This volume unites scholars of classical epigraphy, papyrology, and literature to analyze the documentary habit in the Roman Empire. Texts like inscriptions and letters have gained importance in classical scholarship, but there has been limited analysis of the imaginative and sociological dimensions of the ancient document. Individual chapters investigate the definition of the document in ancient thought, and how modern understandings of documentation may (mis)shape scholarly approaches to documentary sources in antiquity. Contributors reexamine familiar categories of ancient documents through the lenses of perception and function, and reveal where the modern understanding of the document departs from ancient conceptions of documentation. The boundary between literary genres and documentary genres of writing appears more fluid than prior scholarship had allowed. Compared to modern audiences, inhabitants of the Roman Empire used a more diverse range of both non-textual and textual forms of documentation, and they did so with a more active, questioning attitude. The interdisciplinary approach to the "mentality" of documentation in this volume advances beyond standard discussions of form, genre, and style to revisit the document through the eyes of Greco-Roman readers and viewers.
Автор: Ferraris Maurizio Название: Documentality: Why It Is Necessary to Leave Traces ISBN: 0823249689 ISBN-13(EAN): 9780823249688 Издательство: Wiley EDC Рейтинг: Цена: 18533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This books ushers in a new way of talking about social phenomena. It develops an ontology of social objects on the basis of the claim that registration or inscription—the leaving of a trace to be called up later—is what is most fundamental to them. In doing so, it systematically organizes concepts and theories that Ferraris’s predecessors—most notably Derrida, in his project of a positive grammatology—left in an impressionistic state. Ferraris begins by redefining ontology as a way of cataloguing the world. Before any epistemology can discuss the validity of scientific or nonscientific judgments, one faces a collection of objects, be they natural, ideal, or social. Among these, Ferraris focuses on social objects, elaborating a theory of experience in the social world that leads him to define social objects as “inscribed acts.” He then uses this notion to interpret social phenomena, also in light of a systematic discussion of the concept of performatives, from Austin to Derrida and Searle. Moving into considerations of the present technological revolution, Ferraris develops a “symptomatology of the document” that leads to a consideration of legal systems, finding in them original applications for his theory that an object equals a written act. Written in an easy, often witty style, Documentality revises Foucault’s late concept of the “ontology of actuality” into the project of an “ontological laboratory,” thereby reinventing philosophy as a pragmatic activity that is directly applicable to our everyday life.
Автор: Maurizio Ferraris & Richard Davies Название: Documentality ISBN: 0823249697 ISBN-13(EAN): 9780823249695 Издательство: Wiley EDC Рейтинг: Цена: 5491.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This books ushers in a new way of talking about social phenomena. It develops an ontology of social objects on the basis of the claim that registration or inscription—the leaving of a trace to be called up later—is what is most fundamental to them. In doing so, it systematically organizes concepts and theories that Ferraris’s predecessors—most notably Derrida, in his project of a positive grammatology—left in an impressionistic state. Ferraris begins by redefining ontology as a way of cataloguing the world. Before any epistemology can discuss the validity of scientific or nonscientific judgments, one faces a collection of objects, be they natural, ideal, or social. Among these, Ferraris focuses on social objects, elaborating a theory of experience in the social world that leads him to define social objects as “inscribed acts.” He then uses this notion to interpret social phenomena, also in light of a systematic discussion of the concept of performatives, from Austin to Derrida and Searle. Moving into considerations of the present technological revolution, Ferraris develops a “symptomatology of the document” that leads to a consideration of legal systems, finding in them original applications for his theory that an object equals a written act. Written in an easy, often witty style, Documentality revises Foucault’s late concept of the “ontology of actuality” into the project of an “ontological laboratory,” thereby reinventing philosophy as a pragmatic activity that is directly applicable to our everyday life.
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