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Shakespearean Language and the Public Sphere: Performance and Staged Meaning, Nigel Wood


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Автор: Nigel Wood
Название:  Shakespearean Language and the Public Sphere: Performance and Staged Meaning
ISBN: 9781350105720
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1350105724
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.49 кг.
Дата издания: 22.09.2022
Серия: Literature/Literary Studies
Язык: English
Размер: 21.59 x 14.00 x 1.75 cm
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary theory,Shakespeare studies & criticism, DRAMA / Shakespeare,LITERARY CRITICISM / Shakespeare
Подзаголовок: Performance and staged meaning
Рейтинг:
Поставляется из: Англии
Описание: Through a close reading of Shakespeares works, Nigel Wood argues for the power of Shakespeares dramatic language to shape the consciousness of the audiences of his time and to play a role in the development of a public sphere in early modern England. He traces the verbal patterning and repetition of a range of keywords across plays, distinguishing between their accepted meaning and the potency of performance to introduce fluid nuances of meaning and significance. It takes seriously therefore the plays’ status as oral performances and the ways in which his language would have resonated with early modern audiences. Beginning by establishing an approach to Shakespeare’s playtexts from the perspective of an audience witnessing a gradually unfolding action, Wood addresses the power of language to create episodes of shock or revelation. Uniting this with Habermass sense of a Public Sphere, he explores the role of the theatre and early modern audiences in contributing to the Public Sphere by challenging pre-set conventions and ideologies. In chapters on the social, the state, notions of kind and gentility, the human and ceremony/ritual, crucial shades of meaning are uncovered with special reference to a wide range of plays: the Histories, including Coriolanus and Henry V; the Tragedies, such as Hamlet and Othello, and the Comedies, including Much Ado About Nothing and The Merchant of Venice. This is a unique exploration of how Shakespeare in dramatizing and so challenging conventions of language, thereby questioned static cultural assumptions about gender, class and racial difference. Deep-seated critical approaches to canonical texts are thereby questioned in the service of re-capturing their initial public validity.


Emulation on the Shakespearean Stage

Автор: Vernon Guy Dickson
Название: Emulation on the Shakespearean Stage
ISBN: 140946928X ISBN-13(EAN): 9781409469285
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: Using the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics, this study analyzes the conflicted uses of emulation in the period. The author also reassesses and nuances our understanding of the roles and significance of emulation in the Renaissance.

Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy

Автор: Matthew James Smith, Julia Reinhard Lupton
Название: Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy
ISBN: 1474435688 ISBN-13(EAN): 9781474435680
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Explores the drama of proximity and co-presence in Shakespeare's plays

Key Features

  • Brings together the rare pairing of philosophical ethics and performance studies in Shakespeare's plays
  • Engages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel Levinas

This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb - to face, outface, interface, efface, deface, sur-face - chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.

Shakespeare`s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance

Автор: Gamboa Brett, Switzky Lawrence
Название: Shakespeare`s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance
ISBN: 1032239689 ISBN-13(EAN): 9781032239682
Издательство: Taylor&Francis
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Цена: 6583.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Shakespeare`s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance invites new critical attention to non-human agents and influences, while aiming to revolutionize the interpretations of the uncanny, the supernatural, and the fantastic in Shakespeare`s plays.

Shakespearean Stage Production: Then and Now

Автор: De Banke Cecile
Название: Shakespearean Stage Production: Then and Now
ISBN: 113898180X ISBN-13(EAN): 9781138981805
Издательство: Taylor&Francis
Рейтинг:
Цена: 7195.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: An absorbing and original handbook of production for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published.

Shakespearean character

Автор: Marelj, Jelena (sheridan College, Ontario, Canada)
Название: Shakespearean character
ISBN: 1350061387 ISBN-13(EAN): 9781350061385
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Why do we continue to experience many of Shakespeare's dramatic characters as real people with personal histories, individual personalities, and psychological depth? What is it that makes Falstaff seem to jump off the page, and what gives Hamlet his complexity? Shakespearean Character: Language in Performance examines how the extraordinary lifelikeness of some of Shakespeare's most enigmatic and self-conscious characters is produced through language.

Using theories drawn from linguistic pragmatics, this book claims that our impression of characters as real people is an effect arising from characters' pragmatic use of language in combination with the historical and textual meanings that Shakespeare conveys to his audience by dramatic and meta-dramatic means. Challenging the notion of interiority attributed to Shakespeare's characters by many contemporary critics, theatre professionals, and audiences, the book demonstrates that dramatic characters possess anteriority which gives us the impression that they exist outside of- and prior to- the play-texts as real people.

Jelena Marelj's study examines five linguistically self-conscious characters drawn from the genres of history, tragedy and comedy, which continue to be subjects of extensive critical debate: Falstaff, Cleopatra, Henry V, Katherine from The Taming of the Shrew, and Hamlet. She shows that by inferring Shakespeare's intentions through his characters' verbal exchanges and the discourses of the play, the audience becomes emotionally involved with or repulsed by characters and it is this emotional response that makes these characters strikingly memorable and intimately human. Shakespearean Character will equip readers for further work on the genealogy of Shakespearean character, including minor characters, stock characters, and allegorical characters.

Spectrums of Shakespearean Crossdressing

Автор: Bailey Parker, Courtney
Название: Spectrums of Shakespearean Crossdressing
ISBN: 0367333414 ISBN-13(EAN): 9780367333416
Издательство: Taylor&Francis
Рейтинг:
Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Spectrums of Representation in Shakespearean Crossdressing examines the varied types of female characters in English Renaissance drama, drawing from a range of play texts themselves in order to investigate if evidence exists for varying performance practices for male-to-female crossdressing.

Shakespearean Futures: Casting the Bodies of Tomorrow on Shakespeare`s Stages Today

Автор: Cook Amy
Название: Shakespearean Futures: Casting the Bodies of Tomorrow on Shakespeare`s Stages Today
ISBN: 1108749550 ISBN-13(EAN): 9781108749558
Издательство: Cambridge Academ
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Цена: 2851.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This Element focuses on the casting in productions of Shakespeare from 2017-2020 to demonstrate how directors are using casting as the central mode of meaning-making in productions of Shakespeare.

Shakespearean Stage Production: Then and Now

Автор: De Banke Cecile
Название: Shakespearean Stage Production: Then and Now
ISBN: 1138790850 ISBN-13(EAN): 9781138790858
Издательство: Taylor&Francis
Рейтинг:
Цена: 23734.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: An absorbing and original handbook of production for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published.

Local and Global Myths in Shakespearean Performance

Автор: Mancewicz
Название: Local and Global Myths in Shakespearean Performance
ISBN: 3319898507 ISBN-13(EAN): 9783319898506
Издательство: Springer
Рейтинг:
Цена: 11878.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns.

Shakespearean Character: Language in Performance

Автор: Jelena Marelj
Название: Shakespearean Character: Language in Performance
ISBN: 1350175005 ISBN-13(EAN): 9781350175006
Издательство: Bloomsbury Academic
Цена: 3483.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Why do we continue to experience many of Shakespeare’s dramatic characters as real people with personal histories, individual personalities, and psychological depth? What is it that makes Falstaff seem to jump off the page, and what gives Hamlet his complexity? Shakespearean Character: Language in Performance examines how the extraordinary lifelikeness of some of Shakespeare’s most enigmatic and self-conscious characters is produced through language. Using theories drawn from linguistic pragmatics, this book claims that our impression of characters as real people is an effect arising from characters’ pragmatic use of language in combination with the historical and textual meanings that Shakespeare conveys to his audience by dramatic and meta-dramatic means. Challenging the notion of interiority attributed to Shakespeare’s characters by many contemporary critics, theatre professionals, and audiences, the book demonstrates that dramatic characters possess anteriority which gives us the impression that they exist outside of— and prior to— the play-texts as real people. Jelena Marelj's study examines five linguistically self-conscious characters drawn from the genres of history, tragedy and comedy, which continue to be subjects of extensive critical debate: Falstaff, Cleopatra, Henry V, Katherine from The Taming of the Shrew, and Hamlet. She shows that by inferring Shakespeare’s intentions through his characters’ verbal exchanges and the discourses of the play, the audience becomes emotionally involved with or repulsed by characters and it is this emotional response that makes these characters strikingly memorable and intimately human. Shakespearean Character will equip readers for further work on the genealogy of Shakespearean character, including minor characters, stock characters, and allegorical characters.

Stage matters props bodies ancb

Название: Stage matters props bodies ancb
ISBN: 1683931491 ISBN-13(EAN): 9781683931492
Издательство: Неизвестно
Рейтинг:
Цена: 25519.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This collection features nine essays that explore how the material conditions of the early modern English stage shaped the theater. Topics range from the simulation of pregnant bodies by boy actors (and the effects of those simulations) to how bruises created by make-up might have been used on stage

Face-To-Face in Shakespearean Drama: Ethics, Performance, Philosophy

Автор: James Smith Matthew, Reinhard Lupton Julia
Название: Face-To-Face in Shakespearean Drama: Ethics, Performance, Philosophy
ISBN: 1474435696 ISBN-13(EAN): 9781474435697
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 4592.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.


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