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Rethinking the Romantic Era: Androgynous Subjectivity and the Recreative in the Writings of Mary Robinson, Samuel Taylor Coleridge, and Mary Shelley, Kathryn S. Freeman


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Автор: Kathryn S. Freeman
Название:  Rethinking the Romantic Era: Androgynous Subjectivity and the Recreative in the Writings of Mary Robinson, Samuel Taylor Coleridge, and Mary Shelley
ISBN: 9781350194939
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 135019493X
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.46 кг.
Дата издания: 25.08.2022
Серия: Literature/Literary Studies
Язык: English
Размер: 233 x 156 x 13
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary studies: c 1500 to c 1800,Literary studies: c 1800 to c 1900 ,Literary studies: fiction, novelists & prose writers,Literature: history & criticism, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / Feminist,LITERARY CRITICISM / Women Authors
Подзаголовок: Androgynous subjectivity and the recreative in the writings of mary robinson, samuel taylor coleridge, and mary shelley
Рейтинг:
Поставляется из: Англии
Описание: Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues among these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each authors oeuvre, from Coleridge’s “canonical” poems such as Rime of the Ancient Mariner, through Robinson’s lyrical poetry and novels such as Walsingham, to Mary Shelley’s fiction, including Frankenstein, Mathilda, and The Last Man.


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