Art and Ocean Objects of Early Modern Eurasia: Shells, Bodies, and Materiality, Anna Grasskamp
Автор: Eming Jutta Название: Visuality and Materiality in the Story of Tristan and Isolde ISBN: 0268041393 ISBN-13(EAN): 9780268041397 Издательство: Wiley EDC Рейтинг: Цена: 6006.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
More than any other secular story of the Middle Ages, the tale of Tristan and Isolde fascinated its audience. Adaptations in poetry, prose, and drama were widespread in western European vernacular languages. Visual portrayals of the story appear not only in manuscripts and printed books but in individual pictures and pictorial narratives, and on an amazing array of objects including stained glass, wall paintings, tiles, tapestries, ivory boxes, combs, mirrors, shoes, and misericords.
The pan-European and cross-media nature of the surviving medieval evidence is not adequately reflected in current Tristan scholarship, which largely follows disciplinary and linguistic lines. The contributors to Visuality and Materiality in the Story of Tristan and Isolde seek to address this problem by opening a cross-disciplinary dialogue and by proposing a new set of intellectual coordinates—the concepts of materiality and visuality—without losing sight of the historical specificity or the aesthetic character of individual works of art and literature. Their theoretical paradigm allows them to survey the richness of the surviving evidence from a variety of disciplinary approaches, while offering new perspectives on the nature of representation in medieval culture. Enriched by numerous illustrations, this volume is an important examination of the story of Tristan and Isolde in the European context of its visual and textual transmission.
Описание: During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
Описание: In The Rhetoric of Photography in Modern Japanese Literature, Atsuko Sakaki closely examines photography-inspired texts by four Japanese novelists: Tanizaki Jun’ichir? (1886-1965), Abe K?b? (1924-93), Horie Toshiyuki (b. 1964) and Kanai Mieko (b. 1947). As connoisseurs, practitioners or critics of this visual medium, these authors look beyond photographs’ status as images that document and verify empirical incidents and existences, articulating instead the physical process of photographic production and photographs’ material presence in human lives. This book offers insight into the engagement with photography in Japanese literary texts as a means of bringing forgotten subject-object dynamics to light. It calls for a fundamental reconfiguration of the parameters of modern print culture and its presumption of the transparency of agents of representation.
Автор: Gustavs Strenga, Lars Kjaer Название: Gift-Giving and Materiality in Europe, 1300-1600: Gifts as Objects ISBN: 1350183695 ISBN-13(EAN): 9781350183698 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Gift-giving played an important role in political, social and religious life in medieval and early modern Europe. This volume explores an under-examined and often-overlooked aspect of this phenomenon: the material nature of the gift.
Drawing on examples from both medieval and early modern Europe, the authors from the UK and across Europe explore the craftsmanship involved in the production of gifts and the use of exotic objects and animals, from elephant bones to polar bears and ‘living’ holy objects, to communicate power, class and allegiance. Gifts were publicly given, displayed and worn and so the book explores the ways in which, as tangible objects, gifts could help to construct religious and social worlds. But the beauty and material richness of the gift could also provoke anxieties. Classical and Christian authorities agreed that, in gift-giving, it was supposed to be the thought that counted and consequently wealth and grandeur raised worries about greed and corruption: was a valuable ring payment for sexual services or a token of love and a promise of marriage? Over three centuries, Gift-Giving and Materiality in Europe, 1300-1600: Gifts as Objects reflects on the possibilities, practicalities and concerns raised by the material character of gifts.
Описание: The third volume in the Perspectives on Process Organization Studies Series focuses on the entanglement of social and material aspects of organizations, and in particular the role of objects and material artifacts in the process of organizing.
Low End Theory probes the much-mythologized field of bass and low-frequency sound. It begins in music but quickly moves far beyond, following vibratory phenomena across time, disciplines and disparate cultural spheres (including hauntings, laboratories, organ workshops, burial mounds, sound art, studios, dancefloors, infrasonic anomalies, and a global mystery called The Hum). Low End Theory asks what it is about bass that has fascinated us for so long and made it such a busy site of bio-technological experimentation, driving developments in science, technology, the arts, and religious culture.
The guiding question is not so much what we make of bass, but what it makes of us: how does it undulate and unsettle; how does it incite; how does it draw bodily thought into new equations with itself and its surroundings? Low End Theory is the first book to survey this sonorous terrain and devise a conceptual language proper to it. With its focus on sound's structuring agency and the multi-sensory aspects of sonic experience, it stands to make a transformative contribution to the study of music and sound, while pushing scholarship on affect, materiality, and the senses into fertile new territory. Through energetic and creative prose, Low End Theory works to put thought in touch with the vibratory encounter as no scholarly book has done before.
For more information, visit: http: //www.lowendtheorybook.com/
Автор: Al-Suadi Soham, Ascough Richard S., Demaris Richard E. Название: Ritual, Emotion, and Materiality in the Early Christian World ISBN: 1032054794 ISBN-13(EAN): 9781032054797 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume advances our understanding of early Christianity as a lived religion by approaching it through its rites, the emotions and affects surrounding those rites, and the material setting for the practice of them.
Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines—modern art, environmental theory, anthropology—to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays—some new and some previously published—and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
This book is available as Open Access.
Автор: Williamson Название: The Materiality of Religion in Early Modern English Drama ISBN: 1138266027 ISBN-13(EAN): 9781138266025 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.
Автор: Balke Thomas E., Tsouparopoulou Christina Название: Materiality of Writing in Early Mesopotamia ISBN: 3110459620 ISBN-13(EAN): 9783110459623 Издательство: Walter de Gruyter Цена: 14867.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Die Relation zwischen schrifttragendem Artefakt und dessen materieller Natur sowie dem meist herrschaftsdiskursiven Inhalt der verschrifteten Texte hat bislang kaum im Fokus der altorientalischen Forschung gestanden. Der Band m chte hierzu rezente kulturwissenschaftliche Forschungsans tze zur Relevanz der Materialit t und Pr senz des Geschriebenen unter Ber cksichtigung sozial-ontologischer Gesichtspunkte vorstellen und dadurch den Forschungsraum des alten Vorderasiens vom 4. Jtsd. v. Chr. bis zum 2. Jtsd. v. Chr. in seiner ganzen materiellen Bandbreite pr sentieren. Untersucht werden Artefakte wie Tontafeln, Weihplatten, Stelen, Schalen, Siegel, Kegel, N gel, Statuen, Vasen, Perlen usw. Gefragt wird dabei nach dem besonderen Zusammenwirken von Text, Schriftmedium und Stofflichkeit innerhalb eines damit assoziierten Umfelds. Wie ver ndern etwa gew hltes Material und Verwendungszweck eines Artefakts dessen Rezeption und Wahrnehmung und welche m glichen Hinweise auf den Grad der Lesef higkeit in der Bev lkerung lassen sich daraus entnehmen.
Описание: This book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography`s place in the museum was not only continually questioned, but also continually redefined.
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