Описание: Documenting Gendered Violence explores the intersections of documentary and gendered violence. Several contributors investigate representations through grounded textual analyses of key films and videos, including Sex Crimes Unit (2011) and The Invisible War (2012), and other documentary texts including Youtube, photographs, and theater. Other chapters use analysis and interviews to explore how gender violence issues impact production and how these documentaries become part of collaborations and awareness movements.
Описание: 1 in 10 undergraduates in the US will study abroad. Extoled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and a F.B.I. produced docudrama about student espionage to reality television inspired educational documentaries and docudramas about Amanda Knox, Hankin shows how the institutional values of 'global citizenship,' 'intercultural communication,' and 'cultural immersion' emerge in contradictory ways through their representation. By bringing study abroad and media studies into conversation with one another, Documenting the American Student Abroad: The Media Cultures of International Education offers a much needed humanist contribution to the field of international education, as well as a unique approach to the growing scholarship on the intersection of media and institutions. As study abroad practitioners and students increase their engagement with moving images and digital environments, the insights of media scholars are essential for helping the field understand how the mediation of study abroad rhetoric shapes rather than reflects the field's central institutional ideals.
Описание: Now more than ever, activists are using media to document injustice and promote social and political change. Yet with so many media platforms available, activists sometimes fail to have a coherent media and communication strategy. Drawing from his experiences as a documentary filmmaker with Black Lives Matter 5280 and Service Employees International Union (SEIU) Local 105 in Denver, Colorado, Gino Canella argues that activist media create opportunities for activists to navigate conflict and embrace their political and ideological differences. Canella details how activist media practices—interviewing organizers, script writing, video editing, posting on social media, and hosting community screenings—foster solidarity among grassroots organizers. Informed by media theory, this book explores how activists are using media to mobilize supporters, communicate their values, and reject anti-union rhetoric. Furthermore, it demonstrates how collaborative media projects can help activists build broad-based coalitions and amplify their vision for a more equitable and just society.
Описание: Documenting Gendered Violence explores the intersections of documentary and gendered violence. Several contributors investigate representations through grounded textual analyses of key films and videos, including Sex Crimes Unit (2011) and The Invisible War (2012), and other documentary texts including Youtube, photographs, and theater. Other chapters use analysis and interviews to explore how gender violence issues impact production and how these documentaries become part of collaborations and awareness movements.
Описание: 1 in 10 undergraduates in the US will study abroad. Extoled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and a F.B.I. produced docudrama about student espionage to reality television inspired educational documentaries and docudramas about Amanda Knox, Hankin shows how the institutional values of 'global citizenship,' 'intercultural communication,' and 'cultural immersion' emerge in contradictory ways through their representation. By bringing study abroad and media studies into conversation with one another, Documenting the American Student Abroad: The Media Cultures of International Education offers a much needed humanist contribution to the field of international education, as well as a unique approach to the growing scholarship on the intersection of media and institutions. As study abroad practitioners and students increase their engagement with moving images and digital environments, the insights of media scholars are essential for helping the field understand how the mediation of study abroad rhetoric shapes rather than reflects the field's central institutional ideals.
Описание: From the silent era through the 1950s, the U.S. Department of Agriculture was the preeminent government filmmaking organization. In the United States, USDA films were shown in movie theaters, public and private schools at all educational levels, churches, libraries and even in open fields. For many Americans in the early 1900s, the USDA films were the first motion pictures they watched. And yet USDA documentaries have received little serious scholarly attention. The lack of serious study is especially concerning since the films chronicle over half a century of American farm life and agricultural work and, in so doing, also chronicle the social, cultural, and political changes in the United States at a crucial time in its development into a global superpower. Focusing specifically on four key films, Winn explicates the representation of African Americans in these films within the socio-political context of their times. The book provides a clearer understanding of how politics and filmmaking converged to promote a governmentally sanctioned view of racism in the U.S. in the early 20th century.
Описание: This book analyzes state terror documentation as a form of peaceful resistance to oppressive regimes through substantial research in human rights archives that registered violations perpetrated by Augusto Pinochet`s dictatorship in Chile.
As a central component of contemporary culture, films mirror and shape political debate. Reflecting on this development, scholars in the field of International Relations (IR) increasingly explore the intersection of TV series, fiction film and global politics.So far, however, virtually no systematic scholarly attention has been given to documentary film within IR.
This book fills this void by offering a critical companion to the subject aimed at assisting students, teachers and scholars of IR in understanding and assessing the various ways in which documentary films matter in global politics. The authors of this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that - like theories - involve particular postures, strategies and methodologies towards the world to which they provide access.
This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike.
Описание: Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions.
Описание: Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions.
The turn of the Millennium demonstrated a fully-fledged revival and fusion of various left-wing social movements with differing agendas. Movements for women's, black, indigenous, LGTB and animal liberation as well as ecological, anti-nuclear and anti-war groups unified against the global capital. Considering the diverse emphases of these movements, is there a philosophical framework that could help us understand their nature and their modes of operation in the 21st century?
This book provides a set of conceptual tools offering a theoretical model of 'slow' social transformation, a modality of social change that explicitly differs from the irruptive model of a revolution or a paradigm-changing event. Instead, it proposes the two concepts of mimetic contagion and solidarity with singularity which allow us to understand what is currently happening in the activist milieu. By bringing together some of today's most important thinkers, including Butler, Girard, Badiou, and Sloterdijk this book suggests a philosophical lens to look at the alternative living projects that contemporary left-wing activists undertake in practice. At the heart of their projects lie the pressing concerns that these contemporary philosophers currently debate.
Breaking from the conceptual apparatus of the Marxian tradition, Theorizing Contemporary Anarchism instead takes Hegelian concepts and feeds them through the thought of contemporary theorists in order to form an original, productive, and inclusive scaffold with which to understand today's world of social and political movements.
Описание: This engaging study of anti-austerity protest provides a valuable feminist perspective on activism at a time when austerity policy is disproportionately impacting women. It brings together lived experiences of activist culture and contextual analysis to explore the motivations and emotions associated with it-both positive and negative.
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