Change and Continuity at the Roman Coastal Fort at Oudenburg from the Late 2nd until the Early 5th Century AD: Volume I: The Site and its Significance within the Wider Context of the Roman North Sea and Channel Frontier Zone, Sofie Vanhoutte
Автор: Breeze, David J. Wilmott, Tony Vanhoutte, Sofie Bridgland, Richard Название: Frontiers of the roman empire: the saxon shore and the maritime coast ISBN: 1803273046 ISBN-13(EAN): 9781803273044 Издательство: Неизвестно Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The North Sea and Channel coasts form the geographic frontier of the Roman Empire with the sea - the edge of the then known world. This border represents a page in military maritime history, but its coasts, in Great Britain, the Netherlands, Belgium and France, contain archaeological sites of high heritage value that deserve a large audience.
Автор: Jacqueline Vanhoutte Название: Age in Love: Shakespeare and the Elizabethan Court ISBN: 1496207599 ISBN-13(EAN): 9781496207593 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The title Age in Love is taken from Shakespeare’s sonnet 138, a poem about an aging male speaker who, by virtue of his entanglement with the dark lady, “vainly” performs the role of “some untutor’d youth.” Jacqueline Vanhoutte argues that this pattern of “age in love” pervades Shakespeare’s mature works, informing his experiments in all the dramatic genres. Bottom, Malvolio, Claudius, Falstaff, and Antony all share with the sonnet speaker a tendency to flout generational decorum by assuming the role of the lover, normally reserved in Renaissance culture for young men. Hybrids and upstarts, cross-dressers and shape-shifters, comic butts and tragic heroes—Shakespeare’s old-men-in-love turn in boundary-blurring performances that probe the gendered and generational categories by which early modern subjects conceived of identity.
In Age in Love Vanhoutte shows that questions we have come to regard as quintessentially Shakespearean—about the limits of social mobility, the nature of political authority, the transformative powers of the theater, the vagaries of human memory, or the possibility of secular immortality—come to indelible expression through Shakespeare’s artful deployment of the “age in love” trope. Age in Love contributes to the ongoing debate about the emergence of a Tudor public sphere, building on the current interest in premodern constructions of aging and ultimately demonstrating that the Elizabethan court shaped Shakespeare’s plays in unexpected and previously undocumented ways.
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