The Rogue Narrative and Irish Fiction, 1660-1790, Joe Lines
Автор: Jameson, Fredric Название: Political unconscious ISBN: 0415287510 ISBN-13(EAN): 9780415287517 Издательство: Taylor&Francis Рейтинг: Цена: 2755.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This ground-breaking and influential study explores the complex place and function of literature within culture. It takes its place as one of the most meaningful works of the twentieth century.
Автор: Denning Название: Cover Stories (Routledge Revivals) ISBN: 1138796247 ISBN-13(EAN): 9781138796249 Издательство: Taylor&Francis Рейтинг: Цена: 23734.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First published in 1987, this title tracks the spy thriller from John Buchanan to Eric Ambler, Ian Fleming and John Le Carre, and shows how these tales of spies, moles, and the secret service tell a history of modern society, translating the political and cultural transformations of the twentieth century into the intrigues of a shadow world of secret agents. Combining cultural history with narrative analysis, Cover Stories explores the two main traditions of the thriller: the thriller of the work, in which bureaucratic routines are invested with political meaning; and the thriller of leisure, in which the sports and games that kill time become a time of dangerous political contests. Examining the characteristic narrative structures of the spy novel – the adventure formulas and the plots of betrayal, disguise and doubles – Denning shows how they attempt to resolve crises and contradictions in ideologies of nation and empire, and of class and gender.
Автор: Anne Toner Название: Jane Austen`s Style: Narrative Economy and the Novel`s Growth ISBN: 1108439403 ISBN-13(EAN): 9781108439404 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of the innovative stylistic features of Jane Austen`s writing, relatively unexplored to date. This book is suitable for a broad range of readers, including students and scholars of Austen and anyone with an interest in questions of prose style or the history of the English novel.
Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?
Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.
In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature.
Автор: Lines, Joe Название: Rogue narrative and irish fiction, 1660-1790 ISBN: 0815637144 ISBN-13(EAN): 9780815637141 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3756.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunny, witty trickster or p?caro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations.In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogue themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
Автор: Rachel Hollander Название: Narrative Hospitality in Late Victorian Fiction: Novel Ethics ISBN: 0415628245 ISBN-13(EAN): 9780415628242 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Visiting late Victorian debates about the morality of literature, this book reconsiders the ways in which novels engender an ethical orientation or response in their readers, explaining how the intersections of nation, family, and form in the late realist English novel produce a new ethics of hospitality.
Автор: Bart Besamusca, Elisabeth de Bruijn, Frank Willaert Название: Early Printed Narrative Literature in Western Europe ISBN: 3110563002 ISBN-13(EAN): 9783110563009 Издательство: Walter de Gruyter Цена: 16727.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The essays in this volume are concerned with early printed narrative texts in Western Europe. The aim of this book is to consider to what extent the shift from hand-written to printed books left its mark on narrative literature in a number of vernacular languages. Did the advent of printing bring about changes in the corpus of narrative texts when compared with the corpus extant in manuscript copies? Did narrative texts that already existed in manuscript form undergo significant modifications when they began to be printed? How did this crucial media development affect the nature of these narratives? Which strategies did early printers develop to make their texts commercially attractive? Which social classes were the target audiences for their editions? Around half of the articles focus on developments in the history of early printed narrative texts, others discuss publication strategies. This book provides an impetus for cross-linguistic research. It invites scholars from various disciplines to get involved in an international conversation about fifteenth- and sixteenth-century narrative literature.
Автор: Toner, Anne (university Of Cambridge) Название: Jane austen`s style ISBN: 1108424155 ISBN-13(EAN): 9781108424158 Издательство: Cambridge Academ Рейтинг: Цена: 12355.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of the innovative stylistic features of Jane Austen`s writing, relatively unexplored to date. This book is suitable for a broad range of readers, including students and scholars of Austen and anyone with an interest in questions of prose style or the history of the English novel.
Описание: Failure as a pervasive occurrence in life has rarely been investigated by sociology, even though the collapse of plans, unattainability of goals and breakdown of vital relationships are ordinary experiences. The study of early-21st-century fiction reveals that imaginative literature at present explores the lacunae of failure, disillusionment and collapse as central narrative themes. About fifty years after Samuel Beckett, in whose works the failing of expression became a major concern, postmillennial narratives expose disruption or defeat as subject matter and literary trope. Unheroic failure as a motif makes its variegated appearance in diverse areas of human life such as love, religion, art, and social community. The narratives explore it as the individual’s participation in common humanity.
Описание: Combining literary and historical analysis, this book offers the first study of largely female-authored novels that used embedded letters and third-person narrative to explore reading and misreading, knowledge and ignorance, communication and credulity, challenging empiricism on its own ground in plots centred on mysteries of identity.
Описание: The Distance of Irish Modernism interrogates the paradox through which Irish modernist fictions have become containers for national and transnational histories while such texts are often oblique and perverse in terms of their times and geographies. John Greaney explores this paradox to launch a metacritical study of the modes of inquiry used to define Irish modernism in the 21st century. Focused on works by Samuel Beckett, Elizabeth Bowen, John McGahern, Flann O’Brien and Kate O’Brien, this book analyses how and if the complex representational strategies of modernist fictions provide a window on historical events and realities. Greaney deploys close reading, formal analysis, narratology and philosophical accounts of literature alongside historicist and materialist approaches, as well as postcolonial and world literature paradigms, to examine how modernist texts engage the cultural memories they supposedly transmit. Emphasizing the proximities and the distances between modernist aesthetic practice and the history of modernity in Ireland and beyond, this book enables a new model for narrating Irish modernism.
Описание: Exploring how the Bloomsbury Group’s cutting-edge thinkers—Virginia Woolf, Sigmund Freud, and E. M. Forster—understood the intimacy of friends, lovers, spouses, and families as historically unfolding phenomena, this book offers a compelling account of modernism’s legacies in contemporary fiction and demonstrates the myriad ways in which intimacy was a guiding and persistent idea explored by writers across the 20th-century and up to the present day. Often modernists have been celebrated for their insights into social and civilizational sickness but this book unearths a strain of modernist thought that is more complex and inspiring than this. It discusses how Bloomsbury’s thinkers wrestled with the question “Does intimate life improve?” as sexual egalitarianism expands, as taboos against same-sex love, interracial love, and singlehood wane, and as parents and children relate less formally and often more warmly toward one another. And it discusses how many of today’s major novelists, such as Salman Rushdie, Zadie Smith, Ian McEwan and Rachel Cusk, look to Bloomsbury’s thematic and formal examples when they reformulate this question for our time.
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