Описание: Examines digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash`s international fans and their love for the man reveals new insights about music, fandom, and the United States.
Автор: Rosenberg, Neil V. Название: Bluegrass ISBN: 0252072456 ISBN-13(EAN): 9780252072451 Издательство: Wiley EDC Рейтинг: Цена: 3430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Beginning with the musical cultures of the American South in the 1920s and 1930s, this title traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It also describes early bluegrass` role in postwar country music, and its trials following the appearance of rock and roll.
Here's the quick way to get pickin' with the best of 'em
The banjo is both a staple of old-time music and an instrument that makes frequent cameos in today's chart toppers. Whatever your musical leanings, Banjo For Dummies will show you how to pick your way around your instrument, even if you have zero musical background! With a little practice--and the easy-to-follow instructions in this book--you can learn your way around the banjo, try out various musical styles, and discover what banjo culture is all about.
Think of this For Dummies guide as your personal banjo tutor, as you learn how to buy, tune, hold, play, and have fun with your five-string. You can also go beyond the book with online video lessons and audio files that will get you picking even faster. Follow the guidance of respected banjo performer Bill Evans and soon you may find yourself jamming with a band or rubbing elbows with the pros at your local bluegrass festival.
Learn the basics of banjo: how to strum chords, pick notes, and read tablature
Add new styles to your repertoire, including clawhammer, three-finger styles, vamping, and classic banjo
Play bluegrass music and learn how to network at festivals
Choose the banjo and accessories that work for you, and discover how to keep them in good shape
Banjo For Dummies is for anyone who want to learn to play the five-string banjo or brush up on banjo-playing skills. No experience required!
Описание: On January 13, 1968, Johnny Cash (1932–2003) took the stage at Folsom Prison in California. The concert and the live album, At Folsom Prison, propelled him to worldwide superstardom. He reached new Audiences, ignited tremendous growth in the country music industry, and connected with fans in a way no other artist has before or since. Johnny Cash at Folsom Prison: The Making of a Masterpiece, Revised and Updated is a riveting account of that day, what led to it, and what followed. Michael Streissguth skillfully places the album and the concert in the larger context of Cash’s artistic development, the era’s popular music, and California’s prison system, uncovering new angles and exploding a few myths along the way. Scrupulously researched, rich with the author’s unprecedented archival access to Folsom Prison’s and Columbia Records’ archives, Johnny Cash at Folsom Prison shows how Cash forever became a champion of the downtrodden, as well as one of the more enduring forces in American music.This revised edition includes new images and updates throughout the volume, including previously unpublished material.
Автор: Johnny Bush Название: Whiskey River (Take My Mind): The True Story of Texas Honky-Tonk ISBN: 1477314423 ISBN-13(EAN): 9781477314425 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3129.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson's classic concert anthem "Whiskey River," and singer of hits such as "You Gave Me a Mountain," "Undo the Right," "Jim, Jack and Rose," and "I'll Be There," Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin', hurtin', hard-drinkin' life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush's career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder that he combated for thirty years. But, survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians who crave the authenticity—the "pure D" country—that Johnny Bush has always had and that Nashville country music has lost.
In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor in Houston's Kashmere Gardens neighborhood and learning his chops in honky-tonks around Houston and San Antonio—places where chicken wire protected the bandstand and deadly fights broke out regularly. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson, including the booze, drugs, and one-night stands that fueled his songs but destroyed his first three marriages. He remembers the time in the early 1970s when he was hotter than Willie and on the fast track to superstardom—until spasmodic dysphonia forced his career into the slow lane. Bush describes his agonizing, but ultimately successful struggle to keep performing and rebuild his fan base, as well as the hard-won happiness he has found in his personal life.
Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. Johnny Bush has known almost all the great musicians, past and present, and he has wonderful stories to tell. Likewise, he offers shrewd observations on how the music business has changed since he started performing in the 1950s—and pulls no punches in saying how Nashville music has lost its country soul. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.
Автор: Jeff Sellars, Kevin C. Neece Название: Rags and Bones: An Exploration of the Band ISBN: 1496842987 ISBN-13(EAN): 9781496842985 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contributions by Joshua Coleman, Christine Hand Jones, Kevin C. Neece, Charlotte Pence, George Plasketes, Jeffrey Scholes, Jeff Sellars, Toby Thompson, and Jude Warne After performing with Ronnie Hawkins as the Hawks (1957–1964), The Band (Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm) eventually rose to fame in the sixties as backing musicians for Bob Dylan. This collaboration with Dylan presented the group with a chance to expand musically and strike out on their own. The Band’s fusion of rock, country, soul, and blues music—all tinged with a southern flavor and musical adventurousness—created a unique soundscape. The combined use of multiple instruments, complex song structures, and poetic lyrics required attentive listening and a sophisticated interpretive framework. It is no surprise, then, that they soon grew to be one of the biggest bands of their era.In Rags and Bones: An Exploration of The Band, scholars and musicians take a broad, multidisciplinary approach to The Band and their music, allowing for examination through sociological, historical, political, religious, technological, cultural, and philosophical means. Each contributor approaches The Band from their field of interest, offering a wide range of investigations into The Band’s music and influence.Commercially successful and critically lauded, The Band created a paradoxically mythic and hauntingly realistic lyrical landscape for their songs—and their musicianship enlarged this detailed landscape. This collection offers a rounded examination, allowing the multifaceted music and work of The Band to be appreciated by audiences old and new.
Автор: Francesca T. Royster Название: Black Country Music: Listening for Revolutions ISBN: 1477326499 ISBN-13(EAN): 9781477326497 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3129.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.
Informed by queer theory and Black feminist scholarship, Royster’s book elucidates the roots of the current moment found in records like Tina Turner’s first solo album, Tina Turns the Country On! She reckons with Black “bros” Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X’s “Old Town Road.” A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like—and who gets to love it.
John Duffey's Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, D.C. with a Foreword by Tom Gray is the definitive biography of one of bluegrass music's most important artists of the genre. Through his work as a founding member of these two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. John's quotes from a four-hour, never-before-published 1984 interview are italicized throughout and provide the book's foundation.
The book begins with a profile of his father, John Humbird, Metropolitan Opera star and chronicles Duffey's earliest exposure to music, listening to opera on the radio with his dad. Childhood friend Bill Blackburn serves up memories of Duffey from the 2nd grade through high school and beyond involving bowling, baseball, and after-school drag racing adventures. The book reveals that it was hillbilly music on the radio that inspired Duffey to learn guitar and mandolin after a brief failed attempt at the banjo.
Accounts of Duffey's early musical career provide an overview of John's first bands, leading up to how The Country Gentlemen were formed following a horrific car accident. The Country Gentlemen's Bill Emerson, Charlie Waller, Eddie Adcock, and Tom Gray are profiled and interviewed.
For the first time, John's biological daughter, Ginger "Sam" Allred, speaks candidly about her relationship with both Duffey, and her stepfather, Pete Kuykendall. Duffey's friend Pete helped shape the Gent's first recordings, played with them, and founded Bluegrass Unlimited magazine.
More than 50 rare or never-before-seen photographs--some by Carl Fleischhauer--create a fascinating portrait of the complex, iconoclastic entertainer. Carl also contributed his memories of John.
Bill Monroe and Ralph Stanley are featured and the authors make a rebuttal negative assertions that Ralph Stanley made about Duffey in his 2009 autobiography. "John Duffey could be as mean as a striped snake. He did all kinds of things that I thought were just plain wrong," Stanley claimed. This book sets the record straight.
Also included is the complete article Duffey wrote for Bluegrass Unlimited, "So, You Don't Like The Way We Do It (or Damn Your Tape Recorder). Duffey also discusses why he quit The Country Gentlemen, setting up the complete story of The Seldom Scene, as told by Duffey, John Starling, Ben Eldridge, Dave Auldridge, Mike Auldridge, Phil Rosenthal, and Tom Gray.
Scores of colorful stories for which Duffey was known are carefully collected here and facts are separated from urban legends. Examples include encounters with fellow musicians, presidents, and The Tonight Show orchestra, as well as tales about the Grand Ole Opry, the saga about John's stolen mandolin, his outrageous emcee antics, and more.
Duffey's 1995 UK interview by Tom Travis is included as is an Art Menius 1987 feature article on the "New" Seldom Scene for Bluegrass Unlimited. In the final chapter, "Fare Thee Well," friends and bandmates remember John's last days before his fatal heart attack. Washington Post music critic Richard Harrington granted permission to reprint the 1996 obituary he wrote for John, A Mandolin For All Seasons.
Gary Oelze, the owner of the Birchmere music club where the Scene became stars, shared his memories of John. Sam Bush, Jonathan Edwards, Pete Kennedy, Martha Adcock, Akira Otsuka, Dick Cerri, Emmylou Harris, Jimmy Gaudreau, Bryan Bowers, Peter "Dr. Banjo" Wernick, Tom Travis, Cliff Waldron are among the many voices that contribute informative and compelling interviews.
The book's narrative is supplemented with a 43-page Discography that provides track listings, recording dates, producers, composers, and musicians for every album.
Автор: Anderson, Bill Название: Whisperin` bill anderson ISBN: 0820352918 ISBN-13(EAN): 9780820352916 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3326.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Whisperin’ Bill: An Unprecedented Life in Country Music presents a revealing portrait of Bill Anderson, one of the most prolific songwriters in the history of country music. Mega country music hits like ""City Lights,"" (Ray Price), ""Tips Of My Fingers,"" (Roy Clark, Eddy Arnold, Steve Wariner), ""Once A Day,"" (Connie Smith), ""Saginaw, Michigan,"" (Lefty Frizzell), and many more flowed from his pen, making him one of the most decorated songwriters in music history. But the iconic singer, songwriter, performer, and TV host came to a point in his career where he questioned if what he had to say mattered anymore. Music Row had changed, a new generation of artists and songwriters had transformed the genre, and the Country Music Hall of Fame member and fifty-year Grand Ole Opry star was no longer relevant. By 1990, he wasn’t writing anymore. Bad investments left him teetering at bankruptcy’s edge. His marriage was falling apart. And in Nashville, a music town where youth often carries the day, he was a museum piece – only seen as a nostalgia act, waving from the stage of the Grand Ole Opry. Anderson was only in his fifties when he assumed he had climbed all the mountains he was intended to scale. But in those moments plagued with self-doubt, little did he know, his most rewarding climb lie ahead. A follow-up to his 1989 autobiography, this honest and revealing book tells the story of a man with an unprecedented gift, holding on to it in order to share it.Known as “Whisperin’ Bill” to generations of fans for his soft vocalizations and spoken lyrics, Anderson is the only songwriter in country music history to have a song on the charts in each of the past seven consecutive decades. He has celebrated chart-topping success as a recording artist with eighty charting singles and thirty-seven Top Ten country hits, including “Still,” ""8 x 10"", ""I Love You Drops,"" and “Mama Sang A Song.” A six-time Song of the Year Award-winner and BMI Icon Award recipient, Anderson has taken home many CMA and ACM Award trophies and garnered multiple GRAMMY nominations. His knack for the spoken word has also made him a successful television host, having starred on The Bill Anderson Show, Opry Backstage, Country’s Family Reunion, and others. Moreover, his multi-faceted success extends far beyond the country format with artists like James Brown, Aretha Franklin, Dean Martin, and Elvis Costello recording his songs. Today, thanks to the support of musical peers and a few famous friends who believed in him, Anderson continues to forge the path of lyrical integrity in music, harnessing his ability to craft a song that tells a familiar story, grabs you by the heart and moves you. Modern day examples include ""Whiskey Lullaby"" (Brad Paisley and Allison Krauss), ""Give It Away"" (George Strait), ""A Lot of Things Different"" (Kenny Chesney), and ""Which Bridge to Cross"" (Vince Gill).A product of a long-gone Nashville, Anderson worked to reinvent himself, and this biography documents Anderson’s fifty-plus-year career – a career he once thought unattainable. Richly illustrated with black-and-white photos of Anderson interacting with the superstars of American music, including such legends as Patsy Cline, Vince Gill, and Steve Wariner, this book highlights Anderson’s trajectory in the business and his influence on the past, present, and future of this dynamic genre.
Описание: G.B. Grayson and Henry Whitter were two of the most influential artists in the early days of country music. Featuring never before published photographs and using interviews from friends and relatives, as well as contemporary scholarship, this book is the first to fully explore their lives and songs. It also examines the Southern Appalachian world that shaped their music.
Автор: Edwards Leigh H. Название: Dolly Parton, Gender, and Country Music ISBN: 0253031559 ISBN-13(EAN): 9780253031556 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2633.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes—the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.
John Duffey's Bluegrass Life: Featuring The Country Gentlemen, Seldom Scene and Washington, D.C. with a Foreword by Tom Gray is the definitive biography of one of bluegrass music's most important artists of the genre. Through his work as a founding member of these two pioneering bands, John Duffey urbanized bluegrass and introduced it to a broad new audience. John's quotes from a four-hour, never-before-published 1984 interview are italicized throughout and provide the book's foundation.
The book begins with a profile of his father, John Humbird, Metropolitan Opera star and chronicles Duffey's earliest exposure to music, listening to opera on the radio with his dad. Childhood friend Bill Blackburn serves up memories of Duffey from the 2nd grade through high school and beyond involving bowling, baseball, and after-school drag racing adventures. The book reveals that it was hillbilly music on the radio that inspired Duffey to learn guitar and mandolin after a brief failed attempt at the banjo.
Accounts of Duffey's early musical career provide an overview of John's first bands, leading up to how The Country Gentlemen were formed following a horrific car accident. The Country Gentlemen's Bill Emerson, Charlie Waller, Eddie Adcock, and Tom Gray are profiled and interviewed.
For the first time, John's biological daughter, Ginger "Sam" Allred, speaks candidly about her relationship with both Duffey, and her stepfather, Pete Kuykendall. Duffey's friend Pete helped shape the Gent's first recordings, played with them, and founded Bluegrass Unlimited magazine.
More than 50 rare or never-before-seen photographs--some by Carl Fleischhauer--create a fascinating portrait of the complex, iconoclastic entertainer. Carl also contributed his memories of John.
Bill Monroe and Ralph Stanley are featured and the authors make a rebuttal negative assertions that Ralph Stanley made about Duffey in his 2009 autobiography. "John Duffey could be as mean as a striped snake. He did all kinds of things that I thought were just plain wrong," Stanley claimed. This book sets the record straight.
Also included is the complete article Duffey wrote for Bluegrass Unlimited, "So, You Don't Like The Way We Do It (or Damn Your Tape Recorder). Duffey also discusses why he quit The Country Gentlemen, setting up the complete story of The Seldom Scene, as told by Duffey, John Starling, Ben Eldridge, Dave Auldridge, Mike Auldridge, Phil Rosenthal, and Tom Gray.
Scores of colorful stories for which Duffey was known are carefully collected here and facts are separated from urban legends. Examples include encounters with fellow musicians, presidents, and The Tonight Show orchestra, as well as tales about the Grand Ole Opry, the saga about John's stolen mandolin, his outrageous emcee antics, and more.
Duffey's 1995 UK interview by Tom Travis is included as is an Art Menius 1987 feature article on the "New" Seldom Scene for Bluegrass Unlimited. In the final chapter, "Fare Thee Well," friends and bandmates remember John's last days before his fatal heart attack. Washington Post music critic Richard Harrington granted permission to reprint the 1996 obituary he wrote for John, A Mandolin For All Seasons.
Gary Oelze, the owner of the Birchmere music club where the Scene became stars, shared his memories of John. Sam Bush, Jonathan Edwards, Pete Kennedy, Martha Adcock, Akira Otsuka, Dick Cerri, Emmylou Harris, Jimmy Gaudreau, Bryan Bowers, Peter "Dr. Banjo" Wernick, Tom Travis, Cliff Waldron are among the many voices that contribute informative and compelling interviews.
The book's narrative is supplemented with a 43-page Discography that provides track listings, recording dates, producers, composers, and musicians for every album.
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