Описание: This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypsoby J.R. Planch (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865).
Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliadand Odysseyto lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs.
In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history.
Analyses appropriations of King Lear in post-war British drama
Provides the first dedicated study on appropriations of King Lear in British playwriting of the post-war, developing valuable new perspectives on the legacy of Shakespeare in post-war drama and culture.
Features original case studies on Edward Bond, David Rudkin, Howard Barker, Sarah Kane, Forced Entertainment and Dennis Kelly.
Situates appropriations of King Lear in a wider literary, theatrical and philosophical discourse around the play and the Holocaust.
Brings Shakespeare and post-war British drama into conversation with Continental philosophy and theory.
Since the events of the Holocaust, playwrights have variously appropriated King Lear to respond to the catastrophes of modern times. With case studies on the works of Edward Bond, David Rudkin, Howard Barker, Sarah Kane, Forced Entertainment and Dennis Kelly, the book explores a range of theatres of catastrophe in post-war British drama and the role that Lear has played in new forms of post-Holocaust tragedy and tragic freedom. Plays are situated in a wider critical and cultural discourse around Shakespeare and the Holocaust and the post-Auschwitz philosophical aesthetics of Theodor Adorno, whose influence on post-war playwriting remains profound.
This book investigates Shakespeare's King Lear and its originative power in modern literature with specific attention to the early work of English Romantic poet William Wordsworth and to the American writer James Agee and photographer Walker Evans's 1941 collaboration, Let Us Now Praise Famous Men. It examines how these later readers return to the play to interrogate emphatically the question of the relations between literature and politics in modernity and to initiate in this way their own creative trajectories. King Lear opens up a literary genealogy or history of successors, at the heart and origin of which, the author claims, is a crisis of sovereignty. The tragedy famously begins with the title character's decision to give up his throne and divide the kingdom prior to his demise. In bringing to light the assumptions behind this logic, and in dramatizing its disastrous consequences, the play performs an implicit analysis and critique of sovereignty as the guiding principle of political life and gestures, beyond sovereignty, towards the possibility of a new aesthetic and political future. The question of the relations between literature and politics does not only open up immanently or internally within King Lear, this book argues, but is also that which occasions a literary history of readers who return to the play as to an originary locus for dealing with a problem. Among such successors are Wordsworth in the 1790s after the French Revolution and Agee and Evans during the Depression in the 1930s, whose engagements with Lear, this book argues, were crucial to their development of new artistic means towards creating a democratic literature. In bringing British Romanticism and American modernism into contact with their literary political origins in Shakespeare, this book offers an original way of thinking literary history and a new approach to the question of the relations between literature and politics in modernity. In its interdisciplinary and cross-period scope, it will appeal to students and scholars of Shakespeare, Romanticism, modernism, literary theory, as well as literature and photography.
Описание: Accessible survey exploring, for the first time in English, both textual and non-textual evidence for the development of Greek tragedy after the fifth century BC. Ranges widely across topics from theatre performance, music and dance to transmission and reception later in antiquity. Essential for classicists and theatre scholars and practitioners.
Автор: Leonard, Hugh Название: Out after dark ISBN: 0413771482 ISBN-13(EAN): 9780413771483 Издательство: A & C Black Рейтинг: Цена: 1187.00 р. Наличие на складе: Поставка под заказ.
Описание: This second volume of autobiography is a portrait of adolescence in Dublin in the 1940s and 1950s. Leonard stirs in theatre ancedotes, vignettes of Patrick Kavanagh and Brendan Behan and divulges his own beginnings as a writer. The result is a humorous analysis of Dublin and Dubliners.
Автор: Hanses Mathias Название: The Life of Comedy After the Death of Plautus and Terence ISBN: 0472132253 ISBN-13(EAN): 9780472132256 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Нет в наличии.
Описание: The Life of Comedy after the Death of Plautus and Terence documents the ongoing popularity of Roman comedies, and shows that they continued to be performed in the late Republic and early Imperial periods of Rome. Playwrights Plautus and Terence impressed audiences with stock characters as the young-man-in-love, the trickster slave, the greedy pimp, the prostitute, and many others. A wide range of spectators visited Roman theaters, including even the most privileged members of Roman society: orators like Cicero, satirists like Horace and Juvenal, and love poets like Catullus and Ovid. They all put comedy's varied characters to new and creative uses in their own works, as they tried to make sense of their own lives and those of the people around them by suggesting comparisons to the standard personality types of Roman comedy. Scholars have commonly believed that the plays fell out of favor with theatrical audiences by the end of the first century BCE, but The Life of Comedy demonstrates that performances of these comedies continued at least until the turn of the second century CE. Mathias Hanses traces the plays' reception in Latin literature from the late first century BCE to the early second century CE, and shines a bright light on the relationships between comic texts and the works of contemporary and later Latin writers.
When it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne's Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N. F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne drama in Britain.
Автор: McVeigh Stephen, Cooper Nicola Название: Men After War ISBN: 1138952370 ISBN-13(EAN): 9781138952379 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is an innovative collection of original research which analyzes the many varieties of post-conflict masculinity. Exploring topics such as physical disability and psychological trauma, and masculinity and sexuality in relation to the "feminizing" contexts of wounding and desertion, this volume draws together leading academics in the fields of gender, history, literature, and disability studies, in an inter- and multi-disciplinary exploration of the conditions and circumstances that men face in the aftermath of war.
Название: Anti-War Theatre After Brecht ISBN: 1137538872 ISBN-13(EAN): 9781137538871 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examiningthe ways in which contemporary Western theatre protests against the ‘War onTerror’, this book analyses six twenty-first century plays that respond to thepost-9/11 military operations in Afghanistan, Iraq and Palestine. The plays arewritten by some of the most significant writers of this century and the lastincluding Elfriede Jelinek, Caryl Churchill, H?l?ne Cixous andTony Kushner.Anti-war Theatre After Brecht grapples with theproblem of how to make theatre that protests the policies of democraticallyelected Western governments in a post-Marxist era. It shows how the Internethas become a key tool for disseminating anti-war play texts and how onlinesocial media forums are changing traditional dramatic aesthetics and broadeningopportunities for spectator access, engagement and interaction with a work andthe political alternatives it puts forward.
Описание: This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planch (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865).
Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs.
In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history.
Resources for further study are available online.
Название: Greek tragedy after the fifth century ISBN: 1107038553 ISBN-13(EAN): 9781107038554 Издательство: Cambridge Academ Рейтинг: Цена: 16790.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Accessible survey exploring, for the first time in English, both textual and non-textual evidence for the development of Greek tragedy after the fifth century BC. Ranges widely across topics from theatre performance, music and dance to transmission and reception later in antiquity. Essential for classicists and theatre scholars and practitioners.
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