Williams, Dr. Lyneise E. (associate Professor Of Art History, Unc Chapel Hill, Usa) Latin blackness in parisian visual culture, 1852-1932 9781501391019

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Автор: Williams, Dr. Lyneise E. (associate Professor Of Art History, Unc Chapel Hill, Usa)
Название: Latin blackness in parisian visual culture, 1852-1932
ISBN: 9781501391019
Издательство: Bloomsbury
Классификация:

История художественных и оформительских стилей: с 1800 по 1900 г.

Человеческие фигуры в изобразительном искусстве

Этнические меньшинства и мультикультурные исследования

Исследования латиноамериканских этнических групп

ISBN-10: 1501391011
Обложка/Формат: Paperback
Страницы: 232
Вес: 0.45 кг.
Дата издания: 30.06.2022
Серия: Arts
Язык: English
Иллюстрации: 9 colour and 37 bw illus
Размер: 216 x 140 x 25
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Ethnic minorities & multicultural studies,Hispanic & Latino studies,History of art & design styles: c 1800 to c 1900,Human figures depicted in art, ART / History / Modern (late 19th Century to 1945)
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Поставляется из: Англии
Описание: Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term Latinize was introduced to connect France’s early 19th-century endeavors to create Latin America—an expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americas—to its perception of the people who lived there. Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans. In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933.

Latin blackness in parisian visual culture, 1852-1932, Williams, Dr. Lyneise E. (associate Professor Of Art History, Unc Chapel Hill, Usa)