Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries, Anna Tummers, Koenraad Jonckheere
Автор: Manuth Volker, Winkel Marieke Название: Rembrandt: The Complete Paintings XXL ISBN: 3836526328 ISBN-13(EAN): 9783836526326 Издательство: Taschen Рейтинг: Цена: 19924.00 р. Наличие на складе: Поставка под заказ.
Описание: The Dutch Golden Age spawned some of history`s greatest artists and artisans, but few can boast the genius of Rembrandt. Commemorating 350 years of unparalleled legacy, this XXL-sized monograph gathers the artist`s 330 paintings in exquisite reproductions and details that reveal how, in all their forms, Rembrandt`s painted works are built of...
Описание: Incomparable masterpieces of Netherlandish drawing from the collection of Vienna’s Albertina.
The entire artistic spectrum is opened up page by page: landscapes, seascapes, topographical views, portraits, rural genre scenes, and still lifes.
The Albertina owns one of the world’s most important collections of Netherlandish drawings dating from the period 1430 to 1650.
Описание: Building upon the explosion of recent work on mythography, contributions to this volume direct attention to less frequently explored questions of how ancient poets, historians, and philosophers themselves adopted and adapted the work of mythographers. Study of the way that mythographers and their contemporaries take on positions of, alternately, “host” or “parasite” in relation to the other exposes the richness mythographic practice and the roles that mythographers played in the evolving Greco-Roman discourse of myth. From, among others, the seeds of mythographic discourse in Pindar and Plato, to the mythography of the Peripatics, the in-between mythography of Diodorus Siculus, and the “mythographic topography” of Pausanias, this volume invites a reappraisal of the role that mythography played at every stage of Greek thought about myth. Through contributions that explore both mythographers’ distinctive style of studying myth to other contributions that focus primarily on the how and why of non-mythographers’ use of mythographic techniques, what emerges is a picture of mythography that broadens our conception of mythography while at the same time inviting scholars to seek out more such echoes of mythographic discourse in the work of poets, historians, philosophers at large.
This book discusses an important theme in art history - artistic emulation that emphasizes the exchange between Flemish and Dutch art in the seventeenth century. Since the Middle Ages, copying has been perceived as an important step in artistic training. Originality, on the other hand, has been considered an indispensable hallmark of great works of art since the Renaissance. Therefore, in the seventeenth century, ambitious painters frequently drew inspiration from other artists’ works, attempting to surpass them in various aspects of aesthetic appeal. Drawing on this perspective, this book considers the problems of imitation, emulation, and artistic rivalry in seventeenth-century Netherlandish art. It primarily focuses on Rubens and Rembrandt, but also discusses other masters like van Dyck and Hals. It particularly results in expanding the extant body of knowledge in relation to Rubens’s influence on Rembrandt and Hals. Moreover, it reveals certain new aspects of Rubens and Rembrandt as work-shop masters - collaboration with specialists, use of oil sketches, and teaching methods to pupils for example.
Описание: Claude Monet was not only the creator of what we now view as French Impressionist painting, he was also its last major practitioner. By the time he passed away in 1926, he had outlived all the other painters--Renoir, Morisot, Pissarro, Sisley, and the others whom we now group together under that heading. Yet when Andre Suares, one of the four directors--along with Gide, Valery, and Claudel--of the influential Nouvelle Revue Francaise, summed up the movement that year, he did not give Monet pride of place. Rather, he wrote, "Far more than Sisley, Claude Monet, or the Goncourt brothers, Loti was the great Impressionist."
As this shows, that Pierre Loti, the once world-renowned French novelist, developed a remarkably Impressionist style was recognized early on. It continues to be acknowledged in France today. Franck Ferrand, a contemporary historian known for his appearances on French radio and television, recently wrote that "Pierre Loti is] the only truly impressionist writer of French literature." Yet while those who know his work in France continue to see him as an Impressionist artist on the level of Monet and Renoir, no one has ever asked how he achieved this in literature, how he went about creating novels that resembled the work of Monet.
That is the subject of this book. Examining certain of Loti's important novels, this study shows how he managed to reproduce with words what Monet was doing in oils. It also shows how the author came to theorize about the effects of Impressionism on the reader-viewer. Finally, it demonstrates how and why, in one of his last novels, Loti undertook to reproduce the style of one of the painters most admired by Monet: Rembrandt van Rijn, whom the nineteenth-century French rediscovered in part because they could present his sketchy biography as a demonstration of many of the things liberal art historians and painters believed the ideal artist should be.
This well-written book is devoted to the men whose lives influenced the history of Tennessee during a pivotal time in this nation's history. The detailed accounts of these notable military, political, and judicial leaders, who made significant contributions to the development of Tennessee, are inextricably woven with the history of Tennessee and their country before, during and after the Civil War. Chapters include: Notable Men of Tennessee from 1833 to 1875, Their Times and Their Contemporaries (including Three Remarkable Facts, the Widespread Secession Movement, Attitude towards Slavery, Emancipation, Lincoln's Inaugural, and much more), Thomas D. Arnold, Judge John Baxter, Reese B. Brabson, R. R. Butler, Robert K. Byrd, Daniel A. Carpenter, Alfred M. Cate, William Blount Carter, Colonel William Clift, General Joseph A. Cooper, William Crutchfield, Perez Dickenson and John Williams, John M. Fleming, Andrew J. Fletcher, Leonidas C. Houk, Horace Maynard, John McGaughey, Sam Milligan, John Netherland, Thomas A. R. Nelson, DeWitt C. Senter, General James G. Spears, Benjamin Tolliver Staples, Dr. Joseph C. Strong, Nathaniel G. Taylor, Montgomery Thornburgh, Daniel C. Trewhitt, Judge Connally F. Trigg, David K. Young, Johnson and Temple Race for Congress in 1847, Meredith Poindexter Gentry, The Races of Jones and Polk in 1841 and 1843, Distinguished Personages of Last Generation Whom I Met or Knew, William Gannaway Brownlow, and Andrew Johnson. The Introduction by Mary B. Temple gives a detailed account of the life of her father, Judge Oliver P. Temple (1820-1907), who was "regarded as an authority on the history of Tennessee."
Автор: J. F. Waller Название: Boswell and Johnson: Their Companions and Contemporaries ISBN: 1472514505 ISBN-13(EAN): 9781472514509 Издательство: Bloomsbury Academic Рейтинг: Цена: 22176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Boswell and Johnson are two names that may well be placed together: a great artist and his great subject; indeed the name of the one ever recalls that of the other. If Boswell owes all the permanency of his fame to Johnson, Johnson owes not a little of his to Boswell. The finest and the wisest table-talk that English literature possesses has been preserved by the faithfullest and ablest of chroniclers. This volume attempts no new life of either. The author’s aim has been to accomplish a pleasant and instructive picture of the great man of the Eighteenth Century – of his mind, his manners, his habits – his intercourse with, and influence upon, his friends, his companions, and his contemporaries.
