Jeremy E. Taylor Iconographies of Occupation: Visual Cultures in Wang Jingwei`s China, 1939-1945 9780824883324

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Автор: Jeremy E. Taylor
Название: Iconographies of Occupation: Visual Cultures in Wang Jingwei`s China, 1939-1945
ISBN: 9780824883324
Издательство: Mare Nostrum (Eurospan)
Классификация:

Восточное искусство

История художественных и оформительских стилей: с 1800 по 1900 г.

Изобразительное искусство: описания и объекты

Графический дизайн

История Азии

История нового времени до 20 века: с 1700 по 1900

Политическая система и политические процессы

Политические свободы и политический котроль

ISBN-10: 0824883322
Обложка/Формат: Hardback
Страницы: 248
Вес: 0.49 кг.
Дата издания: 30.03.2021
Язык: English
Иллюстрации: 45 black & white illustrations
Размер: 186 x 235 x 26
Подзаголовок: Visual cultures in wang jingwei`s china, 1939-1945
Рейтинг:
Поставляется из: Англии
Описание: Iconographies of Occupation is the first book to address how the collaborationist Reorganized National Government (RNG) in Japanese-occupied China sought to visualize its leader, Wang Jingwei (1883-1944); the Chinese people; and China itself. It explores the ways in which this administration sought to present itself to the people over which it ruled at different points between 1939 (when the RNG was first being formulated) and August 1945, when it folded itself out of existence. What sorts of visual tropes were used in regime iconography and how were these used? What can the intertextual movement of visual tropes and motifs tell us about RNG artists and intellectuals and their understanding of the occupation and the war?Drawing on rarely before used archival records relating to propaganda and a range of visual media produced in occupied China by the RNG, the book examines the means used by this client regime to carve out a separate visual space for itself by reviving pre-war Chinese methods of iconography and by adopting techniques, symbols, and visual tropes from the occupying Japanese and their allies. Ultimately, however, the occupied gaze that was developed by Wangs administration was undermined by its ultimate reliance on Japanese acquiescence for survival. In the continually shifting and fragmented iconographies that the RNG developed over the course of its short existence, we find an administration that was never completely in control of its own fate-or its message. Iconographies of Occupation presents a thoroughly original visual history approach to the study of a much-maligned regime and opens up new ways of understanding its place in wartime China. It also brings China under the RNG into dialogue with wider theoretical debates about the significance of the visual in the cultural politics of foreign occupation more broadly.
Дополнительное описание: Asian history|Political control and freedoms|Political structure and processes|History of art|The Arts: treatments and subjects|Graphic design

Iconographies of Occupation: Visual Cultures in Wang Jingwei`s China, 1939-1945, Jeremy E. Taylor