Music and the sonorous sublime in european culture, 1680-1880,
Автор: Cameron, Jasmin Melissa Название: Crucifixion in music ISBN: 081085872X ISBN-13(EAN): 9780810858725 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 15206.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Crucifixion in Music studies the musical representation of words and the concepts and contexts to which words refer, examining the way the treatment of a literary text, namely the Crucifixus, coalesces into a recognizable musical tradition that individual composers follow, develop, modify, or ignore.
Автор: Sarah Hibberd, Miranda Stanyon Название: Music and the Sonorous Sublime in European Culture, 1680–1880 ISBN: 1108486592 ISBN-13(EAN): 9781108486590 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A historically situated study of the relationship between music, sound and the sublime, this book embraces familiar works and composers, such as Handel, C. P. E. Bach, Haydn and Wagner, but also explores less familiar repertory and source material. Performers and audiences are also considered as agents and sites of sublime experience.
Автор: Yana Stainova Название: Sonorous Worlds: Musical Enchantment in Venezuela ISBN: 0472039326 ISBN-13(EAN): 9780472039326 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4158.00 р. Наличие на складе: Нет в наличии.
Описание: El Sistema is a nationwide, state-funded music education program in Venezuela. Founded in 1975 by economist and musician JosÉ Antonio Abreu, the institution has weathered seven jolting changes in government. Hugo ChÁvez and, after his death, president NicolÁs Maduro enthusiastically included the institution into the political agenda of the socialist project and captured the affective power of music for their own aims. Fueled by the oil boom in the 2000s, El Sistema grew over the years to encompass 1,210 orchestras for children and young people in Venezuela, reached almost 1 million people out of the 30 million in the country, and served as a model in more than 35 countries around the world.
Sonorous Worlds is an ethnography of the young Venezuelan musicians who participate in El Sistema, many of whom live in urban barrios and face everyday gang violence, state repression, social exclusion, and forced migration in response to sociopolitical crisis. This book looks at how these young people engage with what the author calls “enchantment,” that is, how through musical practices they create worlds that escape, rupture, and critique dominant structures of power. Stainova’s focus on artistic practice and enchantment allows her to theorize the successes and failures of political projects through the lens of everyday transformations in people’s lives.
Автор: Yana Stainova Название: Sonorous Worlds: Musical Enchantment in Venezuela ISBN: 0472132733 ISBN-13(EAN): 9780472132737 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10395.00 р. Наличие на складе: Нет в наличии.
Описание: El Sistema is a nationwide, state-funded music education program in Venezuela. Sonorous Worlds is an ethnography of the young Venezuelan musicians who participate in El Sistema, many of whom live in urban barrios and face everyday gang violence, state repression, social exclusion, and forced migration in response to sociopolitical crisis.
Автор: George J Buelow Название: The Late Baroque Era: Vol 4. From The 1680s To 1740 ISBN: 0333516036 ISBN-13(EAN): 9780333516034 Издательство: Springer Рейтинг: Цена: 16769.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Covers the development of musical life in the great centres of European music - Paris, Vienna, London and the courts of Italy and Germany. The contributions of Handel and Bach, and their lesser colleagues are set in their historical and sociological context.
Автор: Andrew H. Clark, Keith Chapin Название: Speaking of Music: Addressing the Sonorous ISBN: 082325139X ISBN-13(EAN): 9780823251391 Издательство: Wiley EDC Рейтинг: Цена: 5663.00 р. Наличие на складе: Поставка под заказ.
Описание: People chat about music every day, but they also treat it as a limit, as the boundary of what is sayable. By addressing different perspectives and traditions that form and inform the speaking of music in Western culture—musical, literary, philosophical, semiotic, political—this volume offers a unique snapshot of today’s scholarship on speech about music. The range of considerations and material is wide. Among others, they include the words used to interpret musical works (such as those of Beethoven), the words used to channel musical practices (whether Bach’s, Rousseau’s, or Hispanic political protesters’), and the words used to represent music (whether in a dialogue by Plato, in a story by Balzac, or in an Italian popular song). The contributors consider the ways that music may slide by words, as in the performance of an Akpafu dirge or in Messiaen, and the ways that music may serve as an embodied figure, as in the writings of Diderot or in the sound and body art of Henri Chopin. The book concludes with an essay by Jean-Luc Nancy.
Автор: Keith Chapin, Andrew H. Clark Название: Speaking of Music: Addressing the Sonorous ISBN: 0823251381 ISBN-13(EAN): 9780823251384 Издательство: Wiley EDC Рейтинг: Цена: 14243.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: People chat about music every day, but they also treat it as a limit, as the boundary of what is sayable. By addressing different perspectives and traditions that form and inform the speaking of music in Western culture—musical, literary, philosophical, semiotic, political—this volume offers a unique snapshot of today’s scholarship on speech about music. The range of considerations and material is wide. Among others, they include the words used to interpret musical works (such as those of Beethoven), the words used to channel musical practices (whether Bach’s, Rousseau’s, or Hispanic political protesters’), and the words used to represent music (whether in a dialogue by Plato, in a story by Balzac, or in an Italian popular song). The contributors consider the ways that music may slide by words, as in the performance of an Akpafu dirge or in Messiaen, and the ways that music may serve as an embodied figure, as in the writings of Diderot or in the sound and body art of Henri Chopin. The book concludes with an essay by Jean-Luc Nancy.
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