Functions of medieval english stage directions, Butterworth, Philip
Автор: Andre Lardinois Название: Sappho: A New Translation of the Complete Works ISBN: 1108926975 ISBN-13(EAN): 9781108926973 Издательство: Cambridge Academ Рейтинг: Цена: 2218.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of what survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems and fragments, including three poems discovered in the last two decades. The power of Sappho's poetry ? her direct style, rich imagery, and passion ? is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful, modern in diction yet faithful to the originals. Sappho's voice is heard in these poems about love, friendship, rivalry, and family. In the introduction and notes, Andre Lardinois plausibly reconstructs Sappho's life and work, the performance of her songs, and how these fragments survived. This second edition incorporates thirty-two more fragments primarily based on Camillo Neri's 2021 Greek edition and revisions of over seventy fragments.
Автор: D`Amato Raffaele Название: The Varangian Guard 988–1453 ISBN: 1849081794 ISBN-13(EAN): 9781849081795 Издательство: Osprey Рейтинг: Цена: 1929.00 р. Наличие на складе: Нет в наличии.
Описание: The Varangian Guards were Viking mercenaries who operated far beyond their native shores as an elite force within the Byzantine Armies. The Varangians wore mixtures of their native clothing and armour together with a splendid formal Byzantine uniform. This title offers an insightful look at this legendary guard units of the medieval world.
Автор: D`Amato Raffaele Название: Byzantine Naval Forces 1261–1461 ISBN: 1472807286 ISBN-13(EAN): 9781472807281 Издательство: Osprey Рейтинг: Цена: 1929.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing upon early literary sources, the evidence of period illuminated manuscripts, frescoes and other iconography, this book details the lasting legacy of the swansong of Byzantine naval power.
Автор: Krause Stefan Название: Freydal. Medieval Games. The Book of Tournaments of Emperor Maximilian I ISBN: 3836576813 ISBN-13(EAN): 9783836576819 Издательство: Taschen Рейтинг: Цена: 17932.00 р. 19924.00-10% Наличие на складе: Есть (1 шт.) Описание: Named after Maximilian I`s literary alter ego, Freydal is the largest extant tournament book of the Late Middle Ages, inscribed in the UNESCO Memory of the World program. This publication from Vienna`s Kunsthistorisches Museum commemorates the 500th anniversary of Maximilian`s death, combining for the first time all 255 gold- and silver-...
Автор: Esposito Gabriele Название: Armies of the Medieval Italian Wars 1125-1325 ISBN: 1472833406 ISBN-13(EAN): 9781472833402 Издательство: Osprey Рейтинг: Цена: 1929.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The great powers of medieval Europe fought continuously in the Italian peninsula between the 12th and 14th centuries as they sought to expand their territory. Invading armies from Germany - the Holy Roman Empire - saw the creation of the defensive Lombard League of northern Italian city-states. These struggles resulted in conflicts between rival confederacies, which in turn proved to be the catalysts for developments in organisation and tactics.
Italian urban militias became better organised and equipped, the Imperial armies went from being mostly German to multi-national forces, and both sides became reliant on mercenary forces to prosecute their wars. After the 1260s, France, relying mainly on armoured cavalry, and Spain, with their innovative light infantry, vied for control of southern Italy. On the seas, the great naval powers of Genoa, Pisa and Venice became fierce rivals, as they created great trading empires, bringing the treasures of the east into feudal Europe.
Using detailed colour plates, this beautifully illustrated book describes the myriad of armies and navies that fought for control of Italy in the Middle Ages.
The Bible played a crucial role in shaping Anglo-Saxon national and cultural identity. However, access to Biblical texts was necessarily limited to very few individuals in Medieval England. In this book, Samantha Zacher explores how the very earliest English Biblical poetry creatively adapted, commented on and spread Biblical narratives and traditions to the wider population. Systematically surveying the manuscripts of surviving poems, the book shows how these vernacular poets commemorated the Hebrews as God's 'chosen people' and claimed the inheritance of that status for Anglo-Saxon England. Drawing on contemporary translation theory, the book undertakes close readings of the poems Exodus, Daniel and Judith in order to examine their methods of adaptation for their particular theologico-political circumstances and the way they portray and problematize Judaeo-Christian religious identities.
This volume gathers the contributions of senior and junior scholars—all indebted to the pathbreaking work of Derek Pearsall—to showcase new research prompted by his rich and ongoing legacy as a literary critic, editor, and seminal founder of Middle English manuscript studies. The contributors aim both to honor Pearsall’s work in the field he established and to introduce the complexities of interdisciplinary manuscript studies to students already familiar with medieval literature.
The contributors explore a range of issues, from the study of medieval literary manuscripts to the history of medieval books, libraries, literacy, censorship, and the social classes who used the books and manuscripts—nobles, children, schoolmasters, priests, merchants, and more. In addressing reading practices, essays provide a wealth of information on marginal commentaries, images and interpretive methods, international transmission, and early print and editorial methods.
Contributors: Sarah Baechle, Julia Boffey, Peter Brown, Katie Ann-Marie Bugyis, Christopher Cannon, A. I. Doyle, Martha W. Driver, Si?n Echard, Nicole Eddy, A. S. G. Edwards, Hilary E. Fox, Karrie Fuller, Maura Giles-Watson, Phillipa Hardman, Kathryn Kerby-Fulton, Jill Mann, William Marx, Sarah McNamer, Carol M. Meale, Linne Mooney, Melinda Nielsen, Theresa O’Byrne, Stephen Partridge, Oliver Pickering, Susan Powell, Elizabeth Scala, A. C. Spearing, John J. Thompson, Edward Wheatley, Jocelyn Wogan-Browne, Hannah Zdansky, Nicolette Zeeman.
The Bible played a crucial role in shaping Anglo-Saxon national and cultural identity. However, access to Biblical texts was necessarily limited to very few individuals in Medieval England. In this book, Samantha Zacher explores how the very earliest English Biblical poetry creatively adapted, commented on and spread Biblical narratives and traditions to the wider population. Systematically surveying the manuscripts of surviving poems, the book shows how these vernacular poets commemorated the Hebrews as God's 'chosen people' and claimed the inheritance of that status for Anglo-Saxon England. Drawing on contemporary translation theory, the book undertakes close readings of the poems Exodus, Daniel and Judith in order to examine their methods of adaptation for their particular theologico-political circumstances and the way they portray and problematize Judaeo-Christian religious identities.
Автор: G. Partington; A. Smyth Название: Book Destruction from the Medieval to the Contemporary ISBN: 134947455X ISBN-13(EAN): 9781349474554 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.
It is often assumed that those outside of academia know very little about the Middle Ages. But the truth is not so simple. Non-specialists in fact learn a great deal from the myriad medievalisms - post-medieval imaginings of the medieval world - that pervade our everyday culture. These, like Lord of the Rings or Game of Thrones, offer compelling, if not necessarily accurate, visions of the medieval world. And more, they have an impact on the popular imagination, particularly since there are new medievalisms constantly being developed, synthesised and remade. But what does the public really know? How do the conflicting medievalisms they consume contribute to their knowledge? And why is this important? In this book, the first evidence-based exploration of the wider public's understanding of the Middle Ages, Paul B. Sturtevant adapts sociological methods to answer these important questions. Based on extensive focus groups, the book details the ways - both formal and informal - that people learn about the medieval past and the many other ways that this informs, and even distorts, our present. In the process, Sturtevant also sheds light, in more general terms, onto the ways non-specialists learn about the past, and why understanding this is so important. The Middle Ages in Popular Imagination will be of interest to anyone working on medieval studies, medievalism, memory studies, medieval film studies, informal learning or public history.
Описание: This book presents an up-to-date overview of the main new directions taken by ancient philosophy in the first century BC. It demonstrates the intensity of renewed study of Aristotle`s Categories and Plato`s Timaeus, and will be indispensable for scholars and students interested in the history of Platonism and Aristotelianism.
Описание: This open access book brings together an international team of experts, The Middle Ages in Modern Culture considers the use of medieval models across a variety of contemporary media – ranging from television and film to architecture – and the significance of deploying an authentic medieval world to these representations.
Rooted in this question of authenticity, this interdisciplinary study addresses three connected themes. Firstly, how does historical accuracy relate to authenticity, and whose version of authenticity is accepted? Secondly, how are the middle ages presented in modern media and why do inaccuracies emerge and persist in these works? Thirdly, how do creators of modern content attempt to produce authentic medieval environments, and what are the benefits and pitfalls of accurate portrayals? The result is nuanced study of medieval culture which sheds new light on the use (and misuse) of medieval history in modern media.
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
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