and the body, arguing that Updike, a central figure in post-1945 American literature, deeply embeds in his work questions of the body and the senses with questions of theology. Dill offers new understandings not only of the work of Updike--which is importantly being revisited since the author's death in 2009--but also new understandings of the relationship between aesthetics, religion, and physical experience.
Dill explores Updike's unique literary legacy in order to argue for a genuinely postsecular theory of aesthetic experience. Each chapter takes up one of the five senses and its relation to broader theoretical concerns: affect, subjectivity, ontology, ethics, and theology. While placing Updike's work in relation to other late twentieth-century American writers, Dill explains their notions of embodiment and uses them to render a new account of postsecular aesthetics. No other novelist has portrayed mere sense experience as carefully, as extensively, or as theologically--repeatedly turning to the doctrine of creation as his stylistic justification. Across this examination of his many stories, novels, poems, and essays, Dill proves that Updike forces us to reconsider the power of literature to revitalize sense experience as a theological question.
Автор: Vesterman William Название: Dramatizing Time in Twentieth Century Fiction ISBN: 1138015717 ISBN-13(EAN): 9781138015715 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
How have twentieth-century writers used techniques in fiction to communicate the human experience of time? "Dramatizing Time in Twentieth Century Fiction "explores this question by analyzing major narratives of the last century that demonstrate how time becomes variously manifested to reflect and illuminate its operation in our lives.
Offering close readings of both modernist and non-modernist writers such as Wodehouse, Stein, Lewis, Joyce, Hemingway, Faulkner, Borges, and Nabokov, the author shares and unifies the belief, as set forth by the distinguished philosopher Paul Ricoeur, that narratives rather than philosophy best help us understand time. They create and communicate its meanings through dramatizations in language and the reconfiguration of temporal experience. This book explores the various responses of artistic imaginations to the mysteries of time and the needs of temporal organization in modern fiction. It is therefore an important reference for anyone with an interest in twentieth-century literature and the philosophy of time.
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