In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.
Автор: del Rio Elena Название: Deleuze and the Cinemas of Performance ISBN: 0748649417 ISBN-13(EAN): 9780748649419 Издательство: Macmillan Рейтинг: Цена: 4073.00 р. 5819.00-30% Наличие на складе: Есть (1 шт.) Описание: This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Rio examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection. Grounding her analysis in these powers, del Rio shows the insufficiency of former theoretical approaches in accounting for the transformative and creative capacities of the moving body of performance.Deleuze and the Cinemas of Performance will be of interest to any scholars and students of film concerned with bodily aspects of cinema, whether from a Deleuzian, a phenomenological, or a feminist perspective.Key Features*The first study of the interface between Deleuzian theory and film performance.*A sustained consideration of the links between the body of performance and the body of affect.*A reevaluation of central concepts in earlier film theory-from fetishistic spectacle and performativity to Brechtian distanciation, sadomasochism, and narcissism.*An analysis of the relation of the performative body to a feminist politics.*New readings of classical melodramas as well as contemporary independent cinemas.
Автор: Brown Название: Spectacle in Classical Cinemas ISBN: 1138548715 ISBN-13(EAN): 9781138548718 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.
Автор: Gueneli Berna Название: Fatih Akin`s Cinema and the New Sound of Europe ISBN: 0253024455 ISBN-13(EAN): 9780253024459 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Fatih Ak?n's Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Ak?n. The first minority director in Germany to receive numerous national and international awards, Ak?n makes films that are informed by Europe's past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Ak?n's key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Ak?n's unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Ak?n's films—including music and multiple languages, dialects, and accents—create an "aesthetic of heterogeneity" that envisions an expanded and integrated Europe and highlights the political nature of Ak?n's decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Ak?n's aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.
Автор: Murguнa Salvador Название: Encyclopedia of Contemporary Spanish Films ISBN: 1442271329 ISBN-13(EAN): 9781442271326 Издательство: NBN International Рейтинг: Цена: 25133.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume highlighting the movies that were produced after the Franco`s death in 1976-a new era in which creative expression emerged from the censorship imposed by an autocratic dictator. The titles included herein represent a national cinema to reflect a public sentiment about a society in the wake of systematic artistic suppression.
Автор: P. Cooke Название: World Cinema`s `Dialogues` With Hollywood ISBN: 1349547433 ISBN-13(EAN): 9781349547432 Издательство: Springer Рейтинг: Цена: 15372.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paul Cooke looks at Hollywood`s interaction with national and transnational cinemas, from German Expressionism to Bollywood and Chinese film. While Hollywood has had a huge impact on the medium - doing all the talking in the `dialogue` - world cinema`s economic, aesthetic and political relationship with Hollywood is of profound importance.
Автор: David R. Klein Название: Klein`s Organic Chemistry, Global Edition 3rd edition ISBN: 1119451051 ISBN-13(EAN): 9781119451051 Издательство: Wiley Рейтинг: Цена: 8869.00 р. Наличие на складе: Поставка под заказ.
Описание: Klein's Organic Chemistry, Global Edition is not merely a compilation of principles, but rather, it is a disciplined method of thought and analysis. Success in organic chemistry requires mastery in two core aspects: fundamental concepts and the skills needed to apply those concepts and solve problems. This book employs a skills-based approach to bridge the gap between theory and practice.
It provides extensive coverage of the principles and helps students become proficient at approaching new situations methodically based on a repertoire of skills.
Описание: In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a ‘renaissance’. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who’s Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood’s Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.
Автор: Murguia Salvador Jimenez, Dymond Erica Joan, Fennelly Kristina Название: The Encyclopedia of Sexism in American Films ISBN: 1538115514 ISBN-13(EAN): 9781538115510 Издательство: INGRAM PUBLISHER SERVICES UK Рейтинг: Цена: 25133.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Encyclopedia of Sexism in Film discusses sexism on screen-both blatant and subtle-in more than 150 motion pictures. This volume, examine the images, scenes, and dialogue that both reflect and shape the ongoing struggles with gender roles, sex, and orientation across decades and genres, in films ranging from 9 to 5 to The X-Men.
Автор: Leon Hunt Название: Mario Bava: The Artisan as Italian Horror Auteur ISBN: 1501390856 ISBN-13(EAN): 9781501390852 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ...
Kill (1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.
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