Owning Performance | Performing Ownership: Literary Property and the Eighteenth-Century British Stage, Jane Wessel
Автор: Willis, Sam Название: Fighting at sea in the eighteenth century ISBN: 1843833670 ISBN-13(EAN): 9781843833673 Издательство: Boydell & Brewer Рейтинг: Цена: 7920.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Naval warfare is vividly brought to life, from first contact through how battles were won and lost to damage repair.
Автор: Faycal Falaky, Reginald McGinnis Название: Modes of Play in Eighteenth-Century France ISBN: 1684483417 ISBN-13(EAN): 9781684483419 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 18810.00 р. Наличие на складе: Нет в наличии.
Описание: Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of "play" in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the "Age of Reason," providing ways for its practitioners to consider more "serious" themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.
Описание: Focusing on eighteenth-century cultural productions, Wendy Sutherland examines how representations of race in philosophy, anthropology, aesthetics, drama, and court painting influenced the construction of a white bourgeois German self. Sutherland positions her work within the framework of the transatlantic slave trade, showing that slavery, colonialism, and the triangular trade between Europe, West Africa, and the Caribbean function as the global stage on which German bourgeois dramas by Friedrich Wilhelm Ziegler, Ernst Lorenz Rathlef, and Theodor Korner (and a novella by Heinrich von Kleist on which Korner's play was based) were performed against a backdrop of philosophical and anthropological influences. Plays had an important role in educating the rising bourgeois class in morality, Sutherland argues, with fathers and daughters offered as exemplary moral figures in contrast to the depraved aristocracy. At the same time, black female protagonists in nontraditional dramas represent the boundaries of physical beauty and marriage eligibility while also complicating ideas of moral beauty embodied in the concept of the beautiful soul. Her book offers convincing evidence that the eighteenth-century German stage grappled with the representation of blackness during the Age of Goethe, even though the German states were neither colonial powers nor direct participants in the slave trade.
Автор: Bloom, Rori Perras, Jean-alexandre Hakim, Zeina Yamashita, Masano Mandarino, Erika Hargrave, Katharine Comsa, Maria Teodora Curulla, Annelle Название: Modes of play in eighteenth-century france ISBN: 1684483409 ISBN-13(EAN): 9781684483402 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5386.00 р. Наличие на складе: Нет в наличии.
Описание: Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of "play" in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the "Age of Reason," providing ways for its practitioners to consider more "serious" themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.
Описание: Owning Ideas explores the history of the emergence of intellectual property in the United States during the nineteenth century, examining the fields of both patent and copyright. It will appeal to readers interested in the concept of ideas as private property, and how it holds a dominant position in modern economic and cultural life.
Автор: Bracha Название: Owning Ideas ISBN: 0521877660 ISBN-13(EAN): 9780521877664 Издательство: Cambridge Academ Рейтинг: Цена: 8237.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning Ideas explores the history of the emergence of intellectual property in the United States during the nineteenth century, examining the fields of both patent and copyright. It will appeal to readers interested in the concept of ideas as private property, and how it holds a dominant position in modern economic and cultural life.
Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.
Описание: The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances to encourage an understanding of print as material object as well as theatrical medium, emphasising the immediacy - and changeability - of theatre during the long eighteenth century.
Описание: The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances to encourage an understanding of print as material object as well as theatrical medium, emphasising the immediacy - and changeability - of theatre during the long eighteenth century.
In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity. Treating individual star actresses who helped spark a cult of celebrity—especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy—Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.
Описание: This engaging account of theatregoing in the later eighteenth century explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Theatres of Feeling delivers a new approach to dramatic literature and performance, moving beyond more limited studies of text or performance.
Автор: Harriman-smith, James (university Of Newcastle Upon Tyne) Название: Criticism, performance, and the passions in the eighteenth century ISBN: 110883549X ISBN-13(EAN): 9781108835497 Издательство: Cambridge Academ Рейтинг: Цена: 13147.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Eighteenth-century theatre critics reserved their highest praise for the transitions of a play, recognising its most striking passages as moments of larger sequential transformation. Through a recovery of this perspective, scholars of theatre and literary culture gain renewed understanding of performance, the passions, and criticism in the 1700s.
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