According to relational sociology, power imbalances are at the core of human conflicts. They shape subsequent physical and symbolic struggles between interdependent groups or individuals. The contributions to this volume highlight the role of power relations in the black experience. By applying key concepts of Pierre Bourdieu and Norbert Elias--habitus, field, capital, symbolic violence, established-outsider relationships--to African American literature and culture, the authors offer new readings of power asymmetries as they are represented in the works of canonical and contemporary black writers, rap music, and figurations of political activism.
Автор: Tara A. Bynum Название: Reading Pleasures: Everyday Black Living in Early America ISBN: 0252044738 ISBN-13(EAN): 9780252044731 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Нет в наличии.
Описание: In the early United States, a Black person committed an act of resistance simply by reading and writing. Yet we overlook that these activities also brought pleasure. Tara A. Bynum tells the compelling stories of four early American writers who expressed feeling good despite living while enslaved or only nominally free. The poet Phillis Wheatley delights in writing letters to a friend. Ministers John Marrant and James Albert Ukawsaw Gronniosaw memorialize their love for God. David Walker’s pamphlets ask Black Americans to claim their victory over slavery. Together, their writings reflect the joyous, if messy, humanity inside each of them. This proof of a thriving interior self in pursuit of good feeling forces us to reckon with the fact that Black lives do matter.
A daring assertion of Black people’s humanity, Reading Pleasures reveals how four Black writers experienced positive feelings and analyzes the ways these emotions served creative, political, and racialized ends.
From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Independence in the West Indies, up to the present era of globalization, Black Nationalism in the New World explores the paths taken by black nationalism in the United States and the Caribbean. Bringing to bear a comparative, diasporic perspective, Robert Carr examines the complex roles race, gender, sexuality, and history have played in the formation of black national identities in the U. S. and Caribbean—particularly in Jamaica, Trinidad, and Guyana—over the past two centuries. He shows how nationalism begins as an impulse emanating "upwards" from the bottom of the social and economic spectrum and discusses the implications of this phenomenon for understanding democracy and nationalism.
Black Nationalism in the New World combines geography, political economy, and subaltern studies in readings of noncanonical literary works, which in turn illuminate debates over African-American and West Indian culture, identity, and politics. In addition to Martin Delany’s Blake, or the Huts of America, Carr focuses on Pauline Hopkins’s Contending Forces; Crown Jewel, R. A. C. de Boissière’s novel of the Trinidadian revolt against British rule; Wilson Harris’s Guyana Quartet; the writings of the Oakland Black Panthers—particularly Huey Newton, Bobby Seale, and Eldridge Cleaver; the gay novella Just Being Guys Together; and Lionheart Gal, a collection of patois testimonials assembled by Sistren, a radical Jamaican women’s theater group active in the ‘80s.
With its comparative approach, broad historical sweep, and use of texts not well known in the United States, Black Nationalism in the New World extends the work of such theorists as Homi Bhabha, Paul Gilroy, and Nell Irwin Painter. It will be necessary reading for those interested in African American studies, Caribbean studies, cultural studies, women’s studies, and American studies.
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation as a means to assert their civic identities and intervene in the political and literary cultures of the United States from which they were otherwise excluded.
Forgotten Readers expands our definition of literacy and urges us to think of literature as broadly as it was conceived of in the nineteenth century. Elizabeth McHenry delves into archival sources, including the records of past literary societies and the unpublished writings of their members. She examines particular literary associations, including the Saturday Nighters of Washington, D.C., whose members included Jean Toomer and Georgia Douglas Johnson. She shows how black literary societies developed, their relationship to the black press, and the ways that African American women’s clubs—which flourished during the 1890s—encouraged literary activity. In an epilogue, McHenry connects this rich tradition of African American interest in books, reading, and literary conversation to contemporary literary phenomena such as Oprah Winfrey’s book club.
Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism. Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism. Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
Автор: Tara A. Bynum Название: Reading Pleasures: Everyday Black Living in Early America ISBN: 025208683X ISBN-13(EAN): 9780252086830 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3135.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the early United States, a Black person committed an act of resistance simply by reading and writing. Yet we overlook that these activities also brought pleasure. Tara A. Bynum tells the compelling stories of four early American writers who expressed feeling good despite living while enslaved or only nominally free. The poet Phillis Wheatley delights in writing letters to a friend. Ministers John Marrant and James Albert Ukawsaw Gronniosaw memorialize their love for God. David Walker’s pamphlets ask Black Americans to claim their victory over slavery. Together, their writings reflect the joyous, if messy, humanity inside each of them. This proof of a thriving interior self in pursuit of good feeling forces us to reckon with the fact that Black lives do matter.
A daring assertion of Black people’s humanity, Reading Pleasures reveals how four Black writers experienced positive feelings and analyzes the ways these emotions served creative, political, and racialized ends.
Описание: This book covers several distinctive moments of the post-civil rights era; the black power period, the affirmative action period, and the neoliberal period. It inspects representative texts and critical approaches associated with each period, covering a variety of authors and genres from Toni Morrison`s mythic fiction to Wahida Clark`s street lit.
Описание: This book expands on a literary tradition where Black writers articulate the impact of slavery`s legacy over time. Along with Black Feminist studies, this book demonstrates how trauma studies can transcend Eurocentric roots by encompassing traumatic experiences of other cultures through intersectionality.
Activist Sentiments takes as its subject women who in fewer than fifty years moved from near literary invisibility to prolific productivity. Grounded in primary research and paying close attention to the historical archive, this book offers against-the-grain readings of the literary and activist work of Harriet Jacobs, Harriet Wilson, Frances E. W. Harper, Victoria Earle Matthews and Amelia E. Johnson.
Part literary criticism and part cultural history, Activist Sentiments examines nineteenth-century social, political, and representational literacies and reading practices. P. Gabrielle Foreman reveals how Black women's complex and confrontational commentary–often expressed directly in their journalistic prose and organizational involvement--emerges in their sentimental, and simultaneously political, literary production.
Beginning in 1867 with the inception of segregated public schools and ending in 1983, ten years after federal court-ordered desegregation, Reading, Writing, and Segregation details the experiences of African American women teachers in Nashville, Tennessee. Sonya Ramsey examines the familial and educational backgrounds, working environments, and political strategies of these women who constituted the majority of the city's black middle class. Black teachers were often role models for their students and community, but they still struggled for parity and respect from white colleagues. Ramsey's study contributes to the historical discussion of the complicated intersections of class and race and how they changed over time.
Grounded in extensive interviews with both black and white women who made the transition to integrated faculties, Ramsey reveals how educators in an urban southern environment responded not only to desegregation and integration but also to critical moments in U.S. history, such as world wars, the Great Depression, the Brown v. Board of Educationdecision, and the civil rights and women's movements. Her exploration of how they constructed middle-class identities and how desegregation transformed their roles as teachers reveals the links among class, gender, and race in segregated communities; the racialized and gendered meanings of professionalism; and the complex consequences of desegregation.
From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Independence in the West Indies, up to the present era of globalization, Black Nationalism in the New World explores the paths taken by black nationalism in the United States and the Caribbean. Bringing to bear a comparative, diasporic perspective, Robert Carr examines the complex roles race, gender, sexuality, and history have played in the formation of black national identities in the U. S. and Caribbean—particularly in Jamaica, Trinidad, and Guyana—over the past two centuries. He shows how nationalism begins as an impulse emanating "upwards" from the bottom of the social and economic spectrum and discusses the implications of this phenomenon for understanding democracy and nationalism.
Black Nationalism in the New World combines geography, political economy, and subaltern studies in readings of noncanonical literary works, which in turn illuminate debates over African-American and West Indian culture, identity, and politics. In addition to Martin Delany’s Blake, or the Huts of America, Carr focuses on Pauline Hopkins’s Contending Forces; Crown Jewel, R. A. C. de Boissière’s novel of the Trinidadian revolt against British rule; Wilson Harris’s Guyana Quartet; the writings of the Oakland Black Panthers—particularly Huey Newton, Bobby Seale, and Eldridge Cleaver; the gay novella Just Being Guys Together; and Lionheart Gal, a collection of patois testimonials assembled by Sistren, a radical Jamaican women’s theater group active in the ‘80s.
With its comparative approach, broad historical sweep, and use of texts not well known in the United States, Black Nationalism in the New World extends the work of such theorists as Homi Bhabha, Paul Gilroy, and Nell Irwin Painter. It will be necessary reading for those interested in African American studies, Caribbean studies, cultural studies, women’s studies, and American studies.
Автор: Eugene Victor Wolfenstein Название: Gift of the Spirit: Reading "The Souls of Black Folk " ISBN: 0801445221 ISBN-13(EAN): 9780801445224 Издательство: Wiley EDC Рейтинг: Цена: 18533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In A Gift of the Spirit, Eugene Victor Wolfenstein offers a reading of W. E. B. Du Bois's The Souls of Black Folk aimed at demonstrating its organic unity and coherence. He takes as his interpretive key the experience of the color line with which Du Bois's narrative begins—the incident from his youth in which a white girl refused his offer of a visiting card. Wolfenstein contends that this instance of misrecognition makes visible an aesthetic and affective configuration involving insult and injury, both racial and personal; anger as the immediate response to the humiliating wound; and, when that anger is suppressed, a melancholy retreat from the site of injury. As Wolfenstein reconstructs it, Souls tells the story of Du Bois's twofold approach to waging the battle for recognition: proud and disciplined resistance to the impositions and injustices of white supremacy; and the development of an intellectual station above the field of battle, where it could be surveyed from on high.With its serious and respectful approach to this canonical work in African American social theory, A Gift of the Spirit is a fitting tribute to the enduring relevance of Du Bois's singular achievement.
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