Описание: In this first-hand study of the relationship of gender, ethnicity and the participation of children within an English language teaching classroom, Allyson Jule re-assesses Lacan`s approach to belonging with other theoretical approaches to gender and language, making use of case study methods.
Автор: Mu?oz, Kristine L Название: Transcribing Silence ISBN: 1629580236 ISBN-13(EAN): 9781629580234 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Поставка под заказ.
Автор: Finkelstein Avram Название: After Silence: A History of AIDS Through Its Images ISBN: 0520351339 ISBN-13(EAN): 9780520351332 Издательство: Wiley Рейтинг: Цена: 3326.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Early in the 1980s AIDS epidemic, six gay activists created one of the most iconic and lasting images that would come to symbolize a movement: a protest poster of a pink triangle with the words "Silence = Death." The graphic and the slogan still resonate today, often used--and misused--to brand the entire movement. Cofounder of the collective Silence = Death and member of the art collective Gran Fury, Avram Finkelstein tells the story of how his work and other protest artwork associated with the early years of the pandemic were created. In writing about art and AIDS activism, the formation of collectives, and the political process, Finkelstein reveals a different side of the traditional HIV/AIDS history, told twenty-five years later, and offers a creative toolbox for those who want to learn how to save lives through activism and making art.
Автор: Bruce Название: Silence and Sign Language in Medieval Monasticism ISBN: 0521123933 ISBN-13(EAN): 9780521123938 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the rationales for religious silence in early medieval abbeys, and the use of sign language among monks when rules of silence forbade them from speaking. It provides a full-length study of the silent language of hand signs employed by the monks of the Abbey of Cluny in France.
Автор: Moore, Kate Название: Woman they could not silence ISBN: 1914484002 ISBN-13(EAN): 9781914484001 Издательство: TBS/GBS Рейтинг: Цена: 2176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Elizabeth Packard was an ordinary Victorian housewife and mother of six. That was, until the first Woman`s Rights Convention was held in 1848, inspiring Elizabeth and many other women to dream of greater freedoms. Incensed and threatened by her growing independence, her husband had her declared `slightly insane` and committed to an asylum. There, Elizabeth found many like her, incarcerated for daring to have a voice. But just because you are sane, it doesn`t mean you can escape the madhouse. Fighting stigma, Elizabeth embarked on a ceaseless quest for justice, ultmately leading to a giant leap forward in human rights the world over.
Автор: Corey Jessica Rose Название: Materializing Silence in Feminist Activism ISBN: 3030810658 ISBN-13(EAN): 9783030810658 Издательство: Springer Рейтинг: Цена: 4611.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Chapter 1. Introduction.- Chapter 2: Rhetorics of Silence.- Chapter 3: Case Study of the CP Archive .- Chapter 4. 'Making' Progress in the Classroom and Beyond.- Chapter 5. Future Directions.
Автор: Scott, Susie Название: Social life of nothing ISBN: 0367727803 ISBN-13(EAN): 9780367727802 Издательство: Taylor&Francis Рейтинг: Цена: 6736.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the realm of negative social phenomena - no-things, no-bodies, non-events and no-where places - that lies behind the mirror of experience.
Описание: Filled with new elements that challenge common scholarly theses, this book acquaints the reader with the "Jewish problem" of sociology and provides what this academic discipline urgently needs: a one-volume history of the "sociology of the Holocaust". This volume offers original insights on the nature of American Sociology with implications for the post-Holocaust sociology development.
Автор: Mirikitani Janice Название: Awake in the River and Shedding Silence ISBN: 029574958X ISBN-13(EAN): 9780295749587 Издательство: Wiley EDC Рейтинг: Цена: 3259.00 р. Наличие на складе: Поставка под заказ.
Описание:
Fierce, raw, and unapologetic, Janice Mirikitani’s poetry and prose are as vibrant and resonant today as when these two collections were first published in 1978 and 1987. Now back in print in one volume, Awake in the River and Shedding Silence epitomizes Mirikitani’s singular voice—one that is brash, sexual, politically outspoken, and unconcerned with pandering to mainstream audiences. An influential artist and activist, Mirikitani has advanced the causes of women of color feminisms, global anti-imperialism, and Afro-Asian solidarity for more than fifty years. Her writings confront sexualized violence, anti-Asian racism, the intergenerational trauma of incarceration, the dangers of passivity, and internalized oppression, while also illuminating the power of awakening from silence and fighting for justice. Connecting Japanese American discrimination with broader struggles from the local to the global, Awake in the River and Shedding Silence showcases how the renowned poet found power in speaking out.
Ingmar Bergman's 1963 film The Silence was made at a point in his career when his stature as one of the great art-film directors allowed him to push beyond the boundaries of what was acceptable to censorship boards in Sweden and the United States. The film's depiction of sexuality was, as Judith Crist wrote at the time in the New York Herald-Tribune, "not for the prudish." Yet Bergman's notebooks and screenplays reveal his tendency for self-censorship, both to dampen the literary quality of his screenwriting and to alter portions of the script that Bergman ultimately deemed too provocative.
Maaret Koskinen, a professor of cinema studies and film critic for Sweden's largest national daily newspaper, was the first scholar given access to Bergman's private papers during the last years of his life. Bergman's notebooks reveal the difficulties he experienced in writing for the medium of moving images and his meditations on the relationship (or its lack) between moving images and the spoken or written word. Koskinen's attention to this intermedial framework is anchored in a close reading of the film, focusing on the many-faceted relationships between images and dialogue, music, sound, and silence.
The Silence offers filmgoers an entryway into the cinematic, cultural, and sociopolitical issues of its time, but remains a classic - rich enough for scrutiny from a variety of perspectives and methodologies. Koskinen draws a picture of Bergman that challenges the traditional view of him as an auteur, revealing his attempts to overcome his own image as a creator of serious art films by making his work relevant to a new generation of filmgoers. Her exploration of the film touches on issues of censorship and the cinema of small nations, while shedding new light on the shifting views of Bergman and auteurist film, high art, and popular culture.
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord’s notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now “spectacle” can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin’s plea to “explode the continuum of history” and bring our attention to now-time.
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