In Tropical Freedom Ikuko Asaka engages in a hemispheric examination of the intersection of emancipation and settler colonialism in North America. Asaka shows how from the late eighteenth century through Reconstruction, emancipation efforts in the United States and present-day Canada were accompanied by attempts to relocate freed blacks to tropical regions, as black bodies were deemed to be more physiologically compatible with tropical climates. This logic conceived of freedom as a racially segregated condition based upon geography and climate. Regardless of whether freed people became tenant farmers in Sierra Leone or plantation laborers throughout the Caribbean, their relocation would provide whites with a monopoly over the benefits of settling indigenous land in temperate zones throughout North America. At the same time, black activists and intellectuals contested these geographic-based controls by developing alternative discourses on race and the environment. By tracing these negotiations of the transnational racialization of freedom, Asaka demonstrates the importance of considering settler colonialism and black freedom together while complicating the prevailing frames through which the intertwined histories of British and U.S. emancipation and colonialism have been understood.
Автор: Takemitsu Asaka Название: A Memoir of T Ru Takemitsu ISBN: 1450271138 ISBN-13(EAN): 9781450271134 Издательство: Неизвестно Рейтинг: Цена: 5266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Toru Takemitsu (1930-1996) was the first Japanese composer to receive international recognition in the field of classical music, and is now widely regarded as one of the greatest composers of the late twentieth century. Largely self-taught, Takemitsu created his own unique sound world-one that was not bound by convention. In A Memoir of Toru Takemitsu, his wife of forty-two years reveals a candid, behind-the-scenes glimpse into his fascinating life, his legendary music, and his final days.
After rising to prominence in 1957 when Igor Stravinsky praised his Requiem for Strings, Takemitsu became best known in the West for his concert music, but was also a master composer of music for film, television, theater, and radio drama. Through six extensive interviews, Asaka Takemitsu reveals previously unknown information regarding the composer's compositional processes and his private life-including the difficult period after the war and the subsequent post-war art movement in Japan, his bond with his friends, love of movies, and daily routine.
This inspiring memoir shares an unforgettable story of how a young boy without any musical training or affluence used the power of positive thinking to make his dream of becoming a composer come true.
In Tropical Freedom Ikuko Asaka engages in a hemispheric examination of the intersection of emancipation and settler colonialism in North America. Asaka shows how from the late eighteenth century through Reconstruction, emancipation efforts in the United States and present-day Canada were accompanied by attempts to relocate freed blacks to tropical regions, as black bodies were deemed to be more physiologically compatible with tropical climates. This logic conceived of freedom as a racially segregated condition based upon geography and climate. Regardless of whether freed people became tenant farmers in Sierra Leone or plantation laborers throughout the Caribbean, their relocation would provide whites with a monopoly over the benefits of settling indigenous land in temperate zones throughout North America. At the same time, black activists and intellectuals contested these geographic-based controls by developing alternative discourses on race and the environment. By tracing these negotiations of the transnational racialization of freedom, Asaka demonstrates the importance of considering settler colonialism and black freedom together while complicating the prevailing frames through which the intertwined histories of British and U.S. emancipation and colonialism have been understood.
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