Описание: Crossing the Line examines a group of early nineteenth-century novels by white creoles, writers whose identities and perspectives were shaped by their experiences in Britain’s Caribbean colonies. Colonial subjects residing in the West Indian colonies “beyond the line,” these writers were perceived by their metropolitan contemporaries as far removed—geographically and morally—from Britain and “true” Britons. Routinely portrayed as single-minded in their pursuit of money and irredeemably corrupted by their investment in slavery, white creoles faced a considerable challenge in showing they were driven by more than a desire for power and profit. Crossing the Line explores the integral role early creole novels played in this cultural labor. The emancipation-era novels that anchor the study question categories of genre, historiography, politics, class, race, and identity. Revealing the contradictions embedded in the texts’ constructions of the Caribbean “realities” they seek to dramatize, Candace Ward shows how these authors gave birth to characters and enlivened settings and situations in ways that shed light on the many sociopolitical fictions that shaped life in the anglophone Atlantic.
Описание: Crossing the Line examines a group of early nineteenth-century novels by white creoles, writers whose identities and perspectives were shaped by their experiences in Britain’s Caribbean colonies. Colonial subjects residing in the West Indian colonies “beyond the line,” these writers were perceived by their metropolitan contemporaries as far removed—geographically and morally—from Britain and “true” Britons. Routinely portrayed as single-minded in their pursuit of money and irredeemably corrupted by their investment in slavery, white creoles faced a considerable challenge in showing they were driven by more than a desire for power and profit. Crossing the Line explores the integral role early creole novels played in this cultural labor. The emancipation-era novels that anchor the study question categories of genre, historiography, politics, class, race, and identity. Revealing the contradictions embedded in the texts’ constructions of the Caribbean “realities” they seek to dramatize, Candace Ward shows how these authors gave birth to characters and enlivened settings and situations in ways that shed light on the many sociopolitical fictions that shaped life in the anglophone Atlantic.
Описание: Anglophone Verse Novels as Gutter Texts draws on the notion of the ‘gutter’ in graphic narratives – the gap between panels that a reader has to imaginatively fill to generate narrative sequence – to analyse the largely overlooked literary form of the verse novel. Marked at all levels by the tense constellation of segment and sequence, and a conspicuously 'gappy' texture, verse novels offer productive alternatives to the dominant prose novel in contemporary fiction, where a similar ‘gappiness’ has become a hallmark, as illustrated by the loosely interlaced multi-strand plot structures of influential ‘world novels’ (Bolano, Mitchell, Powers).The verse novel is a form particularly prolific in the postcolonial world and among diasporic or minoritarian writers in the Global North. This study concentrates on two of the most prominent areas in which verse novels distinguish themselves from the prose novel to read texts by Derek Walcott, Anne Carson, Bernardine Evaristo, Patience Agbabi and others: In ‘planetary’ verse novels from the Caribbean, Canada, Samoa and Hawai’i, the central trope of the volcano evokes a world in constant un/making; while post-national verse novels, particularly in Britain, modify the established paradigms of imagined communities. Dirk Wiemann's study speculates whether the resurgence of verse novels correlates with the apprehension of inhabiting a world that has become unpredictable and dangerous but also promising: a ‘post-prosaic’ world.
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