Описание: Does patriotic pride inevitably develop into nationalistic aggression? Is this exacerbated by the global outreach of the media? This book tackles these questions, from Europe, the US and post-Soviet Russia, and intends to probe the overlaps between national and racial pride, propaganda, political power and the press.
Описание: Through an in-depth analysis of wartime essays and literary works, Literature and Cultural Identity during the Korean War considers the similarities and differences in the way that writers from both North and South Korea perceived and experienced the conflict. In this book, Jerome de Wit examines the social impact of major themes in the output of these writers, such as the notion of collaboration, the portrayal of the enemy and heroes, and the role of women during war, to further our understanding of the wartime identities that were constructed by the two Koreas. The result is a nuanced and enlightening study which provides a base from which a full exploration of the role culture in the formation of North and South Korean states can then be achieved. Until now, most studies have tended to focus on the Korean War's role in big power relations or on Korea's role in Cold War history. Literature and Cultural Identity during the Korean War demonstrates that the struggle was simultaneously an international 'total' war as well as a civil one. It is an important study for anyone interested in the literature and culture of the Korean War.
Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th Century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 40s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.
Описание: This book examines the interplay between regional, national and transnational dimensions of identity and language in the Danish and, to a lesser extent, the German minority communities of the Danish-German borderlands. The study shows that the minorities function as two closely-linked and supplementary groups to the national majorities. German language dominates most spheres in both minorities, yet bilingualism and code-switching are essential to minority life and defining group identity. Furthermore, whilst national identities are of a lesser importance to the minorities today than regional or transnational identities, minority identity is still nonetheless hybridised from its roots in the national cultures and languages of Denmark and Germany. The minorities are thus able to cherry-pick social, economic, political and linguistic capital from both nations. This book provides a fresh critical understanding of borderlands as living spaces and proposes a theoretical framework for the study of hybrid and dual minority identities, rooted in theories from nationalism studies, sociology, anthropology and sociolinguistics.
Описание: This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The so-called Arab Spring challenged conventional wisdom and certainties about the Arab world where its effects continue to be felt as well as in the diaspora.
This book provides an original contribution to current social and cultural theory on Arab social movements by giving a fuller historical and critical treatment of contemporary artistic and cultural production from the region and beyond.
Thematically structured and covering culture, media, politics, and literary studies, the book uses a range of theoretical material that engages readers in three key ways. First, it adopts a critical standpoint with respect to the term "Arab Spring," recognizing the multiple interpretations and varied geographical, historical, and political realities of the term. Second, its focus on carefully selected case studies - namely, Egypt, Tunis, Syria, and Yemen - adds depth to analysis of the cultural, literary and artistic dimensions that operate fluidly across the Arab world. Third, it presents a methodological case study for the growing community of researchers involved in interdisciplinary education.
Together, the contributors to the book show how the interplay of politics, culture, and media across varied locations has and continues to shape emergent Arab social forms and a region on the cusp of historical and cultural change.
In Transnational Nationalism and Collective Identity among the American Irish, Howard Lune considers the development and mobilization of different nationalisms over 125 years of Irish diasporic history (1791–1920) and how these campaigns defined the Irish nation and Irish citizenship.
Lune takes a collective approach to exploring identity, concentrating on social identities in which organizations are the primary creative agent to understand who we are and how we come to define ourselves. As exiled Irishmen moved to the United States, they sought to create a new Irish republic following the American model. Lune traces the construction of Irish American identity through the establishment and development of Irish nationalist organizations in the United States. He looks at how networks—such as societies, clubs, and private organizations—can influence and foster diaspora, nationalism, and nationalist movements.
By separating nationalism from the physical nation, Transnational Nationalism and Collective Identity among the American Irish uniquely captures the processes and mechanisms by which collective identities are constructed, negotiated, and disseminated. Inevitably, this work tackles the question of what it means to be Irish—to have a nationality, a community, or a shared history.
In Transnational Nationalism and Collective Identity among the American Irish, Howard Lune considers the development and mobilization of different nationalisms over 125 years of Irish diasporic history (1791–1920) and how these campaigns defined the Irish nation and Irish citizenship.
Lune takes a collective approach to exploring identity, concentrating on social identities in which organizations are the primary creative agent to understand who we are and how we come to define ourselves. As exiled Irishmen moved to the United States, they sought to create a new Irish republic following the American model. Lune traces the construction of Irish American identity through the establishment and development of Irish nationalist organizations in the United States. He looks at how networks—such as societies, clubs, and private organizations—can influence and foster diaspora, nationalism, and nationalist movements.
By separating nationalism from the physical nation, Transnational Nationalism and Collective Identity among the American Irish uniquely captures the processes and mechanisms by which collective identities are constructed, negotiated, and disseminated. Inevitably, this work tackles the question of what it means to be Irish—to have a nationality, a community, or a shared history.
Описание: The Lebanese civil war, which spanned the years of 1975 to 1990,caused the migration of hundreds of thousands of Lebanese citizens, many of whom are still writing of their experiences. Jumana Bayeh presents an important and major study of the literature of the Lebanese diaspora. Focusing on novels and writings produced in the aftermath of Lebanon's protracted civil war, Bayeh explores the complex relationships between place, displacement and belonging, and illuminates the ways in which these writings have shaped a global Lebanese identity. Combining history with sociology, Bayeh examines how the literature borne out of this expatriate community reflects a Lebanese diasporic imaginary that is sensitive to the entangled associations of place and identity. Paving the way for new approaches to understanding diasporic literature and identity, this book will be vital for researchers of migration studies and Middle Eastern literature, as well as those interested in the cultures, history and politics of the Middle East.
The sea and its relation to human life has always been a subject of fascination for historians. For the first time, this book looks at the field of Maritime History through the prism of identity, looking at how the sea has influenced the formation of identity at a national, local and individual level from the early modern age to the present. It looks at a variety of people who interacted with the sea in different ways - from merchant sailors to naval officers and, on land, from dockworkers to the civilians who participated in the sea-based festivals in the Mediterranean port city of Messina. A cultural strand runs through the volume, with chapters focussing on the cultural construction of the 'naval hero' in literature, poetry, music and art, and an appraisal of the Japanese author and journalist It? Masanori, whose works had such a profound influence on Japan's post-World War II national identity. A key focus is the ways in which the Royal Navy influenced British identity at a national and regional level, but other countries with a strong naval tradition - such as Japan, Italy and Germany - are also analysed. By bringing together a variety of themes related to identity, this book provides the first attempt to thoroughly analyse the ways in which maritime historians have engaged with the question of identity in recent years. In doing so, it provides an important and unique addition to the historiography, which will be essential reading for all scholars of maritime and naval history and those concerned with the question of identity.
In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
Описание: This is a fascinating contribution to the growing area of transnational culture studies, as well as a valuable resource for scholars of Postcolonialism, Modern Greek, Diaspora studies, multicultural studies and Balkan studies.
Описание: Using a cultural studies approach, this book explores how the Spanish colonization of North Africa continues to haunt Spain`s efforts to articulate a national identity that can accommodate both the country`s diversity, brought about by immigration from its old colonies, and the postnational demands of its integration in the European Union.
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