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Tsuchi: Earthy Materials in Contemporary Japanese Art, Bert Winther-Tamaki


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Автор: Bert Winther-Tamaki
Название:  Tsuchi: Earthy Materials in Contemporary Japanese Art
ISBN: 9781517911911
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 1517911915
Обложка/Формат: Paperback
Страницы: 312
Вес: 0.69 кг.
Дата издания: 31.05.2022
Язык: English
Иллюстрации: 76 b&w illustrations, 10 color plates
Размер: 21.59 x 13.97 x 3.81 cm
Ключевые слова: Asian history,History of art / art & design styles,Non-graphic art forms, ART / Asian,ART / History / Contemporary (1945-),ART / Sculpture & Installation
Подзаголовок: Earthy materials in contemporary japanese art
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Поставляется из: Англии
Описание: An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth.In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.
Дополнительное описание: Non-graphic and electronic art forms|History of art|Asian history



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Название: This One Summer
ISBN: 159643774X ISBN-13(EAN): 9781596437746
Издательство: Holtzbrink(MPS)/MPS
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Цена: 1746.00 р.
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ISBN: 1779516584 ISBN-13(EAN): 9781779516589
Издательство: Random House (USA)
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Название: Winthrop`s Journal, History of New England, 1630-1649; Volume 1
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Издательство: Неизвестно
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Цена: 4595.00 р.
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Описание: This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

Tsuchi: Earthy Materials in Contemporary Japanese Art

Автор: Bert Winther-Tamaki
Название: Tsuchi: Earthy Materials in Contemporary Japanese Art
ISBN: 1517911907 ISBN-13(EAN): 9781517911904
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 17556.00 р.
Наличие на складе: Нет в наличии.

Описание: An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth.In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.


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