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Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963, Young Jingan


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Автор: Young Jingan
Название:  Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
ISBN: 9781800734777
Издательство: Berghahn
Классификация:


ISBN-10: 1800734778
Обложка/Формат: Hardback
Страницы: 262
Вес: 0.50 кг.
Дата издания: 13.05.2022
Язык: English
Размер: 153 x 228 x 26
Ключевые слова: Cultural studies,Documentary films,Film theory & criticism, HISTORY / Europe / Great Britain,HISTORY / Social History,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: Cinematic spaces of bohemia and cosmopolitanism, 1948-1963
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Поставляется из: Англии
Описание:

Despite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within postwar British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.


Дополнительное описание:

List of Illustrations

Foreword
Peter Bradshaw

Author’s Preface
Acknowledgements

Introduction: Soho, ‘The Forbidden City’




Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy

Автор: Marsh Steven
Название: Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy
ISBN: 0253046319 ISBN-13(EAN): 9780253046314
Издательство: Mare Nostrum (Eurospan)
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Цена: 4013.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Spanish Cinema Against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s--with the work of Luis Bu uel and Salvador Dal , experimentalist Jos Val de Omar, and militant documentary filmmaker Carlos Velo--through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.

Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941

Автор: Clark Katerina
Название: Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941
ISBN: 0674057872 ISBN-13(EAN): 9780674057876
Издательство: Wiley
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Цена: 6011.00 р.
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Описание: The sixteenth-century monk Filofei proclaimed Moscow the Third Rome. By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. Clark shows how Soviet officials and intellectuals sought to establish their capital as the Fourth Rome-a cosmopolitan post-Christian beacon for the rest of the world.

Cosmopolitanism and the Media

Автор: Christensen
Название: Cosmopolitanism and the Media
ISBN: 0230392253 ISBN-13(EAN): 9780230392250
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Cosmopolitanism and the Media explores the diverse implications of today`s digital media environments in relation to people`s worldviews and social practices. The book presents an empirically grounded account of the relationship between cosmopolitanized lifeworlds and forces of surveillance, control and mobility.

Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy

Автор: Marsh Steven
Название: Spanish Cinema Against Itself: Cosmopolitanism, Experimentation, Militancy
ISBN: 0253046300 ISBN-13(EAN): 9780253046307
Издательство: Mare Nostrum (Eurospan)
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Цена: 10032.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Spanish Cinema Against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s--with the work of Luis Bu uel and Salvador Dal , experimentalist Jos Val de Omar, and militant documentary filmmaker Carlos Velo--through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.

Cosmopolitanism and the Media

Автор: M. Christensen; A. Jansson
Название: Cosmopolitanism and the Media
ISBN: 134935189X ISBN-13(EAN): 9781349351893
Издательство: Springer
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Цена: 4191.00 р.
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Описание: Cosmopolitanism and the Media explores the diverse implications of today`s digital media environments in relation to people`s worldviews and social practices. The book presents an empirically grounded account of the relationship between cosmopolitanized lifeworlds and forces of surveillance, control and mobility.

Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan

Автор: Hu Brian
Название: Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan
ISBN: 1474428460 ISBN-13(EAN): 9781474428460
Издательство: Bloomsbury Academic
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Цена: 3642.00 р.
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Описание:

How does cinema imagine our place in the world? Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the idea of nationhood. Examining the cultural, political and industrial overlaps between these cinemas, as well as the areas where they uniquely parallel each other, this book brings together perspectives from cinema studies, Chinese studies and Asian American studies to show how culture is produced in the spaces between empires. With case studies of popular stars like Linda Lin Dai and Edison Chen, and spectacular genres like the Shaolin Temple cycle of martial arts films, the book explores what it meant to be both cosmopolitan and Chinese in the second half of the 20th century.


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