Описание: This in-depth study of the Matsu islands between China and Taiwan charts their sudden transition from a forbidden outpost in the Qing period to a military frontline during the Cold War and the Communist-Nationalist conflict, and showcases the cultural vibrancy of the people as they imagine their future.
The relationship between the Chinese nation and its recent past has been fraught with contradictions and tensions. This collection aims to make sense of this complex relationship and challenge the prevalent state-centric and nation-centric modes of history writing on modern China. It explores alternative representations of the past and the salience of political conflicts and competitive histories in China, highlighting the paradoxical similarities in such representations of the past from the late nineteenth century to the present. Ultimately, this book contributes to the ongoing discussion on the politics of interpreting the past and its many manifestations in both China and other societies.
“This volume will contribute to the scholarly debate on the use of the past in national history.”
Tze-ki Hon, City University of Hong Kong
“Alternative Representations of the Past presents a collection of essays that critically examine the ways in which the contradicting and contested enterprise of history has been politicized in China. As ‘memory is past made present’, the meticulous re-evaluation of Chinese history by the contributors of this volume promises to offer readers valuable insights into contemporary China.”
Chang-Yau Hoon, Associate Professor and Director, Centre for Advanced Research, Universiti Brunei Darussalam
Описание: Yang uncovers the traumatic aftermath of the Chinese civil war by examining the lives of ordinary people who were displaced from China to Taiwan in 1949. He presents a trajectory of repeated traumatization and a search for home, belonging, and identity that reconsiders notions of trauma, memory, diaspora, and reconciliation.
Die Reihe zielt auf einen interdisziplinaren Austausch uber Praktiken und Konzepte aus der Doppelperspektive von Raum und Zeit. Raumlichkeit und Zeitlichkeit und ihre unauflosliche Korrelation werden in historischen sowie aktuellen Zusammenhangen und hinsichtlich entsprechender Theorien untersucht. Im Mittelpunkt steht die Bedeutung von RaumZeit im soziokulturell-lebensweltlichen Selbstverstandnis der Menschen und in medialen Reprasentationen.
Описание: This in-depth study of the Matsu islands between China and Taiwan charts their sudden transition from a forbidden outpost in the Qing period to a military frontline during the Cold War and the Communist-Nationalist conflict, and showcases the cultural vibrancy of the people as they imagine their future.
Описание: In the 1980s, a Chinese state-sponsored oral history project led to the publication of local, regional, and national histories. These histories are the basis of this innovative study of ideology formation and political mobilization, post-Cultural Revolution reconciliation, and the recovery of borderland identities in early post-Mao China.
Описание: The son of a nationalist martyr, Kim Tu-han (1918-1972) rose to prominence as a mobster in 1930s Seoul. As conditions shifted, he deployed his gang first as a construction corps supporting the Japanese war effort, then as a progressive force, and, most successfully, as an anti-communist vigilante group. After narrowly escaping the death sentence for murder, he won election as a legislator.
Mobrand's intimate exposition of Kim Tu-han's unusual and contradictory life – and of his posthumous cultural and ideological representations – illustrates with distinct clarity how he has become lionised as a ‘folk hero’ and nationalist icon in contemporary Korean culture. Alongside this, Mobrand also explores how this key figure's intricate personal history accentuates both the nexus between street violence and the development of modern political systems in East Asia, and broader themes within postwar Korean history, from the layered meanings of ideological struggle, to mobilisation on the emerging Cold War’s frontline, to ethnic nationalism.
Описание: Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change. Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.
The Limits of Orientalism: Seventeenth-Century Representations of India challenges the recent postcolonial readings of European, predominantly English, representations of India in the seventeenth century. Following Edward Said's discourse of "Orientalism," most postcolonial analyses of the seventeenth-century representations of India argue that the natives are represented as barbaric or exotic "others," imagining these representations as products of colonial ideology. Such approaches tend to offer a homogeneous idea of the "native" and usually equate it with the term "Indian." Sapra, however, argues that instead of representing all natives as barbaric "others," the English drew parallels, especially between themselves and the Mughal aristocracy, associating with them as partners in trade and potential allies in war. While the Muslims are from the outset largely portrayed as highly civilized and cultured, early European writers tended to be more conflicted with Hindus, their first highly negative views undergoing a transformation that brings into question any straightforward Orientalist reading of the texts and anticipates the complexity of later representations of the indigenous peoples of the sub-continent.
Sapra's theoretical and methodological approach is influenced by such writers as Aijaz Ahmad and Denis Porter, who have highlighted powerful alternatives to Said's discourse of "Orientalism." Sapra historicizes European representations of the indigenous to draw attention to the contrasting approaches of the Portuguese, the Dutch and the English in relation to seventeenth-century India, effectively undermining comfortable notions of a homogenous "West." Unlike the Portuguese, for whom the idea of a dynasty and the conversion of heathens went hand in hand with the idea of trade, for the Dutch and the English the primary consideration was commercial. In keeping with the commercial approach of the English East India Company, most English travelers, instead of representing the Muslims as barbaric "others," highlight the compatibility between the two cultures and consistently praise the Mughal empire for its religious tolerance. In the representations of the Hindus, Sapra demonstrates that most writers, even while denigrating the Hindu religion, appreciate the civilized society of the Hindus. Moreover, in the representations of sati or widow-burning, a distinction needs to be made between the patriarchal and the Orientalist points of views, which are at variance with each other. The tension between the patriarchal and the Orientalist positions challenges Gayatri Chakravorty Spivak's analysis of sati in "Can the Subaltern Speak?" which has become the standard model for most postcolonial appraisals of European representations of sati. The book highlights the lacuna in postcolonial readings by providing access to selections of commonly unavailable early-modern writings by Thomas Roe, Edward Terry, Henry Lord, Thomas Coryate, Alexander Hamilton and other the records of the East India Company, which makes the book vital for students of theory, European and South-Asian history, and Renaissance literatures.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Описание: Unani Medicine in the Making examines the institutions and practices of Unani medicine, the Graeco-Islamic healing practice based on the humoral theory attributed to Hippocrates and officially recognized as a system of medicine in India. Drawing on diverse materials, including Urdu sources, interviews with practitioners, and observations in clinics, the book explores what Unani medicine is today by attending to its multiplicity, scrutinizing apparent tensions between the understanding of Unani as a system of medicine and its multiple enactments as Islamic medicine, medical science, or alternative medicine. Ethnographic details provide vivid descriptions of the current practice of Unani in India, and invite readers to rethink the idea that humoral medicine is incommensurable with modern medicine and science, and that the modernization of Asian medicines invariably leads to their biomedicalization. Ultimately, the book also discusses the relationship of Unani with Muslim communities, examining the growing practice of Prophetic Medicine in Urban India and increasing representations of Unani as Islamic Medicine.
Автор: Goncalo Santos, Stevan Harrell Название: Transforming Patriarchy: Chinese Families in the Twenty-First Century ISBN: 0295998970 ISBN-13(EAN): 9780295998978 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Each successive wave of revolution to hit modern China—political, cultural, and economic—has radically reshaped Chinese society. Whereas patriarchy defined the familial social structure for thousands of years, changing realities in the last hundred years have altered and even reversed long-held expectations. Transforming Patriarchy explores the private and public dimensions of these changes in present-day China. Patriarchy is not dead, but it is no longer the default arrangement for Chinese families: Daughters-in-law openly berate their fathers-in-law. Companies sell filial-piety insurance. Many couples live together before marriage, and in some parts of rural China, almost all brides are pregnant.
Drawing on a multitude of sources and perspectives, this volume turns to the intimate territory of the family to challenge prevailing scholarly assumptions about gender and generational hierarchies in Chinese society. Case studies examine factors such as social class, geography, and globalization as they relate to patriarchal practice and resistance to it. The contributors bring the concept of patriarchy back to the heart of China studies while rethinking its significance in dominant Western-centric theories of modernity.
This nuanced study traces how Chinese came to view death as an opportunity to fashion and convey social identities and memories during the medieval period (200–1000) and the Tang dynasty (618–907), specifically. As Chinese society became increasingly multicultural and multireligious, to achieve these aims people selectively adopted, portrayed, and interpreted various acts of remembrance. Included in these were new and evolving burial, mourning, and commemorative practices: joint-burials of spouses, extended family members, and coreligionists; relocation and reburial of bodies; posthumous marriage and divorce; interment of a summoned soul in the absence of a body; and many changes to the classical mourning and commemorative rites that became the norm during the period. Individuals independently constructed the socio-religious meanings of a particular death and the handling of corpses by engaging in and reviewing acts of remembrance.
Drawing on a variety of sources, including hundreds of newly excavated entombed epitaph inscriptions, Inscribing Death illuminates the process through which the living—and the dead—negotiated this multiplicity of meanings and how they shaped their memories and identities both as individuals and as part of collectives. In particular, it details the growing emphasis on remembrance as an expression of filial piety and the grave as a focal point of ancestral sacrifice. The work also identifies different modes of construction and representation of the self in life and death, deepening our understanding of ancestral worship and its changing modus operandi and continuous shaping influence on the most intimate human relationships—thus challenging the current monolithic representation of ancestral worship as an extension of families rather than individuals in medieval China.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
