Автор: Lambert Wiesing Название: The Philosophy of Perception: Phenomenology and Image Theory ISBN: 147427532X ISBN-13(EAN): 9781474275323 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands.
Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images
His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world.
Автор: Figal Gunter Название: Aesthetics as Phenomenology: The Appearance of Things ISBN: 0253015510 ISBN-13(EAN): 9780253015518 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Connecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect--how art changes our everyday disposition or behavior. G nter Figal engages in a penetrating analysis of the moment at which, in our contemplation of a work of art, reaction and thought confront each other. For those trained in the visual arts and for more casual viewers, Figal unmasks art as a decentering experience that opens further possibilities for understanding our lives and our world.
Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europ ischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die K nste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europ ischen Forschungsinstitutionen und in den Lehrpl nen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franz sischen und deutschen akademischen Welt bleibt der Sammelbegriff "modernism" weniger gel ufig - "die (klassische) Moderne" und "modernit " fungieren hier als nahe liegende quivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und r umliche Ko-Okkurenz k nstlerischer Ausdrucksformen und sthetischer Theorien namhaft gemacht werden kann, die ungef hr zwischen 1850 und 1950 angesiedelt werden kann. Auf hnliche Weise entfaltet die Bezeichnung "Avantgarde" eine Reihe h ufig widerspr chlicher Konnotationen. F r manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der K nste und Literaturen mit den Darstellungs- und Erz hlkonventionen des 19. Jahrhundert: Im fr hen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Str mungen, die als die "heroische" Phase der Avantgarde bezeichnet werden k nnen. F r andere geh rt die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den f nfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus.
Die Buchreihe Studien zur Europ ischen Avantgarde und Moderne m chte der Kompliziertheit der unterschiedlichen europ ischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweij hrlichen Sammlung von Beitr gen in englischer, franz sischer und deutscher Sprache m chte die Reihe nicht nur die franz sisch-, deutsch- und englischsprachigen, sondern auch die nord-, s d-, zentral- und osteurop ischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitr ge zur Forschung und widmet sich der Erforschung der gesamten europ ischen Avantgarde und Moderne, ihrer Vorl ufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europ ischen Avantgarde und Moderne f rdern die interdisziplin re und intermediale Erforschung experimenteller sthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenh ngen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitr ge werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universit t Leuven), Hubert van den Berg (Universit t Groningen), Benedikt Hjartarson (University of Iceland) undTania rum (Universit t Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universit t Osnabr ck), Karlheinz Barck (Zentrum f r Literatur- und Kulturforschung Berlin), Henri B har (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), G nter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universit luav di Venezia), Endre Bojt r (Central European University, Budapest), Christina von Braun (Humboldt Universit t zu Berlin), Peter B rger (Universit t Bremen), Matei Calinescu (University of Indiana), Claus Cl ver (University of Indiana), Antoine Compagnon (Coll ge de France), Maria Delaperri re (INALCO, Paris), Pascal Dethurens (Universit de Strasbourg), Eva For
Описание: Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel.
Описание: Applying Merleau-Ponty`s figured philosophy to discussions the work of Paul Klee and Cy Twombly, Kaushik offers an original view of artwork. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty`s philosophy and scholars of aesthetics.
Описание: Our sensory relationships with the social and biological world have altered appreciably as a result of recent developments in internet and other mobile communication technologies. We now look at a screen, we touch either the screen or a keyboard in response to what we see and, somehow, an element of our sensory presence is transmitted elsewhere. It is often claimed that this change in the way we perceive the world and each other is without precedent, and is solely the result of twenty-first-century life and technologies. This book argues otherwise. The author analyses the evolving portrayals of ‘haptic’ sensations – that is, sensations that are at once tactile and visual – in the theories and prose of the writer-philosophers Georges Bataille (1897–1962), Maurice Blanchot (1907-2003) and Michel Serres (1930–). In exploring haptic perception in the works of Bataille, Blanchot and Serres, the author examines haptic theories postulated by Alo?s Riegl, Laura U. Marks, Mark Paterson and Jean-Luc Nancy.
Автор: Serres Michel Название: Incandescent ISBN: 1474297404 ISBN-13(EAN): 9781474297400 Издательство: Bloomsbury Academic Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first translation of the volumes in Michel Serres’ classic 'Humanism' tetralogy, this ambitious philosophical narrative explores what it means to be human. With his characteristic breadth of references including art, poetry, science, philosophy and literature, Serres paints a new picture of what it might mean to live meaningfully in contemporary society. He tells the story of humankind (from the beginning of time to the present moment) in an attempt to affirm his overriding thesis that humans and nature have always been part of the same ongoing and unfolding history. This crucial piece of posthumanist philosophical writing has never before been released in English. A masterful translation by Randolph Burks ensures the poetry and wisdom of Serres writing is preserved and his notion of what humanity is and might be is opened up to new audiences.
Автор: Peters Название: Hegel on Beauty ISBN: 1138098701 ISBN-13(EAN): 9781138098701 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While the current philosophical debate surrounding Hegel’s aesthetics focuses heavily on the philosopher’s controversial ‘end of art’ thesis, its participants rarely give attention to Hegel’s ideas on the nature of beauty and its relation to art. This study seeks to remedy this oversight by placing Hegel’s views on beauty front and center. Peters asks us to rethink the common assumption that Hegelian beauty is exclusive to art and argues that for Hegel beauty, like art, is subject to historical development. Her careful analysis of Hegel’s notion of beauty not only has crucial implications for our understanding of the ‘end of art’ and Hegel’s aesthetics in general, but also sheds light on other fields of Hegel’s philosophy, in particular his anthropology and aspects of his ethical thought.
Автор: Jill Bennett, Mary Zournazi Название: Thinking in the World: A Reader ISBN: 1350069213 ISBN-13(EAN): 9781350069213 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Engaging with contemporary issues responsibly and creatively can become a very abstract activity. We can sometimes find ourselves talking in terms of theories and philosophies which bear very little resemblance to how life is actually lived and experienced. In Thinking in the World, Jill Bennett and Mary Zournazi curate writings and conversations with some of the most influential thinkers in the world and ask them not just why we should engage with the world, but also how we might do this. Rather than simply thinking about the world, the authors examine the ways in which we think in and with the world. Whether it's how to be environmentally responsible, how to think in film, or how to dance with a non-human, the need to engage meaningfully in a lived way is at the forefront of this collection.
Thinking in the World showcases some of the most compelling arguments for a philosophy in action. Including wholly original, never-before-released material from Michel Serres, Alphonso Lingis, and Mieke Bal, the different chapters in this book constitute dialogues and approachable essays, as well as impassioned arguments for a particular way of approaching thinking in the world.
Автор: Wyatt, Glenn Название: The Phenomenology of Traffic ISBN: 036721816X ISBN-13(EAN): 9780367218164 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book delves into the affective, embodied, and sensory dimensions of traffic and urban mobility. It brings together key phenomenological and post-phenomenological readings to challenge taken for granted assumptions of urban traffic.
Автор: Hшffding Simon Название: A Phenomenology of Musical Absorption ISBN: 3030405400 ISBN-13(EAN): 9783030405403 Издательство: Springer Рейтинг: Цена: 9083.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Chapter 1. Introduction.- Part I: Meeting the Danish String Quartet.- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview.- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption.- Chapter 4. A Topography of Muscial Absorption.- Part II: Comparative Perspectives.- Chapter 5. Expertise, Mind Wandering, and Amnesia.- Chapter 6. Artistic and Aesthetic Experience.- Chapter 7. Flow.- Chapter 8. Dreaming and Sleeping.- Chapter 9. Schizophrenia and Ipseity Disturbances.- Part III. Phenomenological Underpinnings of the Musically Extended Mind.- Chapter 10. Performative Passivity.- Chapter 11. The Hive Mind: Playing Together.- Chapter 12.Conclusions.
Автор: Lau Kwok-Ying, Nenon Thomas Название: Phenomenology and the Arts: Logos and Aisthesis ISBN: 3030308650 ISBN-13(EAN): 9783030308650 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics. The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong.
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