Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war’s most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.
Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war’s most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all—collective, national, or private—is the major preoccupation of the texts and critiques in this diverse collection.
Автор: Seyed-Gohrab Asghar Название: Martyrdom, Mysticism and Dissent ISBN: 3110748592 ISBN-13(EAN): 9783110748598 Издательство: Walter de Gruyter Рейтинг: Цена: 25551.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Die Reihe Studies on Modern Orient wurde als Studien zum Modernen Orient im Klaus Schwarz Verlag begrьndet. Die Bдnde sind religiцsen, politischen und sozialen Phдnomenen in muslimischen Gesellschaften der Moderne und Gegenwart gewidmet. Das Spektrum der Reihe ist dabei nicht auf den Nahen und Mittleren Osten beschrдnkt, sondern berьcksichtigt auch relevante Themen in mehrheitlich nicht-muslmischen Regionen, beispielsweise in Europa oder Amerika.
The famous words of patriots, such as Nathan Hale's ""I regret that I have but one life to give for my country,"" have echoed through the centuries as embodiments of the spirit of the American Revolution. Despite the immortalized role these quotes play in America's historical narrative, their origins remain obscure. We know little about what inspired words like these and how this spirit of sacrifice inspired the revolution itself. What was going on in the hearts and minds of young men who risked their lives for the revolutionary cause? The answer lies in the untold story of the spiritual backdrop of the American Revolution.
One Life to Give presents Nathan Hale's execution on September 21, 1776, as the culmination of a story that spans generations and explains why many young American men reached the personal decision to commit to the revolutionary cause even if it meant death. As John Fanestil reveals, this is the story of how martyrdom shaped the American Revolution.
In colonial America, countless young revolutionaries, like their forebears, were raised and trained from infancy to understand that divine approval was attached to certain kinds of deaths--deaths of self-sacrifice for a sacred cause. Young boys were taught to expect that someday they might be called to fight and die for such a cause, and that should this come to pass, their deaths could be meaningful in the eyes of others and of God. Fanestil traces the deep history of the tradition of martyrdom from its classical and Christian origins, ultimately articulating how the spirit of American martyrdom animated countless personal commitments to American independence, and thereby to the war. Only by understanding the inextricable role played by martyrdom can we fully understand the origins of the American Revolution.
In this critical analysis, Laetitia Nanquette explores how Iranian literature has functioned and circulated since the 1979 revolution until the present. She looks at prose productions in particular, analysing several genres and media. Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora – with a focus on North America, Western Europe and Australia – and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland.
In this critical analysis, Laetitia Nanquette explores how Iranian literature has functioned and circulated since the 1979 revolution until the present. She looks at prose productions in particular, analysing several genres and media. Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora – with a focus on North America, Western Europe and Australia – and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland.
In this critical analysis, Laetitia Nanquette explores how Iranian literature has functioned and circulated since the 1979 revolution until the present. She looks at prose productions in particular, analysing several genres and media. Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora – with a focus on North America, Western Europe and Australia – and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland.
How is the complex history of the ancient Near East and Islamic World brought to bear in contemporary political discourse?
In this book, Medieval Near Eastern historian Jacob Lassner explores the resonance of ancient and medieval history in the political disputes that dominate the contemporary Middle East. From identification with ancient forbears as a method of legitimization and nation-building, to tracing the deep history of the concept of revolution in the Arab world, the author probes the historical foundations of modern conflicts in the region. A medievalist, the author takes the position that an appreciation of cultural history is essential to understanding the debate surrounding the Israel/Palestine conflict. In turn, the book identifies the misappropriation and misunderstanding of the past, deliberate or accidental, as key weapon in the ongoing conflict.
Автор: Jones Kevin M. Название: The Dangers of Poetry: Culture, Politics, and Revolution in Iraq ISBN: 1503613399 ISBN-13(EAN): 9781503613393 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8778.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets.
The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.
Описание: Tomaz Aquino de Braganca, a close adviser to former Mozambican president Samora Machel, dedicated his life to the liberation struggles of southern Africa. Marco Mondaini and Colin Darch present a selection of Aquino`s postindependence writings and interviews, many published here in English for the first time.
