Описание: This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
A straight-from-the-source look at how NFL dynasties are built
In Super Bowl Blueprints, Hall of Fame general manager Bill Polian and veteran football scribe Vic Carucci sit down with the architects of the greatest teams of all time, digging into how these dynastic squads did what they did, with more insight and access than any football book in history. Polian, the architect of the Super Bowl XLI-champion Indianapolis Colts, provides a rare glimpse inside the locker rooms, coaches' room, and front offices for the key moments that defined the modern NFL. Whether Polian is discussing variations of the no-huddle with Jim Kelly and Peyton Manning or the culture of the Steel Curtain with Terry Bradshaw and "Mean" Joe Greene or different versions of Bill Walsh's West Coast offense with Mike Holmgren and Steve Young, his command of the game mixed with the perceptions of these legends creates a book like no other. Tom Flores, Ron Wolf, and Mike Haynes debate how Al Davis built the iconic Raiders franchise, while Jimmy Johnson, Jerry Jones, Troy Aikman, and more share how tension and football IQ were married to create the unstoppable Cowboys teams of the '90s. Super Bowl Blueprints tells the story of championship football--how it's attained and what it takes--through the voices of Bill Parcells, Marv Levy, Art Rooney II, Charles Haley, Doug Williams, John Mara, Charley Casserly, Joe Theismann, Harry Carson, Tom Moore, Brian Billick, Frank Reich, Dwight Freeney, Joe Gibbs, Tony Dungy, and many more!
Автор: Xifan Li Название: General History of Chinese Art: Sui and Tang Dynasties ISBN: 3110789299 ISBN-13(EAN): 9783110789294 Издательство: Walter de Gruyter Рейтинг: Цена: 27707.00 р. Наличие на складе: Нет в наличии.
Описание:
This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period.
A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
This volume studies the evolution of Chinese art during the Qin and Han Dynasties, The Three Kingdoms, Eastern and Western Jin, and the Northern and Southern Dynasties. It traces the initial artistic vocabularies of Chinese calligraphy as well as the rapid development of the performing and the decorative arts. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Описание: This book, a collection of ancient Chinese cultural relics from the Northern and Southern Dynasties from 960 to 1279. It covers jade and bronze ware, gold and silver ware and porcelain ware, pottery, porcelain, painting, calligraphy, and handicrafts. There are 363 relics in the book. In 960, Zhao Kuangtin, commander of the imperial guard troops of the later Zhou Dynasty staged a mutiny at Chenqiao and proclaimed himself emperor. He named his new dynasty the Song Dynasty and chose Dongling Kaifeng for the capital. This dynasty now called the Northern Song in history, gradually eliminated rival regimes and ended the separation of the Five Dynasties and Ten Kingdoms, co-existing with the Liao Regime established by the Qidan ethic group and Western Xia Regime established by the Dangxian ethic group. In 1127 Emperors Huizong and Quinzong were taken captive by the Jin Dynasty established by the Jurchen people, thus ending the Northern Song Dynasty. In the same year, Zhao Gou, then King King, established the imperial court of Song and moved the capital to Linhan (present day Hangzhou City in Zhejiang). This is what history calls the Southern Song Dynasty, and formed a glance at the Jin and Western Xia. In this period, thanks to easy politics and a relatively emancipated ideology, great achievements were obtained in various scientific technologies, theoretical trends, academic schools, religious thought and literary creation and the arts also showed an unprecedented prosperous science. Jade ware penetrated various aspects of social life, and he shapes, decorations and patterns all showed a distinctive secularisation. The invasion of northern nomads introduced a new cultural atmosphere to the Central Plains. The porcelain kilns could be found everywhere and finally developed into eight major systems: Ding, Yaozhou, Cizhou, Jun, Yuezhou, Longquan, Jingdezhen blueish white porcelain and Jian kilns. As well, there were four major royal kilns: Ru Kiln and Jun Kiln of the Northern Song Dynasty and Xiunesisi Kiln and Jiaotanxia Kiln of the Southern Dynasty. The arts of calligraphy and painting were typical representatives of the flourishing culture in the Song Dynasty. During this period an imperial art academy was founded, enlisting folk artists and a large number of professional painters were trained. Calligraphers of the Northern and Southern Song Dynasties inherited previous styles but also emphasised the representation of the individual subjective will. Other handicrafts developed: gold and silver ware tended to be light, handy and graceful. In the Song Dynasty, people has less costly funerals so less jade has been unearthed. Those that have are in: Sichuan, Zhejiang and Jiangxis. The emphasis is on practical utensils, drinking vessels, dress adornments and accessories. At the same time, there was progress in the technologies of jade carving: layered piercing and large-scale jade ware. This book, the sixth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 363 descriptions.
Описание: This book, a collection of ancient Chinese cultural relics from the Northern and Southern Dynasties from 960 to 1279. It covers jade and bronze ware, gold and silver ware and porcelain ware, pottery, porcelain, painting, calligraphy, and handicrafts. There are 363 relics in the book. In 960, Zhao Kuangtin, commander of the imperial guard troops of the later Zhou Dynasty staged a mutiny at Chenqiao and proclaimed himself emperor. He named his new dynasty the Song Dynasty and chose Dongling Kaifeng for the capital. This dynasty now called the Northern Song in history, gradually eliminated rival regimes and ended the separation of the Five Dynasties and Ten Kingdoms, co-existing with the Liao Regime established by the Qidan ethic group and Western Xia Regime established by the Dangxian ethic group. In 1127 Emperors Huizong and Quinzong were taken captive by the Jin Dynasty established by the Jurchen people, thus ending the Northern Song Dynasty. In the same year, Zhao Gou, then King King, established the imperial court of Song and moved the capital to Linhan (present day Hangzhou City in Zhejiang). This is what history calls the Southern Song Dynasty, and formed a glance at the Jin and Western Xia. In this period, thanks to easy politics and a relatively emancipated ideology, great achievements were obtained in various scientific technologies, theoretical trends, academic schools, religious thought and literary creation and the arts also showed an unprecedented prosperous science. Jade ware penetrated various aspects of social life, and he shapes, decorations and patterns all showed a distinctive secularisation. The invasion of northern nomads introduced a new cultural atmosphere to the Central Plains. The porcelain kilns could be found everywhere and finally developed into eight major systems: Ding, Yaozhou, Cizhou, Jun, Yuezhou, Longquan, Jingdezhen blueish white porcelain and Jian kilns. As well, there were four major royal kilns: Ru Kiln and Jun Kiln of the Northern Song Dynasty and Xiunesisi Kiln and Jiaotanxia Kiln of the Southern Dynasty. The arts of calligraphy and painting were typical representatives of the flourishing culture in the Song Dynasty. During this period an imperial art academy was founded, enlisting folk artists and a large number of professional painters were trained. Calligraphers of the Northern and Southern Song Dynasties inherited previous styles but also emphasised the representation of the individual subjective will. Other handicrafts developed: gold and silver ware tended to be light, handy and graceful. In the Song Dynasty, people has less costly funerals so less jade has been unearthed. Those that have are in: Sichuan, Zhejiang and Jiangxis. The emphasis is on practical utensils, drinking vessels, dress adornments and accessories. At the same time, there was progress in the technologies of jade carving: layered piercing and large-scale jade ware. This book, the sixth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 363 descriptions.
Описание: This exciting third volume of David M. Honey’s comprehensive history of Chinese thought begins with China after nomadic invaders overran the northern regions of the historic kingdom. The differentiation between scholarly emphases—northern focus on the traditional pedagogical commentary, and southern classical school’s more innovative commentary—led to an emphasis on the interpretation of the overall message of a text, not a close reading of smaller sections. As Honey explains, serious attention to the phonological nature of Chinese characters also began during in this long era. Based on the work of earlier Sui dynasty classicists, Kong Yinga and his committee produced the Correct Meaning commentary to the Five Classics during the early Tang Dynasty, which is still largely normative today. The book demonstrates that the brooding presence of Zheng Xuan, the great textual critic from the Eastern Han dynasty, still exerted enormous influence during this period, as his ritualized approach to the classics inspired intellectual followers to expand on his work or impelled opponents to break off in new directions.
Описание: *Includes pictures *Includes online resources and a bibliography for further reading Located in the center of Beijing, the Forbidden City served as the palace for the emperor of China from 1420 to 1912 CE, a period encompassing the Ming and Qing dynasties. It was home to the celestial leaders of China, men that possessed the Mandate of Heaven. A total of 24 emperors lived and ruled from the vast and magnificent complex for almost 500 years, until the last Chinese dynasty was overthrown in 1912 with the abdication of Emperor Xuantong, more commonly known as Puyi. Known also as the Forbidden Palace, or amongst contemporary Chinese as the "Former Palace," the complex was first given its name in 1576. The Forbidden City was the home of many thousands of governmental staff, female servants and concubines, eunuchs, soldiers, and kitchen staff, and where their entire lives were built. Nonetheless, entrance to it from the outside was forbidden to all but the emperor, his court, and his relations. Without the permission of the emperor, access to or from the heart of the empire was impossible, but what was once inaccessible is now one of the most visited institutions in the world. Today, the Forbidden City is a UNESCO World Heritage site, operated as the largest museum in the world and located in the heart of the capital of the world's most populous country. The Forbidden City: The History of the Chinese Imperial Palace of the Ming and Qing Dynasties in Beijing examines the history of the palace. Along with pictures of important people, places, and events, you will learn about the Forbidden City like never before.
Описание: Offers a study of `appellation` in Qin and Han Dynasties. The book uses the `double evidence method`, combining archaeological data with historical documents, to discuss the generation, use and social significance of appellations related to hierarchical order, professional identity, family structure, administrative control and social fashion.
Описание: Offers a study of `appellation` in Qin and Han Dynasties. The book uses the `double evidence method`, combining archaeological data with historical documents, to discuss the generation, use and social significance of appellations related to hierarchical order, professional identity, family structure, administrative control and social fashion.
Описание: This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
