Titian`s Allegory of Marriage: New Approaches, Daniel M. Unger

Название: Titian (Basic Art)
ISBN: 3836548569 ISBN-13(EAN): 9783836548564
Издательство: Taschen
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Цена: 1992.00 р.
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Описание: Immerse yourself in the rich shades and textures of the mighty Titian, the most important member of the Venetian High Renaissance.

Автор: Kaminski Marion
Название: Masters: Titian (LCT)
ISBN: 3848005557 ISBN-13(EAN): 9783848005550
Издательство: Ullmann
Цена: 1149.00 р.
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Описание: The volumes in this bibliophile series provide unique portraits of European art history. Readers gain fascinating insights into the artists biographies and their styles of working: Durer and his famous portraits and altarpieces, the vivid rural scenes of Pieter Bruegel, the great painters of the Italian Renaissance and the mysterious chiaroscuro paintings of Caravaggio.

Автор: Nygren Christopher J.
Название: Titian`s Icons: Tradition, Charisma, and Devotion in Renaissance Italy
ISBN: 0271085037 ISBN-13(EAN): 9780271085036
Издательство: NBN International
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Цена: 19631.00 р.
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Описание: A reexamination of the career of Titian, the only Renaissance artist credited by contemporaries with painting a miracle-working image. Argues that a major part of the artist`s legacy is to be found in his charismatic entrance into the tradition of Christian icon painting.

Автор: Albury
Название: Castiglione`s Allegory
ISBN: 1472432630 ISBN-13(EAN): 9781472432636
Издательство: Taylor&Francis
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Описание: Castiglione’s Book of the Courtier (Il libro del cortegiano, 1528), a dialogue in which the interlocutors attempt to describe the perfect courtier, was one of the most influential books of the Renaissance. In recent decades a number of postmodern readings of this work have appeared, emphasizing what is often characterized as the playful indeterminacy of the text, and seeking to detect inconsistencies which are interpreted as signs of anxiety or bad faith in its presentation. In contrast to these postmodern readings, the present study conducts an experiment. What understanding does one gain of Castiglione’s book if one attempts an early modern reading? The author approaches The Book of the Courtier as a text in which some of its most important aspects are intentionally concealed and veiled in allegory. W.R. Albury argues that this early modern reading of The Book of the Courtier enables us to recover a serious political message which has a great deal of contemporary relevance and which is lost from sight when the work is approached primarily as a courtly etiquette book, or as a lament for the lost influence of the aristocracy in an age when autocratic nation-states were coming into being, or as an impersonal textual field upon which a free play of transformations and deconstructions may be performed.