Despite China’s long tradition of venerating the past as the ultimate source of cultural authority, the discourse of antiquity prior to the Song period (960–1279) demonstrated little concern for ancient objects. With a focus on physical artifacts of the past, Song intellectuals began a new discipline, “the study of bronze and stone” (jinshixue), that generated collections of items such as bronze vessels and bells, stone steles, and ink rubbings of inscriptions carved or cast on objects. This first comprehensive study in English of the Song antiquarian movement and how it refashioned the distant past uses textual and material evidence to examine this development, which has had long-lasting influence on Chinese intellectual history and on the preservation of material objects. In addition to collecting and comparing artifacts, Song antiquaries compiled extensive catalogs that included drawings, measurements, and meticulous descriptions. Their studies have contributed to the way history has been documented since the eleventh century and serve as a basis for archaeology of the modern period. Bronze and Stone contextualizes the Song antiquarian movement among previous Chinese engagements with antiquity, subsequent popular interest in ancient objects, and world antiquarianism.
Автор: Nienhauser William H., Naparstek Michael E. Название: Biographical Dictionary of Tang Dynasty Literati ISBN: 0253060265 ISBN-13(EAN): 9780253060266 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6897.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Tang Dynasty (618–907 CE) is regarded as the golden age of classical Chinese literature. Compiled by award-winner author William H. Nienhauser, Jr., and Michael E. Naparstek, this is the first English-language biographical dictionary on this critical era in Chinese literary culture. The Biographical Dictionary of Tang Dynasty Literati contains 140 entries, including major figures like Du Fu and Li Bo, as well as entries on lesser-studied figures including Buddhist, Daoist, and women writers. To provide a complete sense of these men and women, each piece contains an overview of the subject's life, supported by translations and close readings of their writing and concludes with a bibliography of original sources, critical editions, translations, and studies in multiple languages. Appended are a literary timeline of the Tang and a glossary of official titles making the Dictionary an indispensable resource for all interested in classical Chinese literature.
The Pitfalls of Piety for Married Womenshows how problematic the practice of Buddhist piety could be in Late Imperial China. Two thematically related "precious scrolls" (baojuan) from the Ming dynasty, The Precious Scroll on the Red Gauze and The Precious Scroll of the Handkerchief, illustrate the difficulties faced by women whose religious devotion conflicted with the demands of marriage and motherhood.
These two previously untranslated texts tell the stories of married women whose piety causes them to be separated from their husbands and children. While these women labor far away, their children are cruelly abused by murderous stepmothers. Following many adventures, divine intervention eventually reunites the families and the evil stepmothers get their just deserts. While the texts in The Pitfalls of Piety for Married Women praise Buddhist piety, they also reveal many problems as far as it concerns married women and mothers.
Wilt L. Idema's translations are preceded by an introduction that places these scrolls in the context of Ming dynasty performative literature, vernacular literature, and popular religion. Set in a milieu of rich merchants, the texts provide a unique window on family life of the time, enriching our understanding of gender in the Ming dynasty. These popular baojuan offer rare insights on lay religion and family dynamics of the Ming dynasty, and their original theme and form enrich our understanding of the various methods of storytelling that were practiced at the time.
A variety of Chinese writings from the Song period (960–1279)—medical texts, religious treatises, fiction, and anecdotes—depict women who were considered peculiar because their sexual bodies did not belong to men. These were women who refused to marry, were considered unmarriageable, or were married but denied their husbands sexual access, thereby removing themselves from social constructs of female sexuality defined in relation to men. As elite male authors attempted to make sense of these women whose sexual bodies were unavailable to them, they were forced to contemplate the purpose of women’s bodies and lives apart from wifehood and motherhood. This raised troubling new questions about normalcy, desire, sexuality, and identity.
In Divine, Demonic, and Disordered, Hsiao-wen Cheng considers accounts of “manless women,” many of which depict women who suffered from “enchantment disorder” or who engaged in “intercourse with ghosts”—conditions with specific symptoms and behavioral patterns. Cheng questions conventional binary gender analyses and shifts attention away from women’s reproductive bodies and familial roles. Her innovative study offers historians of China and readers interested in women, gender, sexuality, medicine, and religion a fresh look at the unstable meanings attached to women’s behaviors and lives even in a time of codified patriarchy.
Описание: Charles Hartman undertakes a detailed revisionist analysis of the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960-1279), deconstructing the master narratives that emerge from these sources as products of political discourse.
Описание: A groundbreaking work examining the military and political events that shaped the Song dynasty (960-1279) in China. Peter Lorge examines the centrality of warfare and politics in the struggle for internal and external power, as well as the influence of individuals and their relationships in political processes.
Описание: Charles Hartman undertakes a detailed revisionist analysis of the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960-1279), deconstructing the master narratives that emerge from these sources as products of political discourse.
Автор: Xiaolin Duan Название: The Rise of West Lake: A Cultural Landmark in the Song Dynasty ISBN: 0295747129 ISBN-13(EAN): 9780295747125 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Lovely West Lake, near scenic Hangzhou on China’s east coast, has been celebrated as a major tourist site since the twelfth century. Now as then, visitors boat to its islands, stroll through its gardens, worship in its temples, and immortalize it in poetry and painting. Hangzhou and West Lake have long served as icons of Chinese landscape appreciation, literary and artistic expression, and tourism.
In the first in-depth English-language study of this picturesque locale, Xiaolin Duan examines the interplay between human enterprise and the natural environment during the Song dynasty (960–1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou, making the area the national political and cultural center. West Lake became a model for idealized nature, fashioned by the diverse activities of its visitors. Duan shows how engagements in, on, and around West Lake influenced visitors’ conceptualization of nature and sparked the emergence of the lake as a tourist destination, highlighting how the natural landscape played a role in shaping social and cultural constructs.
Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, The Rise of West Lake explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones.
Lovely West Lake, near scenic Hangzhou on China’s east coast, has been celebrated as a major tourist site since the twelfth century. Now as then, visitors boat to its islands, stroll through its gardens, worship in its temples, and immortalize it in poetry and painting. Hangzhou and West Lake have long served as icons of Chinese landscape appreciation, literary and artistic expression, and tourism.
In the first in-depth English-language study of this picturesque locale, Xiaolin Duan examines the interplay between human enterprise and the natural environment during the Song dynasty (960–1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou, making the area the national political and cultural center. West Lake became a model for idealized nature, fashioned by the diverse activities of its visitors. Duan shows how engagements in, on, and around West Lake influenced visitors’ conceptualization of nature and sparked the emergence of the lake as a tourist destination, highlighting how the natural landscape played a role in shaping social and cultural constructs.
Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, The Rise of West Lake explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones.
Автор: Jason Protass, Robert E. Buswell Название: The Poetry Demon: Song-Dynasty Monks on Verse and the Way ISBN: 082488910X ISBN-13(EAN): 9780824889104 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3465.00 р. Наличие на складе: Нет в наличии.
Описание: Chinese Buddhist monks of the Song dynasty (960-1279) called the irresistible urge to compose poetry `the poetry demon`. In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks.
Описание: Towards the end of the thirteenth century the Nestorian monk, Rabban Sawma, together with his disciple Mark, set out from Khanbaliq (Beijing), the capital city of Kublai Khan's Mongol Empire, on a pilgrimage to Jerusalem. Travelling through northern China and Central Asia they arrived at Maraghah, capital city of the Ilkhanate that was Mongol-ruled Persia. Military unrest prevented them from ever reaching Jerusalem but they did reah Baghdad, where Rabban Sawma spent many years. Summoned by Arghun Khan, the Ilkhan ruler and grand nephew of Kublai Khan, Sawma was made Ilkhanid ambassador and sent to Europe, first travelling to Constantinople to meet the Byzantine emperor and then to meet the kings of France and England as well as Pope Nicholas IV. Sawma's disciple, Mark, became the Nestorian Catholicus. Sawma's account of his travels provides unique information on the Ilkhans of Perisa and their dealings with the Mongol Christians as well as the events that led to the downfall of the Nestorian Church in China and further offers a unique picture of Medieval Europe through Asian eyes. Translated by Sir E.A.Wallis Budge, who also included a substantial introduction, the work is now rare. This edition contains a new introduction by Professor David Morgan, the leading scholar of the Mongol period.
Описание: Most studies of Buddhist communities tend to be limited to villages, individual temple communities, or a single national community. Buddhist monastics, however, cross a number of these different framings: They are part of local communities, are governed through national legal frameworks, and participate in both national and transnational Buddhist networks. Educating Monks makes visible the ways Buddhist communities are shaped by all of the above—collectively and often simultaneously. Educating Monks examines a minority Buddhist community in Sipsongpann?, a region located on China's southwest border with Myanmar and Laos. Its people, the Dai-lue, are "double minorities": They are recognized by the Chinese state as part of a minority group, and they practice Therav?da Buddhism, a minority form within China, where Mah?y?na Buddhism is the norm. Therav?da has long been the primary training ground for Dai-lue men, and since the return of Buddhism to the area in the years following Mao Zedong's death, the Dai-lue have put many of their resources into providing monastic education for their sons. However, the author's analysis of institutional organization within Sipsongpann?, the governance of religion there, and the movements of monks (revealing the "ethnoscapes" that the monks of Sipsongpann? participate in) points to educational contexts that depend not just on local villagers, but also resources from the local (Communist) government and aid form Chinese Mah?y?na monks and Therav?da monks from Thailand and Myanmar. While the Dai-lue monks draw on these various resources for the development of the sangha, they do not share the same agenda and must continually engage in a careful political dance between villagers who want to revive traditional forms of Buddhism, a Chinese state that is at best indifferent to the continuation of Buddhism, and transnational monks that want to import their own modern forms of Buddhism into the region.Based on ethnographic fieldwork and interviews with Dai-lue monks in China, Thailand, and Singapore, this ambitious and sophisticated study will find a ready audience among students and scholars of the anthropology of Buddhism, and religion, education, and transnationalism in Southeast and East Asia.
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