The volume uses an interdisciplinary approach to examine how 21st-century British theatre increasingly intercuts dystopian and utopian elements to create innovative strategies for addressing current social and political concerns. In the case studies, a key role is given to the ways in which the selected plays use real and fictional spaces on stage and thereby manage to construct interactional spaces which the spectators are invited to share.
«Valentina Romanzi’s study is a welcome addition to the body of scholarship on dystopia, utopia science fiction, and speculative fiction. It provides a comprehensive and updated review of the complex and rich debate on the question of genres and subgenres, while at the same time offering a fresh perspective. Eloquent and very well written, this volume reveals America’s fascination with catastrophic future scenarios, including the post-apocalyptic, delving into the issues that surround critical dystopia, progress, hope and fear. The close readings offer lucid, insightful interpretations of texts that range from SF literary ancestor, Mary Shelley’s Frankenstein to Margaret Atwood’s award winning The Testaments, sequel to the acclaimed TheHandmaid’s Tale.»
(Eleonora Rao, Universit? degli Studi di Salerno)
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This volume investigates dystopia in twenty-first-century US fiction. Using a methodological framework based on sociology, it theorizes a correlation between the crisis of the Frontier myth and of American exceptionalism and a renewed interest in dystopian worlds.
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Part One illustrates the methodological framework, exploring the concept of dystopia, offering an overview of the American myths and of their current status and spotlighting some relevant sociological theories.
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Part Two applies the proposed methodological framework to four texts, investigating the sub-genres of political, technological and environmental dystopia. The primary works, chosen to show both the relevance of the abovementioned American myths to dystopian narratives and the pervasiveness of the genre across the media, are Margaret Atwood’s TheTestaments (2019), Dave Eggers’s The Circle (2013), David Cage’s video game Detroit: Become Human (2018), and the Hughes Brothers’ 2010 movie The Book of Eli.
Автор: Peter Fitting Название: Utopian Effects, Dystopian Pleasures ISBN: 1788743539 ISBN-13(EAN): 9781788743532 Издательство: Peter Lang Рейтинг: Цена: 8818.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This collection brings together for the first time Peter Fitting’s writings about the utopian impulse as expressed in science fiction, fantasy, cinema, architecture, and cultural theory. These wide-ranging essays trace the constant reconsideration of the utopian project itself over the past four decades, from its mid-twentieth century period of decline to its revival in counter-cultural science fiction of the 1960s and ‘70s, its second decline with the «dystopian turn» in film, and the rise of feminist pessimism in the 1980s.
These pages reveal what popular utopian, dystopian, and science-fiction narratives tell us about today’s most pressing political issues, including gender equity, education reform, technological change, capitalist excess, state-sanctioned violence, and the challenges of effecting lasting political change. Through analyses of various popular genres and media, the author demonstrates how utopian visions written from particular political perspectives transcend narrowly partisan concerns to stoke our collective desire for another world and a more adequate human future, teaching us how to become the citizens and subjects that a utopian society demands.
«These influential essays by one of the world’s leading experts in the field revisit the central methodological debates in Utopian Studies over the past half century. They include recent commentary on the development of key disagreements respecting the concepts of utopia, eutopia and dystopia, as well as the relations between the three ‘faces’ of the subject, literature, ideas or theory, and intentional communities. Sargent’s encyclopaedic knowledge of utopianism is deployed throughout to illuminate many areas of concern. This collection provides an essential starting-point for any student of this vibrant, controversial, increasingly popular, and ever-mutating subject.»
(Gregory Claeys, Professor Emeritus of History, University of London)
«Utopia is about change, and how better to promote it than to model it? Here a world-leading bibliographer and scholar reconsiders his considerable opus with an open mind but no less passion for his urgently timely topic. The imperfect, critical utopia – whether in fiction, practice, or theory, whether as dystopian warning or eutopian inspiration – is the only one we can trust. Sargent rejects the naysaying of cynics and anti-utopians, urging us to envision and struggle for betterment. ‘Utopias will not go away,’ he contends. ‘They will always remain the conscience of the world.’ Indeed they won’t, and indeed they will.»
(Michael S. Cummings, Distinguished Teaching Professor Emeritus of
Political Science, University of Colorado, Denver)
«This collection makes available Professor Sargent’s most important essays on utopia, particularly those dealing with attempts to define and delimit the genre. This is an absolutely essential work which reveals the full breath of Sargent’s contributions to the study of utopia.»
(Peter Fitting, Professor Emeritus of French, University of Toronto)
«Sargent’s contribution to the emergence of Utopian Studies as a distinct field is unparalleled. It comprises encyclopaedic knowledge, theoretical rigour, and tireless support of new work. This volume contains seminal essays notable for their impact, but also for their clarity, originality, and erudition. To have them together in one place, with his reflections on them, is an invaluable resource for both young and established scholars – and essential reading for anyone working in the field.»
(Ruth Levitas, Emeritus Professor of Sociology, University of Bristol)
Utopianism envisions a significantly different society than the current one and includes utopian literature, intentional communities, and utopian social theory. This volume reprints some of the author’s articles on utopianism together with two not previously published and notes on how they came to be written and his reflections from 2021.
Описание: 1. 'An Achieved Utopia': Introduction.2. 'Notoriously a Tricky Term': A Short History of the Term Utopia.3. 'Idle Speculation' and Utopian Practice: Gilbert Imlay's The Emigrants (1793).4. 'Between Fiction and Reality': The Utopian Past in The Blithedale Romance (18525. 'A Great Republic of Equals': Postbellum Utopia in Marie Howland's Papa's Own Girl (1874).6. 'Shrouded in an American Flag': Sutton E. Griggs's Imperium in Imperio (1899).7. 'A Bold Regeneration': W.E.B. Du Bois's The Quest of the Silver Fleece (1911).8. 'Like so Many Sparks from a Comet': Utopian Visions and Their National Trajectory.
Описание: This major two-volume collection presents Darko Suvin’s critical meditations on science fiction and utopia from the late 1960s through the early years of the new millennium, excluding only the landmark monographs Metamorphoses of Science Fiction, Victorian Science Fiction, and Defined by a Hollow. From essential programmatic statements charting the parabolic logic of science fiction and establishing the parameters of a theoretically supple and rigorously historical SF criticism to confrontations with both a postmodernist abdication of politics and a “neutral” sociology of literature, these writings reflect the evolving thought of the preeminent contemporary theorist of science fiction. Underpinned by a method of heretical cognition and the steadfast insistence of utopian possibility, the varied essays, interviews, poems, and polemics presented here—encompassing four decades of sustained thought on the topic— offer up the affirmation of freedom as the truest horizon of science fiction.
This major two-volume collection presents Darko Suvin’s critical meditations on science fiction and utopia from the late 1960s through the early years of the new millennium, excluding only the landmark monographs Metamorphoses of Science Fiction, Victorian Science Fiction, and Defined by a Hollow. From essential programmatic statements charting the parabolic logic of science fiction and establishing the parameters of a theoretically supple and rigorously historical SF criticism to confrontations with both a postmodernist abdication of politics and a “neutral” sociology of literature, these writings reflect the evolving thought of the preeminent contemporary theorist of science fiction. Underpinned by a method of heretical cognition and the steadfast insistence of utopian possibility, the varied essays, interviews, poems, and polemics presented here—encompassing four decades of sustained thought on the topic— offer up the affirmation of freedom as the truest horizon of science fiction.
Автор: Bammer, Angelika Название: Partial visions ISBN: 3034308973 ISBN-13(EAN): 9783034308977 Издательство: Peter Lang Рейтинг: Цена: 8550.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What would a good world for women look like? How would we get there from where we are and how would we have to change ourselves in the process? This book examines a critical moment in recent American and western European history when the utopian dimension of political movements was particularly generative and feminism was at their core. The imaginative literature that emerged out of American, French, and German feminisms of the 1970s engaged the dialectic between the actual and the possible in radically new and creative ways. Ranging from conventional utopian and science fictions to avant-garde and experimental texts, they countered the idea of utopia as a pre-set goal with the idea of the utopian as a process of «dreaming forwards.» This book explores the transformative potential of feminist visions of change, even as it sees their ideological blind spots. It does more than simply look back to the 1970s. Instead, it looks ahead, anticipating some of the shifts and changes of feminist thought in the following decades: its transnational scope, its critique of identity politics and the gendered politics of sexuality, and its embrace of affect as an analytical category. The author argues that the radical utopianism of second wave feminisms has not lost its urgency. The transformations they envisioned are still our challenge, as the vital work of social change remains undone.
Автор: Lyman Tower Sargent, Raffaella Baccolini Название: Transgressive Utopianism: Essays in Honor of Lucy Sargisson ISBN: 1789978807 ISBN-13(EAN): 9781789978803 Издательство: Peter Lang Рейтинг: Цена: 8818.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In 2014, when Lucy Sargisson was promoted to professor in the School of Politics and International Relations, at the University of Nottingham, she became the first and, so far, only, professor of utopian studies. This choice symbolized the centrality of utopianism to her life, thought, and educational practice. In three books, each in their own way groundbreaking, a fourth book co-authored by one of us, and in important articles, her work falls into four primary areas: political theory, feminism, environmentalism, and intentional communities, with much of her work intersecting two, three, or even all four. And in all her work, she brings the lens of utopianism to bear on the subject and, in doing so, illuminates both utopianism and the subject at hand. The volume honors Sargisson’s contributions to the field of utopian studies, with contributions by Ibtisam Ahmed, Raffaella Baccolini, David M. Bell, Suryamayi Clarence-Smith, Chris Coates, Elena Colombo, Davina Cooper, Rhiannon Firth, Ruth Levitas, Sarah Lohmann, Almudena Machado-Jim?nez, Dunja M. Mohr, Tom Moylan, Robyn Muir, Jos? Reis, Lyman Tower Sargent, Lucy Sargisson, Simon Spiegel, Maria Varsam, and Laura Winter.
Описание: The immediate post-war period marks a pivotal moment in the internationalization of American theatre when Tennessee Williams’ plays became some of Broadway’s most critically acclaimed and financially lucrative exports. Dirk Gindt offers a detailed study of the production and reception of Williams’ work on Swedish and French stages at the height of his popularity between 1945 and 1965. Analysing the national openings of seminal plays, including The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, Orpheus Descending and Suddenly Last Summer, Gindt provides rich and nuanced insights into Williams’ transnational impact. In the process, he charts a network of fascinating and influential directors, actors, designers, producers and critics, all of whom left distinctive marks on mid-twentieth-century European theatre and culture. Gindt further demonstrates how Williams’ work foregrounded cultural apprehensions, racial fantasies and sexual anxieties, which resulted in heated debates in the critical and popular media.
Автор: D`Cruz Название: Teaching Postdramatic Theatre ISBN: 3319716840 ISBN-13(EAN): 9783319716848 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the concept and vocabulary of postdramatic theatre from a pedagogical perspective. It identifies some of the major anxieties and paradoxes generated by teaching postdramatic theatre through practice, with reference to the aesthetic, cultural and institutional pressures that shape teaching practices.
Автор: Gindt Dirk Название: Tennessee Williams in Sweden and France, 1945-1965 ISBN: 1350022071 ISBN-13(EAN): 9781350022072 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The immediate post-war period marks a pivotal moment in the internationalization of American theatre when Tennessee Williams’ plays became some of Broadway’s most critically acclaimed and financially lucrative exports. Dirk Gindt offers a detailed study of the production and reception of Williams’ work on Swedish and French stages at the height of his popularity between 1945 and 1965. Analysing the national openings of seminal plays, including The Glass Menagerie , A Streetcar Named Desire , Cat on a Hot Tin Roof , Orpheus Descending and Suddenly Last Summer, Gindt provides rich and nuanced insights into Williams’ transnational impact. In the process, he charts a network of fascinating and influential directors, actors, designers, producers and critics, all of whom left distinctive marks on mid-twentieth-century European theatre and culture. Gindt further demonstrates how Williams’ work foregrounded cultural apprehensions, racial fantasies and sexual anxieties, which resulted in heated debates in the critical and popular media.
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