Race and gender in the western music history survey, Maxile, Jr., Horace J. (baylor University, Usa) Turner, Kristen M. (nc State University, Usa)
Автор: Ita Beausang, Jennifer O`Connor-Madsen, Laura Watson Название: Women and Music in Ireland ISBN: 1783277556 ISBN-13(EAN): 9781783277551 Издательство: Boydell & Brewer Рейтинг: Цена: от 11712.00 р. Наличие на складе: Есть
Описание: Explores the world of women`s professional and amateur musical activity as it developed on and beyond the island of Ireland.
Автор: Barker Название: Porphyry`s Commentary on Ptolemy`s Harmonics ISBN: 1107003857 ISBN-13(EAN): 9781107003859 Издательство: Cambridge Academ Рейтинг: Цена: 17899.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Porphyry's Commentary, the only surviving ancient commentary on a technical text, is not merely a study of Ptolemy's Harmonics. It includes virtually free-standing philosophical essays on epistemology, metaphysics, scientific methodology, aspects of the Aristotelian categories and the relations between Aristotle's views and Plato's, and a host of briefer comments on other matters of wide philosophical interest. For musicologists it is widely recognised as a treasury of quotations from earlier treatises, many of them otherwise unknown; but Porphyry's own reflections on musical concepts (for instance notes, intervals and their relation to ratios, quantitative and qualitative conceptions of pitch, the continuous and discontinuous forms of vocal movement, and so on) and his snapshots of contemporary music-making have been undeservedly neglected. This volume presents the first English translation and a revised Greek text of the Commentary, with an introduction and notes designed to assist readers in engaging with this important and intricate work.
Автор: Mickey Vallee Название: Rancid Aphrodisiac: Subjectivity, Desire, and Rock `n` Roll ISBN: 1441183620 ISBN-13(EAN): 9781441183620 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: It has been sixty years since Rock ‘n’ Roll exploded into the mainstream, yet we remain limited in our understanding of how its bawdy excesses absorbed into the annals of mass popularity in such a short amount of time. Mickey Vallee asks: what if the Rock ‘n’ Roll eruption was nothing less than postwar consumer capitalism at its very best, precisely because it was taken as its very worst? Vallee explores the emergence of Rock ‘n’ Roll’s from an entirely new theoretical disposition in order to answer this question, drawing mainly from Lacanian cultural psychoanalysis to reveal that Rock ‘n’ Roll was far more conformist than we are generally led to believe; namely, that it was conformist with emerging liberal principles of freedom from the tyranny of the state. Vallee supports this proposition with detailed analyses of familiar (and not-so-familiar) characters and texts in Rock ‘n’ Roll to suggest that the disruption of our symbolic economy was symptomatic of a new cultural logic of economic freedom. While not denying Rock ‘n’ Roll’s role in the pre-civil rights movement, Vallee refuses the possibility to deny that Rock ‘n’ Roll’s symbolic efficacy ultimately coordinated a neoliberal foundation to the ideology of individualism in its rhythm, instrumentation, lyrics, and vocals, where its power was at its most effective and affective.
Автор: Trier-Bieniek Adrienne Название: The Beyonce Effect: Essays on Sexuality, Race and Feminism ISBN: 0786499745 ISBN-13(EAN): 9780786499748 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3326.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents a detailed study of the music and persona of Beyonce - arguably the world`s biggest pop star. Topics include the body politics of respectability; feminism, empowerment and gender in Beyonce`s lyrics; black female pleasure; and the changing face of celebrity motherhood.
Название: The Cambridge Companion to Operetta ISBN: 1316633349 ISBN-13(EAN): 9781316633342 Издательство: Cambridge Academ Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Описание: In "This Is America": Race, Gender, and Politics in America's Musical Landscape, Katie Rios argues that prominent American artists and musicians build encoded gestures of resistance into their works and challenge the status quo. These artists offer both an interpretation and a critique of what "This Is America" means. Using Childish Gambino's video for "This Is America" as a starting point, Rios considers how elements including clothing, hairstyles, body movements, gaze, lighting effects, distortion, and word play symbolize American dissonance. From Laurie Anderson's presence in challenging authority and playing with traditional gender roles in her works, to the Black female feminism and social activism of Beyoncй, Rhiannon Giddens, and Janelle Monбe, to hip hop as resistance in the age of Trump, to sonic and visual variety in the musical Hamilton, the subjects are as powerful as they are topical. Rios explores the ways in which artists relate to and represent underrepresented groups, especially groups that are not traditionally perceived as having a majority voice. The encoded resistances recur across performances and video recordings so that they begin to become recognizable as repeated acts of resistance directed at injustices based on a number of categories, including race, gender, class, religion, and politics.
Описание: Paul Brian Heise’s The Wound That Will Never Heal is an original allegorical reading of Richard Wagner’s epic music drama The Ring of the Nibelung. Heise challenges the standard view that Wagner merely dramatizes the conflict between love and power and demonstrates instead that his greatest work is an allegory exploring humanity’s longing for transcendent value and that quest’s paradoxical establishment of a science-based secular society. By employing a more extensive analysis of primary evidence than any prior interpretation, The Wound That Will Never Heal is the first interpretation to propose and sustain a global and conceptually coherent account of the entire Ring.
Автор: Cypess Rebecca Название: Word, Image, and Song ISBN: 1580464300 ISBN-13(EAN): 9781580464307 Издательство: Wiley Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The concept of musical voice has been a subject of controversy in recent decades, as the primacy of the composer's place in the creation of the work has been called into question. The essays in Word, Image, and Song: Essays on Musical Voices take the notion of musical voice as a starting point, and apply it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Rather than attributing interpretive control to the composer, performer, or audience alone, these essays present a range of interpretive strategies with respect to the various voices that one might hear and understand as emerging from a musical work: the composer's voice, the performer's voice, the patron's voice, the collector's voice, and the social or receptive voice. Contributors: Bathia Churgin, Rebecca Cypess, Roger Freitas, Philip Gossett, Ellen T. Harris, Joseph Kerman, Nathan Link, Daniel R. Melamed, Giovanni Morelli, Kristina Muxfeldt, Ruth Smith, Ruth A. Solie. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.
Описание: When George Jones recorded ""He Stopped Loving Her Today"" more than thirty years ago, he was a walking disaster. Twin addictions to drugs and alcohol had him drinking Jim Beam by the case and snorting cocaine as long as he was awake. Before it was over, Jones would be bankrupt, homeless, and an unwilling patient at an Alabama mental institution. In the midst of all this chaos, über producer Billy Sherrill--the man who discovered Tammy Wynette and co-wrote ""Stand by Your Man""--would somehow coax the performance of a lifetime out of the mercurial Jones. The result was a country masterpiece.In He Stopped Loving Her Today, the story behind the making of the song often voted the best country song ever by both critics and fans, offers an overview of country music's origins and a search for the music's illusive Holy Grail: authenticity. The schizoid bottom line--even though country music is undeniably a branch of the make-believe world of show biz, to fans and scholars alike, authenticity remains the ultimate measure of the music's power.
Автор: Smither Howard E Название: History of the Oratorio ISBN: 0807837776 ISBN-13(EAN): 9780807837771 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13028.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With this volume, Howard Smither completes his monumental History of the Oratorio. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France.
Автор: Wright David C H Название: Associated Board of the Royal Schools of Music ISBN: 184383734X ISBN-13(EAN): 9781843837343 Издательство: Boydell & Brewer Цена: 7920.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Associated Board of the Royal Schools of Music, better known as ABRSM, has influenced the musical lives and tastes of millions of people since it conducted its first exams in 1890. This ground-breaking history explores how ABRSM became such a formative influence and looks at some of the consequences resulting from its pre-eminent position in British musical life. Particular emphasis is given to how free ABRSM has been to impose its musical view of things and to what extent its exams respond to the circumstances and musical preferences of its customers. The book's exploration of how ABRSM has negotiated music's changing social, educational and cultural landscape casts fresh light on the challenges facing music education today. David Wright's comprehensive history of the Board from its origins in 1889 to the present day represents a significant and original investigation. Not only is it the first extended account of ABRSM, but it sets the institution and its work firmly within its historical and cultural context. ABRSM's exams were exported all across the Empire, and this study shows how both exams and examiners made a telling cultural contribution to the idea of the 'British World'. It relates the exams to changing historical perceptions about musical education as well as to attitudes about the value of music as a social and recreational activity. By demonstrating the impact of the Board's commercial success in dominating the grade exam market, the book shows how this has had significant consequences for the organization of British musical training and for the formation and sustaining of a particular sort of British musical culture. Before his retirement, David Wright was Reader in the Social History of Music at the Royal College of Music, London.
Автор: Sarah Hickmott Название: Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou ISBN: 1474458319 ISBN-13(EAN): 9781474458313 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What counts as music for contemporary thinkers? Why is music of use to philosophers and how do they use it in their work? How do philosophers decide what music is and what assumptions are uncritically inherited in this move? And what is the philosophical relationship between music and gender? To answer these questions, Sarah Hickmott looks at the way music is used, characterised and understood in the work of Jean-Luc Nancy, Philippe Lacoue-Labarthe and Alain Badiou. Despite the differences in their philosophical-theoretical positions, all of these writers invoke music – both directly and indirectly – to negotiate their relationship to ontology, politics, ethics and aesthetics. Given a longer philosophical history, dating back at least to Plato, of aligning music with the feminine, she also focuses on the way gender is deployed, understood and constructed within the philosophy of music.
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