Encyclopedia of Daily Life: A Woman`s Guide to Living in Late-Choson Korea, Robert E. Buswell
Автор: Duncan James B. Название: The Origins of the Choson Dynasty ISBN: 0295993790 ISBN-13(EAN): 9780295993799 Издательство: Wiley EDC Рейтинг: Цена: 4631.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Origins of the Choson Dynasty provides an exhaustive analysis of the structure and composition of Korea's central officialdom during the transition from the Koryo dynasty (918-1392) to the Choson dynasty (1392-1910) and offers a new interpretation of the history of traditional Korea.
Автор: Bueno Munoz, Carmen Murillo Zamorano, Luis R Lopez Sanchez, Jose Angel Название: Confucian reform in choson korea ISBN: 1032181583 ISBN-13(EAN): 9781032181585 Издательство: Taylor&Francis Рейтинг: Цена: 15312.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Pan`gye surok (or "Pan`gye`s Random Jottings") was written by the Korean scholar and social critic Yu Hyongwon(1622-1673), who proposed to reform the Joseon dynasty and realise an ideal Confucian society.
In early modern Korea, the Chosŏn state conducted an extermination campaign against the Kaesŏng Wang, descendants of the preceding Koryŏ dynasty. It was so thorough that most of today's descendants are related to a single survivor. Before long, however, the Chosŏn dynasty sought to bolster its legitimacy as the successor of Koryŏ by rehabilitating the surviving Wangs--granting them patronage for performing ancestral rites and even allowing them to attain prestigious offices. As a result, Koryŏ descendants came to constitute elite lineages throughout Korea. As members of the revived aristocratic descent group, they were committed to Confucian norms of loyalty to their ruler. The Chosŏn, in turn, increasingly honored Koryŏ legacies. As the state began to tolerate critical historical narratives, the early plight of the Wangs inspired popular accounts that engendered sympathy. Modern forces of imperialism, colonialism, nationalism, urbanization, industrialization, and immigration transformed the Kaesŏng Wang from the progeny of fallen royals to individuals from all walks of life. Eugene Y. Park draws on primary and secondary sources, interviews, and site visits to tell their extraordinary story. In so doing, he traces Korea's changing politics, society, and culture for more than half a millennium.
Автор: Lewis, James B. Название: Frontier Contact Between Choson Korea and Tokugawa Japan ISBN: 0700713018 ISBN-13(EAN): 9780700713011 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
The Choson state (1392-1910) is typically portrayed as a rigid society because of its hereditary status system, slavery, and Confucian gender norms. However, The Emotions of Justice reveals a surprisingly complex picture of a judicial system that operated in a contradictory fashion by discriminating against subjects while simultaneously minimizing such discrimination. Jisoo Kim contends that the state's recognition of won, or the sense of being wronged, permitted subjects of different genders or statuses to interact in the legal realm and in doing so illuminates the intersection of law, emotions, and gender in premodern Korea.
Автор: Adam Bohnet Название: Turning Toward Edification: Foreigners in Choson Korea ISBN: 0824884485 ISBN-13(EAN): 9780824884482 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12751.00 р. Наличие на складе: Нет в наличии.
Описание: Discusses foreigners in Korea from before the founding of Chosn in 1392 until the mid-nineteenth century. Although it has been common to describe Chosn Korea as a monocultural and homogeneous state, Adam Bohnet reveals the considerable presence of foreigners and people of foreign ancestry in Chosn Korea.
The Choson state (1392-1910) is typically portrayed as a rigid society because of its hereditary status system, slavery, and Confucian gender norms. However, The Emotions of Justice reveals a surprisingly complex picture of a judicial system that operated in a contradictory fashion by discriminating against subjects while simultaneously minimizing such discrimination. Jisoo Kim contends that the state's recognition of won, or the sense of being wronged, permitted subjects of different genders or statuses to interact in the legal realm and in doing so illuminates the intersection of law, emotions, and gender in premodern Korea.
Описание: Title: Chosön, the Land of the Morning Calm. A sketch of Korea. ... Illustrated from photographs by the author.
Publisher: British Library, Historical Print Editions
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Описание: This volume is a fully annotated translation of an early nineteenth-century encyclopedia, the Kyuhap ch'ongs? (The Encyclopedia of Daily Life). Written by Lady Yi (1759-1824) as a household management aid for her daughters and daughters-in-law, the work is a treasure trove of information on how women of higher status in the late Chos?n (1392-1910) ran their households and conducted their daily lives. The encyclopedia opens with lengthy sections on making beverages and brewing a wide array of liquors (as well as remedies for the overconsumption of alcohol) and contains dozens of recipes for dishes ranging from numerous types of kimch'i to confections and rice cakes. The second part of the translation concerns prenatal care, childbirth, childrearing, and first aid for a large number of afflictions and medical conditions. An extensive introduction will help readers understand the times in which Lady Yi wrote her encyclopedia and the influences that fostered her love of scholarship. The work demonstrates the full sweep of her authority in the domestic sphere and the many aspects of day-to-day life that women needed to prepare for and manage. Her mastery of East Asian cosmology comes across clearly in her use of this knowledge to account for the workings of the world, the processes required to take care of one's body, and interactions between humans and the natural world.The Encyclopedia of Daily Life will be an important reference for those studying medicine, botany, and the preparation of foodstuffs in premodern East Asian societies. It will also be a valuable linguistic reference to the Korean language during the late Chos?n.
The social and economic rise of the chungin class (“middle people” who ranked between the yangban aristocracy and commoners) during the late Chos?n period (1700–1910) ushered in a world of materialism and commodification of painting and other art objects. Generally overlooked in art history, the chungin contributed to a flourishing art market, especially for ch’aekkori, a new form of still life painting that experimented with Western perspective and illusionism, and a reimagined style of the traditional plum blossom painting genre.
Sunglim Kim examines chungin artists and patronage of the visual arts, and their commercial transactions, artistic exchange with China and Japan, and historical writings on art. She also explores the key role of men of chungin background in preserving Korean art heritage in the tumultuous twentieth century, including the work of the modern Korean collector and historian O Se-ch’ang, who memorialized many chungin painters and calligraphers.
Revealing a vivid picture of a complex art world,Flowering Plums and Curio Cabinets presents a major reconsideration of late Chos?n society and its material culture. Lushly illustrated, it will appeal to scholars of Korea and East Asia, art history, visual culture, and social history.
A William Sangki and Nanhee Min Hahn Book
Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/flowering-plums-and-curio-cabinets
Korean painters participated in two major cultural trends of the late Choson period in the eighteenth and nineteenth centuries: inquiry into things Korean and investigation of things Western. Departing from Chinese sources long considered authoritative, they developed the distinctly Korean mode known as “true-view” landscape painting for depicting the scenery of their own country. Rooted in the documentary painting of the early Choson period and displaying special techniques developed to describe distinctive features of Korea’s topography, true-view paintings portray the most exemplary and ideal landscapes of Korea, such as those of Mount Kumgang (Diamond Mountain).
The same painters also drew on Western painting methods, which they learned from descriptions of Western paintings seen and recorded by Korean emissaries to Beijing as well as from actual paintings brought back. This knowledge inspired them to produce not only landscapes but also portraits, images of animals and other paintings based on firsthand observation of nature. Both trends, looking inward to Korea and outward to the West, represented Korean aspiration for something new — for “modernity.” Deftly weaving these two strands together as the unifying theme of Searching for Modernity, Yi Song-mi expands on her pioneering work on true-view landscape painting to reveal even more of the depth and complexity of this mature and fully Korean form of artistic expression.
Автор: Park, J. P. Название: New middle kingdom ISBN: 0295743255 ISBN-13(EAN): 9780295743257 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9405.00 р. Наличие на складе: Нет в наличии.
Описание:
Historians have claimed that when social stability returned to Korea after devastating invasions by the Japanese and Manchus around the turn of the seventeenth century, the late Chosŏn dynasty was a period of unprecedented economic and cultural renaissance, in which prosperity manifested itself in new programs and styles of visual art. A New Middle Kingdom questions this belief, claiming instead that true-view landscape and genre paintings were likely adopted to propagandize social harmony under Chosŏn rule and to justify the status, wealth, and land grabs of the ruling class. This book also documents the popularity of art books from China and their misunderstanding by Koreans and, most controversially, Korean enthusiasm for artistic programs from Edo Japan, thus challenging academic stereotypes and nationalistic tendencies in the scholarship about the Chosŏn period. As the first truly interdisciplinary study of Korean art, A New Middle Kingdom points to realities of late Chosŏn society that its visual art seemed to hide and deny.
A William Sangki and Nanhee Min Hahn Book
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